Adaptation Archives - Page 23 of 24

Pushkin and Chekhov Stagings to Be Shown in US and Canada Cinemas

Posted by Alexandra Guzeva - Russia Beyond the Headlines | 1st Sep 2016 | Adaptation, News, Russia

Productions of Moscow’s leading theaters will be shown in cinemas all over the U.S. and...

Natak Phatak: A Bold Attempt in Adapting “One Flew Over the Cuckoo’s Nest” to the Bengal Stage

Posted by Ketaki Datta | 31st Aug 2016 | Adaptation, India, Review

Kolkata Rangeela began its journey as a new theatre group in March 2014. But even before that,...

Bangalore Little Theatre’s Latest Play is an Adaptation of a French Classic

Posted by Divya Shekhar | 26th Aug 2016 | Adaptation, Review, Transcultural Collaborations

In the early 1900s in Paris, a farcical play by Georges Feydeau called A Flea In Her Ear went on...

Interview: Rachel Valentine Smith Of The Faction On Gorky’s “Vassa Zheleznova,” Gender Equality And Contemporary Theatre

Posted by Anna Prosvetova | 1st Jul 2016 | Adaptation, Interview, Russia, Theatre and Gender

Rachel Valentine Smith is a director, producer, designer, and filmmaker. She joined The Faction...

A Chekhov-Inspired Play Tops The Line-Up At Yale Theater Festival

Posted by Anna Sorokina - Russia Beyond Headlines | 25th Jun 2016 | Adaptation, News, Russia

The U.S. is crazy over Krymov – Russian director gives a modern twist to a classic play. A...

Theatre Review: Odéon–Théâtre De L’Europe’s “Phaedra(s)” With Isabel Huppert At The Barbican

Posted by Olenka Hamilton | 16th May 2016 | Adaptation, France, Poland, Review

Polish theatre director Krzysztof Warlikowski’s Phaedra(s) is in London from the Odeon Theatre de...

The Secret River, Silences, And Our Nation’s History

Posted by Ashley Barnwell | 28th Mar 2016 | Adaptation, Australia, Review, Theatre and Politics

Neil Armfield’s new stage adaptation of Kate Grenville’s 2005 novel The Secret River invites us to...

The Tragedy Of “Hamlet” With An Egyptian Twist In Al-Hanager Theatre

Posted by Rana Khaled | 27th Mar 2016 | Adaptation, Egypt, Interview

In his famous tragedy Hamlet, which portrayed revenge, death, greed, and betrayal, William...

Cultural Differences Over Suicide Made For An Interesting Creative Process In “Eternal Chikamatsu”

Posted by Nobuko Tanaka | 27th Feb 2016 | Adaptation, Japan, Review

In 2014, rising playwright and director Kenichi Tani translated Harold Pinter’s Old Times for an...

If I Be Left Behind: Toni Morrison’s “Desdemona” Reminds Us Too Many Voices Remain Unheard

Posted by Asher Warren | 19th Oct 2015 | Adaptation, Australia, Review

The tragedy of Shakespeare’s Desdemona haunts the literary canon. Her murder at the hands of her...

Toni Morrison’s “Desdemona” Invites Us To Listen Not Just Hear

Posted by Paul Rae | 15th Oct 2015 | Adaptation, Australia, Review

In Desdemona, Toni Morrison’s response to Shakespeare’s Othello, which opens today at the...

Goodbye To All That: Orwell’s “1984” Is A Boot Stamping On A Human Face No More

Posted by Robert Hassan | 14th Oct 2015 | Adaptation, Australia, Melbourne, Review

The blurb for Robert Icke and Duncan Macmillan’s stage adaption of George Orwell’s 1984 for the...

“Antigone” Now: Greek Tragedy Is The Debate We Have To Have

Posted by Christine Lambrianidis | 18th Aug 2015 | Adaptation, Australia, Essay, Melbourne

When you hear the words Greek tragedy, you might think of white masks, or even the ongoing...

Why We Should Expect Great Things From David Bowie’s New Musical Play

Posted by Denis Flannery | 10th Apr 2015 | Adaptation, Essay, United Kingdom

I’m not sure many saw David Bowie’s latest creative project coming. It was recently announced that...

Jimmy Savile Play May Revolt Some, But It’s A Necessary Part Of Confronting The Horror

Posted by John Drakakis | 9th Apr 2015 | Adaptation, Essay, London, United Kingdom

The announcement that a play about Jimmy Savile is to be staged in London this summer has raised...

The Amateur’s Age Of Unriddling: “Finnegans Wake” On Stage

Posted by Gabrielle Carey | 9th Mar 2015 | Adaptation, Australia, News

Seventy-five years after publication, James Joyce’s Finnegans Wake may finally be starting to make...

Q And A With Author Of “The Tribe”: Michael Mohammed Ahmad

Posted by Alix Bromley | 21st Jan 2015 | Adaptation, Australia, Interview

This week, as part of Sydney Festival’s Bankstown: Live program, Michael Mohammed Ahmad will...

Interview With the Creative Team of “Notes from Underground”

Posted by Emily McGovern | 7th Nov 2014 | Adaptation, France, Interview, Russia, Transcultural Collaborations, United Kingdom

British actor Harry Lloyd and French director Gérald Garutti’s stage adaptation of the Fyodor...

Vladimir Sorokin Takes The Stage

Posted by RBTH and Dmitriy Romendik | 19th Oct 2014 | Adaptation, Review, Russia

The premier of Telluria caused little controversy when it opened in St. Petersburg. Maybe Russian...

Hugo Weaving Reveals Macbeth’s Weakness–And His Unhappiness

Posted by Claire Hansen | 29th Jul 2014 | Adaptation, Australia, Review

Sydney Theatre Company’s new production of Macbeth may draw attention for its star, Hugo Weaving,...

Adaptation

Pushkin and Chekhov Stagings to Be Shown in US and Canada Cinemas

Natak Phatak: A Bold Attempt in Adapting “One Flew Over the Cuckoo’s Nest” to the Bengal Stage

Bangalore Little Theatre’s Latest Play is an Adaptation of a French Classic

Interview: Rachel Valentine Smith Of The Faction On Gorky’s “Vassa Zheleznova,” Gender Equality And Contemporary Theatre

A Chekhov-Inspired Play Tops The Line-Up At Yale Theater Festival

Theatre Review: Odéon–Théâtre De L’Europe’s “Phaedra(s)” With Isabel Huppert At The Barbican

The Secret River, Silences, And Our Nation’s History

The Tragedy Of “Hamlet” With An Egyptian Twist In Al-Hanager Theatre

Cultural Differences Over Suicide Made For An Interesting Creative Process In “Eternal Chikamatsu”

If I Be Left Behind: Toni Morrison’s “Desdemona” Reminds Us Too Many Voices Remain Unheard

Toni Morrison’s “Desdemona” Invites Us To Listen Not Just Hear

Goodbye To All That: Orwell’s “1984” Is A Boot Stamping On A Human Face No More

“Antigone” Now: Greek Tragedy Is The Debate We Have To Have

Why We Should Expect Great Things From David Bowie’s New Musical Play

Jimmy Savile Play May Revolt Some, But It’s A Necessary Part Of Confronting The Horror

The Amateur’s Age Of Unriddling: “Finnegans Wake” On Stage

Q And A With Author Of “The Tribe”: Michael Mohammed Ahmad

Interview With the Creative Team of “Notes from Underground”

Vladimir Sorokin Takes The Stage

Hugo Weaving Reveals Macbeth’s Weakness–And His Unhappiness

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