Adaptation Archives - Page 14 of 23

An Adaptation of Samuel Beckett’s “Watt” Questions Being And Perception

Posted by Sarah Balkin | 20th Oct 2018 | Adaptation, Festivals, Ireland, Melbourne, Review

It resembled a pot, it was almost a pot, but it was not a pot of which one could say, Pot, pot,...

Jasmin Vardimon: Adapting “Medusa” Myth In The Liquid Modernity Age

Posted by Armando Rotondi | 14th Oct 2018 | Adaptation, Essay, Review, Theatre and Dance, United Kingdom

Choreographer Jasmin Vardimon’s new show, Medusa, is a multiple and composite piece of art that is...

Hal Coase’s “Mrs. Dalloway” At The Arcola Theatre

Posted by Aleks Sierz | 6th Oct 2018 | Adaptation, London, Review, United Kingdom

Since Virginia Woolf’s Mrs. Dalloway was first published in 1925 its reputation as a brilliant...

Adapting Identities: Freya Treutmann’s “Scratches” And “Evidence Of Codes” In Edinburgh

Posted by Armando Rotondi | 3rd Oct 2018 | Adaptation, Playwriting, Review, Theatre and Art, United Kingdom

The relation between identity and performance is one of the strongest topics in the field of...

“Free EU Roaming”: Adapting Catalan Referendum Into A Play

Posted by Armando Rotondi | 30th Sep 2018 | Adaptation, Devised Theatre, Festivals, Review, Theatre and Politics, United Kingdom

Presented at the Smock Alley Theatre for the last edition of the Dublin Fringe Festival, Free EU...

Conversation With Élise Vigier, Director Of “Harlem Quartet”

Posted by Nicole Birmann Bloom | 22nd Sep 2018 | Adaptation, France, Interview

The 7th Edition of Seuls en scène, Princeton French Theater Festival presents Harlem...

A Performative View on Kafka’s “The Great Wall” by Paper Tiger Theatre Studio (Beijing)

Posted by Andreea Chirita | 22nd Sep 2018 | Adaptation, China, Essay

In May and August 2017, respectively, Theater der Welt in Hamburg and The Shanghai Ming...

How “Possessed” Is The Audience?

Posted by Katerina Leoudi | 14th Sep 2018 | Adaptation, Greece, Review

What is expected from theatrical adaptations of literature? Why have they become so popular...

Review: “Sisters” At Soulpepper Theatre

Posted by Joe Szekeres | 10th Sep 2018 | Adaptation, Canada, Review

Nicole Power (who plays Evelina) writes in her Soulpepper Artist Program Note that she is grateful...

Young Work At TAZ #2018: Alice Bogaerts And Ingrid Berger Myhre

Posted by Rathsaran Sireekan | 9th Sep 2018 | Adaptation, Belgium, Festivals, Review

At their first encounter with director Alice Bogaerts’s and dramaturg Marleen Ilg’s stage...

Nine Years Theatre’s “Pissed Julie 茱莉小解”: Third Wheelings

Posted by Daniel Teo | 25th Aug 2018 | Adaptation, Review, Singapore

In Pissed Julie, the magic number is three. The play begins with a row of three chairs, dwarfed by...

Seana Mckenna Shines As Julius Caesar At Stratford

Posted by Jamie Portman | 25th Aug 2018 | Adaptation, Canada, Festivals

By the time the assassination scene arrives in the Stratford Festival’s new production of Julius...

Marguerite Duras’ “La Maladie De La Mort”: Katie Mitchell and Alice Birch Collaboration

Posted by Duška Radosavljević | 24th Aug 2018 | Adaptation, Festivals, Review, Theatre and Gender, Transcultural Collaborations, United Kingdom

As its title suggests, La Maladie De La Mort is not exactly an uplifting piece of theatre. In...

Korean Theatre at The Edinburgh Fringe 2018: “About Lady White Fox with Nine Tales . . .”

Posted by Walter Byongsok Chon | 18th Aug 2018 | Adaptation, Festivals, Interview, South Korea

Korean theatre company YVUA ARTS makes their Edinburgh Festival Fringe debut with About Lady White...

How Norwegians Do It (Play Ibsen, That Is)

Posted by Michael Evans | 17th Aug 2018 | Adaptation, Norway, Poland, Review, Theatre and Gender

The plays of the great Norwegian playwright Henrik Ibsen are a natural staple of the repertoire at...

“Melancholia” Artfully Brings The End Of The World To The Stage

Posted by Sandra D'urso | 3rd Aug 2018 | Adaptation, Australia, Review, Theatre and Film

Melancholia is based on Lars von Trier’s 2011 film of the same title but has been adapted for the...

“Orlando” At Soulpepper Theatre

Posted by Joe Szekeres | 23rd Jul 2018 | Adaptation, Canada, Review, Theatre and Gender

To see actors who have received proper professional training in the use of two core...

Sally Cookson’s “A Monster Calls” At The Old Vic

Posted by Aleks Sierz | 20th Jul 2018 | Adaptation, London, Review, Theatre for Young Audiences, United Kingdom

There are few subjects as emotionally fraught as the relationship between childhood and death. How...

“Imperium” at The Gielgud Theatre

Posted by Aleks Sierz | 13th Jul 2018 | Adaptation, London, Review, Theatre and Politics, United Kingdom

History repeats itself. This much we know. In the 1980s, under a Tory government obsessed with...

Hitchcock Meets Indian Film Noir

Posted by Vikram Phukan | 9th Jul 2018 | Adaptation, India, News

The fourth edition of Aadyam premieres with Atul Kumar’s crime extravaganza—Detective Nau Do...

Adaptation

An Adaptation of Samuel Beckett’s “Watt” Questions Being And Perception

Jasmin Vardimon: Adapting “Medusa” Myth In The Liquid Modernity Age

Hal Coase’s “Mrs. Dalloway” At The Arcola Theatre

Adapting Identities: Freya Treutmann’s “Scratches” And “Evidence Of Codes” In Edinburgh

“Free EU Roaming”: Adapting Catalan Referendum Into A Play

Conversation With Élise Vigier, Director Of “Harlem Quartet”

A Performative View on Kafka’s “The Great Wall” by Paper Tiger Theatre Studio (Beijing)

How “Possessed” Is The Audience?

Review: “Sisters” At Soulpepper Theatre

Young Work At TAZ #2018: Alice Bogaerts And Ingrid Berger Myhre

Nine Years Theatre’s “Pissed Julie 茱莉小解”: Third Wheelings

Seana Mckenna Shines As Julius Caesar At Stratford

Marguerite Duras’ “La Maladie De La Mort”: Katie Mitchell and Alice Birch Collaboration

Korean Theatre at The Edinburgh Fringe 2018: “About Lady White Fox with Nine Tales . . .”

How Norwegians Do It (Play Ibsen, That Is)

“Melancholia” Artfully Brings The End Of The World To The Stage

“Orlando” At Soulpepper Theatre

Sally Cookson’s “A Monster Calls” At The Old Vic

“Imperium” at The Gielgud Theatre

Hitchcock Meets Indian Film Noir

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