Acting Archives - Page 5 of 10

Between Freedom and Manipulation: The Situation of Actors in “Factory 2

Posted by Monika Kwaśniewska | 8th Jan 2020 | Acting, Essay, Poland

Since I will be recalling many other voices, I will start, somewhat pretentiously, with my own, in...

The Puppets Are Changing: “The Weak Year” at The Academy of Theatre Arts in Wrocław

Posted by Katarzyna Waligóra | 25th Dec 2019 | Acting, Poland, Puppetry, Review

The play begins with an entrance exam. Clad in suit jackets, a group of women and men sit onstage...

“We Need to Make Kathakali More Egalitarian”: Interview with Peesappilly Rajeevan

Posted by Achuthan T K | 24th Dec 2019 | Acting, India, Interview

Peesappilly Rajeevan talks about his artistic journey, the state of Kathakali today and what needs...

“Trace”: The Impact of Identity and Family Through Time.

Posted by Patrick Langston | 17th Dec 2019 | Acting, Canada, Review

“We are women who do what must be done” so says the cigarette-puffing, mahjong-addicted...

Krysta Rodriguez on Her Latest Stage Role in “Seared” and Her Collaboration with Theresa Rebeck

Posted by Holly Rosen Fink | 14th Dec 2019 | Acting, Interview, New York, United States of America

If you’re a culture vulture and are interested in TV and theater, most likely, you know a...

“Happy Days” at Theatre Kingston

Posted by Natasha Lomonossoff | 19th Nov 2019 | Acting, Canada, Review

The works of modern Irish playwright Samuel Beckett, largely absurdist and tragicomic in scope,...

“Games” at Soho Playhouse

Posted by Abigail Weil | 20th Oct 2019 | Acting, New York, Review, Theatre and Politics, United States of America

Henry Naylor’s Games, now at the SoHo Playhouse, highlights those human activities that are...

Vignesh Ratnam’s “Pattambi”

Posted by Kumaresh K.R. | 1st Oct 2019 | Acting, India, Review

Vignesh Ratnam’s play, Pattambi, written by Ratnam Koothapiran, is certainly of a different kind....

Khekhe On His Journey And Future In Zimbabwean Theatre

Posted by Takudzwa Chihambakwe | 20th Sep 2019 | Acting, Interview, Zimbabwe

The theatre vibe in Zimbabwe is really subdued at the moment. The vanguards have reached their...

Sanhita Manch: Plays Spanning Genres And Sensibilities

Posted by Vikram Phukan | 28th Aug 2019 | Acting, India, Review

Sanhita Manch’s third edition will stage four original plays that celebrate homegrown talent in...

Theatre, Film, and the Future: Anthony Wong Chau-sang and His Ongoing Dynamic Performance Career

Posted by Elizabeth Kerr Zolima CityMag | 15th Aug 2019 | Acting, Essay, Hong Kong

It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...

Four Brazilian Artists Choose New York as Headquarters of Their Resistance

Posted by Augusta Motta | 13th Aug 2019 | Acting, Brazil, News, Theatre and Politics, United States of America

Evoé Collective was born a year ago founded by four Brazilian actresses based in NYC. Bárbara...

Company of Fools: No Foolin’. This “Romeo and Juliet” Is a Capering Classic

Posted by Patrick Langston | 20th Jul 2019 | Acting, Adaptation, Canada, Review

Has A Company of Fools rediscovered its mojo? After a series of hits and misses, including last...

“Bitter Wheat” at Garrick Theatre

Posted by Aleks Sierz | 13th Jul 2019 | Acting, London, Review, United Kingdom

John Malkovich is back in town — and he’s starring in the most controversial play of the year....

Shakespeare’s Globe Touring Ensemble Will Return To Hong Kong

Posted by Zolima Citymag | 13th Jun 2019 | Acting, Dramaturgy, Hong Kong, News

One of the world’s most established Shakespearean theatre groups from London puts on The Comedy of...

Actress Holley Fain on the Art of Having Fierce Womanly Support in Broadway’s ”The Ferryman”

Posted by Holly Rosen Fink | 30th May 2019 | Acting, Interview, New York, United States of America, Women on Broadway and Beyond

Holley Fain is no stranger to Broadway, having appeared in Present Laughter and Harvey in recent...

Krishna, The Emissary of Peace

Posted by A Sangameswaran | 22nd May 2019 | Acting, Essay, India, Theatre and Religion

Thespian Ammannur Kuttan Chakyar gave a scholastic presentation of Melpathur Narayana...

Raamji Aayenge: When Beckett Met Valmiki

Posted by Vikram Phukan | 22nd May 2019 | Acting, Immersive Theatre, India, Review

Playing at the ongoing Damu Kenkre Smriti Mahotsav tonight is a fairly new production directed by...

“Hero Alom”: Shattering Frameworks of Beauty in Modern Indian Theatre

Posted by Vikram Phukan | 20th May 2019 | Acting, India, Review, Translation

Writer-director, Mahesh Ruprao Ghodeswar’s Hero Alom pays homage to the mainstream cinema even...

Transcending Michael Chekhov From the Classroom to the Stage

Posted by Timothy Allen | 17th May 2019 | Acting, Essay, New York, United States of America

Of the many precepts in developing a work for the stage, commonly method acting can be of the...

Acting

Between Freedom and Manipulation: The Situation of Actors in “Factory 2

The Puppets Are Changing: “The Weak Year” at The Academy of Theatre Arts in Wrocław

“We Need to Make Kathakali More Egalitarian”: Interview with Peesappilly Rajeevan

“Trace”: The Impact of Identity and Family Through Time.

Krysta Rodriguez on Her Latest Stage Role in “Seared” and Her Collaboration with Theresa Rebeck

“Happy Days” at Theatre Kingston

“Games” at Soho Playhouse

Vignesh Ratnam’s “Pattambi”

Khekhe On His Journey And Future In Zimbabwean Theatre

Sanhita Manch: Plays Spanning Genres And Sensibilities

Theatre, Film, and the Future: Anthony Wong Chau-sang and His Ongoing Dynamic Performance Career

Four Brazilian Artists Choose New York as Headquarters of Their Resistance

Company of Fools: No Foolin’. This “Romeo and Juliet” Is a Capering Classic

“Bitter Wheat” at Garrick Theatre

Shakespeare’s Globe Touring Ensemble Will Return To Hong Kong

Actress Holley Fain on the Art of Having Fierce Womanly Support in Broadway’s ”The Ferryman”

Krishna, The Emissary of Peace

Raamji Aayenge: When Beckett Met Valmiki

“Hero Alom”: Shattering Frameworks of Beauty in Modern Indian Theatre

Transcending Michael Chekhov From the Classroom to the Stage

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