“Free EU Roaming”: Adapting Catalan Referendum Into A Play
Presented at the Smock Alley Theatre for the last edition of the Dublin Fringe Festival, Free EU...
Read MorePosted by Armando Rotondi | 30th Sep 2018 | Adaptation, Devised Theatre, Festivals, Review, Theatre and Politics, United Kingdom
Presented at the Smock Alley Theatre for the last edition of the Dublin Fringe Festival, Free EU...
Read MorePosted by Nicole Birmann Bloom | 22nd Sep 2018 | Adaptation, France, Interview
The 7th Edition of Seuls en scène, Princeton French Theater Festival presents Harlem...
Read MorePosted by Andreea Chirita | 22nd Sep 2018 | Adaptation, China, Essay
In May and August 2017, respectively, Theater der Welt in Hamburg and The Shanghai Ming...
Read MorePosted by Katerina Leoudi | 14th Sep 2018 | Adaptation, Greece, Review
What is expected from theatrical adaptations of literature? Why have they become so popular...
Read MorePosted by Joe Szekeres | 10th Sep 2018 | Adaptation, Canada, Review
Nicole Power (who plays Evelina) writes in her Soulpepper Artist Program Note that she is grateful...
Read MorePosted by Rathsaran Sireekan | 9th Sep 2018 | Adaptation, Belgium, Festivals, Review
At their first encounter with director Alice Bogaerts’s and dramaturg Marleen Ilg’s stage...
Read MorePosted by Daniel Teo | 25th Aug 2018 | Adaptation, Review, Singapore
In Pissed Julie, the magic number is three. The play begins with a row of three chairs, dwarfed by...
Read MorePosted by Jamie Portman | 25th Aug 2018 | Adaptation, Canada, Festivals
By the time the assassination scene arrives in the Stratford Festival’s new production of Julius...
Read MorePosted by Duška Radosavljević | 24th Aug 2018 | Adaptation, Festivals, Review, Theatre and Gender, Transcultural Collaborations, United Kingdom
As its title suggests, La Maladie De La Mort is not exactly an uplifting piece of theatre. In...
Read MorePosted by Walter Byongsok Chon | 18th Aug 2018 | Adaptation, Festivals, Interview, South Korea
Korean theatre company YVUA ARTS makes their Edinburgh Festival Fringe debut with About Lady White...
Read MorePosted by Michael Evans | 17th Aug 2018 | Adaptation, Norway, Poland, Review, Theatre and Gender
The plays of the great Norwegian playwright Henrik Ibsen are a natural staple of the repertoire at...
Read MorePosted by Sandra D'urso | 3rd Aug 2018 | Adaptation, Australia, Review, Theatre and Film
Melancholia is based on Lars von Trier’s 2011 film of the same title but has been adapted for the...
Read MorePosted by Joe Szekeres | 23rd Jul 2018 | Adaptation, Canada, Review, Theatre and Gender
To see actors who have received proper professional training in the use of two core...
Read MorePosted by Aleks Sierz | 20th Jul 2018 | Adaptation, London, Review, Theatre for Young Audiences, United Kingdom
There are few subjects as emotionally fraught as the relationship between childhood and death. How...
Read MorePosted by Aleks Sierz | 13th Jul 2018 | Adaptation, London, Review, Theatre and Politics, United Kingdom
History repeats itself. This much we know. In the 1980s, under a Tory government obsessed with...
Read MorePosted by Vikram Phukan | 9th Jul 2018 | Adaptation, India, News
The fourth edition of Aadyam premieres with Atul Kumar’s crime extravaganza—Detective Nau Do...
Read MorePosted by Diwan Singh Bajeli | 28th Jun 2018 | Adaptation, India, Review
Excellent music and performances rendered Asif Ali’s Nachyo Bahut Gopal a fine depiction of those...
Read MorePosted by Akarsh Khurana | 27th Jun 2018 | Adaptation, Books, India, Theatre for Young Audiences
Can’t we love a book enough to want to bring it to life on stage? Summer is here, and so are the...
Read MorePosted by Alvina Ruprecht | 26th Jun 2018 | Adaptation, Canada, Festivals, Review, Transmedia
In a small empty space illuminated by several enlarged computer screens, a shadowy figure sits...
Read MorePosted by Margarita Vargas | 24th Jun 2018 | Adaptation, Mexico, Review, Theatre and Art, Theatre and Gender
The gardens at the Museum of Modern Art in Mexico City have been the site of Emmanuel Márquez’s...
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