Acting Archives - Page 8 of 10

Natasha Marshall’s “Half Breed” at The Soho Theatre

Posted by Aleks Sierz | 12th May 2018 | Acting, London, Review, United Kingdom

In the 2000s one of the many glories of new writing for British stages was the linguistically...

“SeagullMachine” – The Assembly Mixes Chekhov and Müller

Posted by Heather Waters | 5th May 2018 | Acting, New York, Review, United States of America

The lights never go down on the audience, the result being we all play a part in the production, and there are no spectators. La MaMa E.T.C. is a beautiful, decrepit, wonderfully haunted space; to redefine audience roles and do away with spectators is an adventurous, fun design for this stage.

“La Cerisaie”: Chekhov’s “Cherry Orchard” With New Secrets

Posted by Alvina Ruprecht | 26th Apr 2018 | Acting, Adaptation, Belgium, Review

La Cérisaie (The Cherry Tree/The Cherry Orchard) presented by the Belgian company TG STAN (i.e....

“Pressure” at The Park Theatre: New Play on D-Day

Posted by Aleks Sierz | 23rd Apr 2018 | Acting, Documentary Theatre, London, Review, United Kingdom

There are few things more British than talking about the weather. What makes this play about a...

“The Birthday Party”- A Classic That Never Grows Old

Posted by María Agustina Pardini | 28th Mar 2018 | Acting, London, Review, United Kingdom

Toby Jones, Zoë Wanamaker, Stephen Mangan, Tom Vaughan-Lawlor, Peter Wight, and Pearl Mackie make...

Towards The Polski Theatre In The Underground

Posted by Piotr Rudzki (University of Wrocław) | 27th Mar 2018 | Acting, Applied Theatre, Essay, Poland, Producing, Theatre and Politics

Protests against the new manager During the decade 2006–2016 the Polski Theatre in Wrocław became...

Theatre Against Non-Human Reality: A Few Sentences About the Theatre of the Eighth Day

Posted by Klaudia Święcicka (Klaudiusz Święcicki) | 27th Mar 2018 | Acting, Essay, Poland, Polish Theatre and Gender, Theatre and Politics

The Theatre of the Eighth Day (Teatr Ósmego Dnia), from Poznań, has been a phenomenon of Polish...

Poland and The World of the Bad Change: The Theatre of the Eighth Day’s “And They Pitched a Tent Among Us”

Posted by Klaudia Święcicka (Klaudiusz Święcicki) | 27th Mar 2018 | Acting, Poland, Review, Theatre and Politics

For the last three years, liberal, pro-European Poland has been experiencing an identity crisis....

Contemporary Poland in “Paragraph 196 (Exercises on Terror)” by the Theatre of the Eighth Day

Posted by Klaudia Święcicka (Klaudiusz Święcicki) | 27th Mar 2018 | Acting, Poland, Review, Theatre and Politics

The Theatre of the Eighth Day’s Paragraph 196 (exercises on terror) (Paragraf 196 kk (ćwiczenia z...

Living And Breathing History, Through Noh

Posted by Katherine Whatley | 24th Mar 2018 | Acting, Essay, Japan, Theatre and Gender

Noh performer Hisa Uzawa has spent her life devoted to an art form that—with its slow and steady...

Legendary Russian Actor Oleg Tabakov Has Died. Why Was This Actor Loved by Everyone in Russia?

Posted by Yulia Shamporova | 21st Mar 2018 | Acting, News, Russia

People’s Artist of the USSR, legendary Russian actor and director, Oleg Tabakov died on...

Interpreting The Epics

Posted by Vikram Phukan | 20th Mar 2018 | Acting, Festivals, India, Review

The Tenkutittu and Badagutittu traditional theatre styles of coastal Karnataka come alive. The...

“The Actor’s Life for Me:” A Conversation With David Greenspan

Posted by Jessica Rizzo | 17th Mar 2018 | Acting, Interview, Playwriting, United States of America

David Greenspan keeps busy. Just two weeks after closing his monumental solo rendition of Eugene...

The Gaze Of The Robot: Oriza Hirata’s Robot Theatre

Posted by Krisztina Rosner | 11th Mar 2018 | Acting, Essay, Japan, Theatre and Science, Transmedia

Ten Years of Robot Theatre Directed by Oriza Hirata In Japan, the development of humanoid robots...

Mind The Gap: Theatre Group For The Over 60s Helps Salisbury Playhouse Cater For All

Posted by Lucy Rouse | 4th Mar 2018 | Acting, News, Theatre and Age, United Kingdom

One of the things Salisbury Playhouse tries to do is provide opportunities for everyone in the...

Actors Should Be Allowed To Be Parents Too

Posted by Bernadette McNulty | 25th Feb 2018 | Acting, London, News, United Kingdom

Acting, as the cliché goes, is child’s play. All that dressing up and pretending to be someone...

An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”

Posted by Taurie Kinoshita | 18th Jan 2018 | Acting, Hawaii, Interview, Transcultural Collaborations

The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...

Theatre Play “Surrender” Sheds Light On New Egyptian Talents Ready To Enter Acting Scene

Posted by Ossama Lotfy Fateem | 9th Jan 2018 | Acting, Egypt, Review

Staged by the Actor’s Studio, an initiative housed by the Creativity Centre, Surrender is a...

Traumatic Dramatics: Iraqi Addicts, Criminals, And Survivors Use Theatre As Therapy

Posted by Sara al-Qaher | 24th Dec 2017 | Acting, Iraq, News, Playwriting, Theatre and Politics

An Iraqi man is using drama therapy to help local drug addicts, juvenile offenders and victims of...

Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company

Posted by Heather Waters | 24th Dec 2017 | Acting, Directing, New York, Review, United States of America

Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...

Acting

Natasha Marshall’s “Half Breed” at The Soho Theatre

“SeagullMachine” – The Assembly Mixes Chekhov and Müller

“La Cerisaie”: Chekhov’s “Cherry Orchard” With New Secrets

“Pressure” at The Park Theatre: New Play on D-Day

“The Birthday Party”- A Classic That Never Grows Old

Towards The Polski Theatre In The Underground

Theatre Against Non-Human Reality: A Few Sentences About the Theatre of the Eighth Day

Poland and The World of the Bad Change: The Theatre of the Eighth Day’s “And They Pitched a Tent Among Us”

Contemporary Poland in “Paragraph 196 (Exercises on Terror)” by the Theatre of the Eighth Day

Living And Breathing History, Through Noh

Legendary Russian Actor Oleg Tabakov Has Died. Why Was This Actor Loved by Everyone in Russia?

Interpreting The Epics

“The Actor’s Life for Me:” A Conversation With David Greenspan

The Gaze Of The Robot: Oriza Hirata’s Robot Theatre

Mind The Gap: Theatre Group For The Over 60s Helps Salisbury Playhouse Cater For All

An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”

Theatre Play “Surrender” Sheds Light On New Egyptian Talents Ready To Enter Acting Scene

Traumatic Dramatics: Iraqi Addicts, Criminals, And Survivors Use Theatre As Therapy

Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company

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