Panchajanya: A Bold Interpretation of the Noble Feats of Lord Krishna on Stage
Nandikar is a theatre-group of Bengal, which has almost four decades of experience to cash in on,...
Read MorePosted by Ketaki Datta | 12th Jan 2017 | Adaptation, India, Review
Nandikar is a theatre-group of Bengal, which has almost four decades of experience to cash in on,...
Read MorePosted by Jack Wernick | 9th Jan 2017 | Adaptation, Festivals, New York, Review, Theatre and Opera, United States of America
Both postmodern tragedy and ageless love story, Lars von Trier’s 1996 film seemed inevitable...
Read MorePosted by Jessica Rizzo | 9th Jan 2017 | Adaptation, Devised Theatre, New York, North America, Review
Reading J. D. Salinger’s 1951 The Catcher in the Rye marks the moment in the lives of countless...
Read MorePosted by Nobuko Tanaka | 31st Dec 2016 | Adaptation, Japan, News
From soccer minnows Leicester City winning the English Premier League to “That Election” in the...
Read MorePosted by Kasia Lech | 24th Dec 2016 | Adaptation, News, Poland
In Poland, the word “refugee” is now used by school children as an insult, as revealed by a...
Read MorePosted by Armando Rotondi | 19th Dec 2016 | Adaptation, Essay, Japan, Musical Theatre
The adaptation of Japanese manga into musical theatre productions represents an interesting...
Read MorePosted by Mohammad Asim Siddiqui | 8th Dec 2016 | Adaptation, India, Review, Theatre and Politics
In his institutional history of literature in American colleges and universities, Gerald Graff...
Read MorePosted by Janka Lakosi | 6th Dec 2016 | Adaptation, Hungary, News
The joint performance of Budapest National Theatre and Illyés Gyula Theatre from Beregszász, A...
Read MorePosted by KaiChieh Tu | 5th Dec 2016 | Acting, Adaptation, Essay, Poland, Theatre and Gender
Devising their works in a 13th-century refractory and former monastery in Wrocław’s Old Town, Song...
Read MorePosted by Lauren Dubowski | 27th Nov 2016 | Adaptation, Essay, Festivals, Immersive Theatre, Poland, Review
It is noteworthy that the custom of banqueting the dead seems to be common to all pagan peoples,...
Read MorePosted by Cristina Modreanu | 30th Oct 2016 | Adaptation, News, Romania, Theatre and Gender
Future is Feminine introduces American audiences to innovative Romanian women artists remixing...
Read MorePosted by Jessica Rizzo | 28th Oct 2016 | Adaptation, New York, Review, Theatre and Gender, United States of America
The Maids, September 29-October 23, The INTAR Theatre, New York City Invoking the...
Read MorePosted by Megan Geigner | 21st Oct 2016 | Adaptation, Chicago, Musical Theatre, News
The Tempest and Dreamgirls take top honors at the 48th Annual Jeff Awards October 17, 2016 –...
Read MorePosted by Nora Amin | 13th Oct 2016 | Adaptation, Applied Theatre, Egypt, Essay
It was September 2012 that I had decided to stage An Enemy of the People, by Henrik Ibsen. A play...
Read MorePosted by The Theatre Times | 25th Sep 2016 | Adaptation, China, Chinese Theatre Abroad, News
Internationally renowned Shanghai Jingju Theatre Company transforms Shakespeare’s Hamlet...
Read MorePosted by Alexandra Guzeva - Russia Beyond the Headlines | 1st Sep 2016 | Adaptation, News, Russia
Productions of Moscow’s leading theaters will be shown in cinemas all over the U.S. and...
Read MorePosted by Ketaki Datta | 31st Aug 2016 | Adaptation, India, Review
Kolkata Rangeela began its journey as a new theatre group in March 2014. But even before that,...
Read MorePosted by Divya Shekhar | 26th Aug 2016 | Adaptation, Review, Transcultural Collaborations
In the early 1900s in Paris, a farcical play by Georges Feydeau called A Flea In Her Ear went on...
Read MorePosted by Anna Prosvetova | 1st Jul 2016 | Adaptation, Interview, Russia, Theatre and Gender
Rachel Valentine Smith is a director, producer, designer, and filmmaker. She joined The Faction...
Read MorePosted by Anna Sorokina - Russia Beyond Headlines | 25th Jun 2016 | Adaptation, News, Russia
The U.S. is crazy over Krymov – Russian director gives a modern twist to a classic play. A...
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