Ella Hickson’s “The Writer” at The Almeida Theatre
Is there such a thing as female writing? In the 1980s, a group of women writers emerged who...
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Acting
“Nine Night” at The National Theatre: The Play About Grief
The good news about so-called black drama on British stages is that it has broken out of its...
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“Absolute Hell” at The National Theatre
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend...
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An Actor’s Guide To Playing God
Mugamudigal, a city-based theatre group, gives lovers of the medium a chance to learn the ancient...
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Natasha Marshall’s “Half Breed” at The Soho Theatre
In the 2000s one of the many glories of new writing for British stages was the linguistically...
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“SeagullMachine” – The Assembly Mixes Chekhov and Müller
The lights never go down on the audience, the result being we all play a part in the production, and there are no spectators. La MaMa E.T.C. is a beautiful, decrepit, wonderfully haunted space; to redefine audience roles and do away with spectators is an adventurous, fun design for this stage.
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“La Cerisaie”: Chekhov’s “Cherry Orchard” With New Secrets
La Cérisaie (The Cherry Tree/The Cherry Orchard) presented by the Belgian company TG STAN (i.e....
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“Pressure” at The Park Theatre: New Play on D-Day
There are few things more British than talking about the weather. What makes this play about a...
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“The Birthday Party”- A Classic That Never Grows Old
Toby Jones, Zoë Wanamaker, Stephen Mangan, Tom Vaughan-Lawlor, Peter Wight, and Pearl Mackie make...
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Towards The Polski Theatre In The Underground
Protests against the new manager During the decade 2006–2016 the Polski Theatre in Wrocław became...
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Theatre Against Non-Human Reality: A Few Sentences About the Theatre of the Eighth Day
The Theatre of the Eighth Day (Teatr Ósmego Dnia), from Poznań, has been a phenomenon of Polish...
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Poland and The World of the Bad Change: The Theatre of the Eighth Day’s “And They Pitched a Tent Among Us”
For the last three years, liberal, pro-European Poland has been experiencing an identity crisis....
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Contemporary Poland in “Paragraph 196 (Exercises on Terror)” by the Theatre of the Eighth Day
The Theatre of the Eighth Day’s Paragraph 196 (exercises on terror) (Paragraf 196 kk (ćwiczenia z...
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Living And Breathing History, Through Noh
Noh performer Hisa Uzawa has spent her life devoted to an art form that—with its slow and steady...
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Legendary Russian Actor Oleg Tabakov Has Died. Why Was This Actor Loved by Everyone in Russia?
People’s Artist of the USSR, legendary Russian actor and director, Oleg Tabakov died on...
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Interpreting The Epics
The Tenkutittu and Badagutittu traditional theatre styles of coastal Karnataka come alive. The...
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“The Actor’s Life for Me:” A Conversation With David Greenspan
David Greenspan keeps busy. Just two weeks after closing his monumental solo rendition of Eugene...
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The Gaze Of The Robot: Oriza Hirata’s Robot Theatre
Ten Years of Robot Theatre Directed by Oriza Hirata In Japan, the development of humanoid robots...
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Mind The Gap: Theatre Group For The Over 60s Helps Salisbury Playhouse Cater For All
One of the things Salisbury Playhouse tries to do is provide opportunities for everyone in the...
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Actors Should Be Allowed To Be Parents Too
Acting, as the cliché goes, is child’s play. All that dressing up and pretending to be someone...
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