As Utpal Dutt’s Play “Barricade” Completes 50 Years, a Look at How the Thespian Spoke Truth to Power
The immediate trigger for the play was political and topical. West Bengal, in 1971, was passing...
Read MorePosted by Ananda Lal | 5th May 2022 | Essay, India, Playwriting, Theatre and Politics
The immediate trigger for the play was political and topical. West Bengal, in 1971, was passing...
Read MorePosted by Lucija Klarik | 4th May 2022 | Adaptation, Croatia, Review, Theatre and Politics, Theatre and Religion
Zagreb Youth Theater (ZKM), premiered on February 26, 2022 It is almost impossible to begin a...
Read MorePosted by Julian Meyrick | 3rd May 2022 | Australia, Playwriting, Review, Theatre and Politics
Why did 46.8% of Americans vote for Donald Trump in the 2020 election? Why did approximately 2,000...
Read MorePosted by Jamie Q. Roberts | 2nd May 2022 | Education, Essay, Transmedia, United Kingdom
Although I’m wary of declaring any literary work to be the greatest ever, Shakespeare’s Hamlet...
Read MorePosted by Aleks Sierz | 2nd May 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Although the current government has blundered through both Brexit and the pandemic, and is now...
Read MorePosted by Ágnes Bakk | 30th Apr 2022 | Immersive Theatre, Interview, Transmedia, United States of America
Deirdre V. Lyons is currently living in Los Angeles and has been in over 75 Film and Theatrical...
Read MorePosted by Ian Kiyingi Muddu | 29th Apr 2022 | Playwriting, Review, Theatre and Politics, Zimbabwe
There are two in one Tonderai Munyevus. I meet both of them on a snowy February evening at Brixton...
Read MorePosted by Nemanja Stanojevic | 27th Apr 2022 | Design, Immersive Theatre, Interview, Producing, Serbia
Belgrade and Serbia have a three-century-long history of theatre. Along with the development of...
Read MorePosted by Aleks Sierz | 26th Apr 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
What does it feel like to be British and black? Ryan Calais Cameron has recently emerged as the...
Read MorePosted by Mert Dilek | 25th Apr 2022 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Jackie Sibblies Drury is one of the most exciting voices working in American theatre today. The...
Read MorePosted by Natasha Tripney | 24th Apr 2022 | Interview, Romania, Theatre and Politics, Transcultural Collaborations
Founded in 2015, Theatre Arts Group (TAG) is an independent theatre company in Romania that trains...
Read MorePosted by Aleks Sierz | 23rd Apr 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
When do you have to take a stand? What compels you to do it? And what are the costs involved?...
Read MorePosted by Anadolu Agency | 22nd Apr 2022 | Design, Theatre and Dance, Turkey
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Read MorePosted by Emily Cordes | 21st Apr 2022 | Producing, Review, Theatre and Gender, United States of America
The last several decades of U.S. history have seen a remarkable upswing in women’s political...
Read MorePosted by Borisav Matić | 20th Apr 2022 | Applied Theatre, Essay, Serbia, Theatre and Politics
Despite Serbia’s own environmental issues, work that explores ecological themes and the climate...
Read MorePosted by Lara Cox | 19th Apr 2022 | France, Playwriting, Review, Theatre and Decolonization, Theatre and Politics
One of France’s greatest prides is the network of African American artists who, in the...
Read MorePosted by Aleks Sierz | 18th Apr 2022 | Playwriting, Review, Theatre and Politics, United Kingdom
In 1987, Caryl Churchill — without doubt the best living playwright in Britain — premiered her...
Read MorePosted by Alexander Fatouros | 17th Apr 2022 | Immersive Theatre, New York, Review, Theatre and Art, United States of America
Utilizing downtown Manhattan’s East Village and NoHo as a set, Bated Breath Theatre Company’s...
Read MorePosted by Daily Sabah | 16th Apr 2022 | New York, Theatre and Art, Theatre and Opera, United States of America
It is “Don Carlos” season at the Metropolitan Opera in New York City, with the final...
Read MorePosted by Konrad Zielinski | 15th Apr 2022 | LGBTQ+ Theatre, Playwriting, Review, United Kingdom
Engaging with narratives that draw on the subject of male queerness can be precarious. Two major...
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