“Theatre Is King”: The 2023 Kenya Theatre Awards
The second edition of the Kenya Theatre Awards took place on 23rd February 2023 at the Kenya...
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Broadway Bodies: An Interview with Ryan Donovan
Productions of Broadway musicals have body issues. Full stop. From casting norms for Broadway...
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You Came to See the Obscene?—”2020: Obscene”
Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...
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Bjørg Vik’s “The Journey To Venice” At the Finborough Theatre: Norwegian Memory Play Is Tender If Slight
Bjørg Vik’s The Journey to Venice at the Finborough Theatre: Norwegian memory play is tender if slight
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Art and Tech Imaginings of Kat Mustatea
Creating art that reflects our time, Kat Mustatea is a playwright and technologist whose...
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Remembering A Silenced Teacher: Xavier Bobés And Alberto Conejero’s “El Mar. Visión De Unos Niños Que No Lo Han Visto Nunca”/”The Sea. Vision Of Some Children Who Have Never Seen It”
Xavier Bobés is one of those remarkable artists able to conjure a world through a few objects that...
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Speaking from Outside: Interview with Olga Voronkova
Olga Voronkova is a London-based, Belarusian video editor, scriptwriter, copywriter, and producer...
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Matilda Feyiṣayọ Ibini’s “Sleepova” at the Bush Theatre: Rather Predictable, but Fun Show about Coming of Age
Is anyone still nostalgic about their teen years? The coming-of-age drama is a staple of...
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Breaking Down Barriers through Cultural Policies: A Conversation with Artistic Director and Producer Jesús Cimarro
Jesús Cimarro is the current President of the Spanish Academy of Performing Arts (Academia de las...
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“Woman, Life, Freedom: Theatre and Protest in Iran”: A Virtual Roundtable in Honor of World Theatre Day
Dear Friends, Roshan Institute for Persian Studies, The Theatre Times, and the University of...
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Prototype Festival: “Mary Motorhead/Trade” and “In Our Daughter’s Eyes”
It has been so challenging to write these reviews of three recent works presented as part of the...
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“Trouble In Butetown” at the Donmar Warehouse
With the fast-approaching anniversary of the latest war in Europe, our culture’s continued...
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Friendship And Its Discontents: Juan Mayorga’s “Amistad”
Juan Mayorga, one of Spain’s most decorated dramatists — a member of Spain’s Spanish Royal Academy...
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Sitting Down with Emerging Artist Thalia Ranjbar
The work of Thalia Ranjbar may be challenging– pushing beyond norms and expectations, but at its...
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“Much Ado About Nothing:” National Youth Theatre Gives Shakespeare the Love Island Treatment
“What’s your type on paper?” is frequently asked by contestants on the popular reality dating...
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Brecht, Kabarett, and Pussy Riot: The Impact of AnomalousCo’s “(beyond) Doomsday Scrolling”
Entering the theatre at HERE Arts, there is already a sense of broken ground. My companion and I...
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More Than 2,000 People from Wittenoom Died of Asbestos-Related Diseases. A Powerful and Compelling Requiem Brings Their Story to the Stage
Deep in the remote Pilbara region of Western Australia, the town of Wittenoom lies empty,...
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The Digital Spectator. Romanian Experiences During the Pandemic
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
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The House Where Phantom Lived—Part I: The Majestic Theatre, New York
Dedicated to the 35th anniversary of the Broadway musical “The Phantom of the Opera.” It is known...
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Laura Horton’s “Breathless” at the Soho Theatre: Slender but Heartfelt Account of Hoarding
The female monologue is a well-established contemporary theatre form, but often the content is...
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