“The Handke Project,” Kosovo Theatre Showcase
The Handke Project, Kosovo Theatre Showcase, Teatri Oda, 26th October 2022 If The Handke Project...
Read MorePosted by Verity Healey | 13th Nov 2022 | Adaptation, Dramaturgy, Kosovo, Review, Theatre and Politics
The Handke Project, Kosovo Theatre Showcase, Teatri Oda, 26th October 2022 If The Handke Project...
Read MorePosted by Aleks Sierz | 12th Nov 2022 | Canada, Dramaturgy, Review, Theatre and Science, United Kingdom
The fictional world is our world, but at the same time it’s another place; likewise, the digital...
Read MorePosted by Dmitry Troyanovsky | 11th Nov 2022 | Essay, Germany, Theatre and Politics, Ukraine
Dmitry Troyanovsky is a theatre and opera director living in Boston, MA. Born in Kyiv, Ukraine...
Read MorePosted by Aleks Sierz | 10th Nov 2022 | Documentary Theatre, London, Playwriting, Theatre and Decolonization, United Kingdom
Sudha Bhuchar’s Evening Conversations at the Soho Theatre: a calmly intelligent exploration of family identity
Read MorePosted by Verity Healey | 9th Nov 2022 | Directing, Kosovo, Musical Theatre, Review, Theatre and Politics
Is this the first memorial disco theatre piece of its kind in modern theatre? Well, it’s a disco...
Read MorePosted by The African Theatre Magazine | 5th Nov 2022 | Adaptation, Dramaturgy, Review, South Africa
Masque theatre is hosting Cape Town Theatre Company’s A Picture of Dorian Gray. “A Picture of...
Read MorePosted by Emilija Kvočka | 3rd Nov 2022 | Adaptation, Dramaturgy, Hungary, Review
Buchner’s “historically difficult explains modernity” in the performance of...
Read MorePosted by Matthew McMahan | 31st Oct 2022 | Adaptation, Boston, Directing, Ireland, Review, United States of America
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
Read MorePosted by The African Theatre Magazine | 29th Oct 2022 | Africa, Applied Theatre, Education, News, Theatre and Decolonization
The African Theatre Magazine invites applicants to the second edition of the Writing about African...
Read MorePosted by Morgan Skolnik | 28th Oct 2022 | LGBTQ+ Theatre, Musical Theatre, New York, Review, United States of America
I was struggling to find my seat at New World Stages when two people a bit older than me wearing...
Read MorePosted by Sarah Austin | 27th Oct 2022 | Australia, Review, Theatre and Disability, Theatre for Young Audiences
Review: When the World Turns, by Polyglot Theatre and Oily Cart When the World Turns is a...
Read MorePosted by Lisa Monde | 26th Oct 2022 | Interview, Musical Theatre, New York, United States of America
This year is the 125th Anniversary of the famous gothic novel written by the Irish writer Bram...
Read MorePosted by Alexander Fatouros | 24th Oct 2022 | Musical Theatre, New York, Review, Theatre for Young Audiences, United States of America
An off-Broadway musical about the art of producing a musical and the love of show business “Sesame...
Read MorePosted by Aleks Sierz | 23rd Oct 2022 | London, Playwriting, Review, United Kingdom
Therapy is inherently dramatic. After all, it’s all about character — and it has the aim of...
Read MorePosted by Tom Cornford | 17th Oct 2022 | Directing, Essay, Theatre and Politics, United Kingdom
Since 2015, a large bronze statue has stood outside the Theatre Royal Stratford East. Raised on a...
Read MorePosted by The Hindu | 16th Oct 2022 | Adaptation, India, Interview, Theatre and Gender
The play seeks to draw parallels between Desdemona from Othello and select women from Indian epics...
Read MorePosted by Delphine Hesters | 15th Oct 2022 | Belgium, Education, News, Theatre and Dance
Five dancers. Three years. One school. Every three years 1000 young dancers from all over the...
Read MorePosted by Jonathan Kalb | 14th Oct 2022 | New York, Review, Theatre and Opera, United States of America
The opera Four Saints in Three Acts’ astonishingly successful run on Broadway in 1934 was the most...
Read MorePosted by Ati Metwaly | 12th Oct 2022 | Egypt, Festivals, News
The third edition of the Micro Theatre Festival (MTF) will kick off Saturday 8 October and run...
Read MorePosted by Alexander Nderitu | 11th Oct 2022 | Directing, Interview, Kenya, Theatre and Decolonization, Theatre and Politics
ALEXANDER NDERITU: Thank you for agreeing to this interview, Mr. Nash. Let’s start with some...
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