Latest Archives - Page 280 of 281

Svetlana Zakharova, Dancing On Giselle’s Points

Posted by Valentina Bonelli | 15th Sep 2012 | Interview, Russia, Theatre and Dance

From the Mariinsky to the Bolshoi to La Scala, Svetlana Zakharova is the face of Russian ballet...

“BerlusPutin” – Moscow Theater To Run One-Protest-Show About The Hybrid Of Putin And Berlusconi

Posted by Roman Dolzhansky | 13th Sep 2012 | News, Russia, Theatre and Politics

A production by the Moscow’s Teatr.doc has not just soared to popularity as a cultural event, but...

Aart Does Not Come From Justice: An Interview With Bożena Umińska-Keff

Posted by Marta Bryś | 4th Sep 2012 | Interview, Poland

Reminiscing on A Piece On Mother And The Fatherland, you said, “I phoned my friend to say:...

A Few Minor Subjects: An Interview with Mikołaj Mikołajczyk

Posted by Marta Michalak | 4th Sep 2012 | Interview, Poland, Polish Theatre and Dance

What is a classical approach for you? Thinking. Position. Discipline in my daily routine,...

I Want You Out Of My Sight: “Rainbow Stand 2012” and LGBTQ Rights in Poland

Posted by Joanna Jopek | 26th Aug 2012 | Essay, LGBTQ+ Theatre, Poland

In an interview following Strzępka and Demirski’s receipt of the Polityka Passport Pawel Demirski...

There is No Single Mainstream: Conversation With Wojtek Ziemilski About Devised Theatre

Posted by Wojtek Ziemilski | 22nd Jul 2012 | Devised Theatre, Directing, Interview, Poland

Talk with Wojtek Ziemilski Look around–nowadays even ads for shoes are often bolder than the...

“O dobru (On Goodness)” and Arts Censorship in Poland

Posted by Dorota Kowalkowska | 11th Jul 2012 | Essay, Poland, Theatre and Politics

The last piece written by Demirski and directed by Strzępka brings a simple, and yet a very...

The 16th Shakespeare Festival in Gdańsk

Posted by Agnieszka Kochanowska | 21st Jun 2012 | Festivals, Poland, Review, Theatre and Politics

This year, the plays staged at the festival spoke about distrust of authority and suspicion of the...

Baryshnikov And Krymov Collaborate For The Ages

Posted by Emmanuel Grynszpan | 31st May 2012 | Directing, Review, Russia

For the first time, Mikhail Baryshnikov acts in Russian for one of Russia’s most innovative...

Polish Movie Nite Presents Marcella Faustini: An Introduction To The Theatre Of Tadeusz Kantor

Posted by Joanna Szupinska-Myers | 12th May 2012 | Directing, Essay, Poland

The following essay is the fifth in this six-part column for CR. Developed during Polish Movie...

Russian Actress Wins Kudos In D.C.

Posted by Nora Fitzgerald | 7th May 2012 | Acting, Interview, Russian Theatre Abroad, United States of America

Irina Koval, who was raised in St. Petersburg, brings her training from Lenfilm Studios and a...

Les Kurbas’ Descendants

Posted by Iryna Chuzhynova | 12th Apr 2012 | Festivals, News, Russia

Modern and avant-guard as an extreme attempt of national revival. Large-scale international...

Kyiv Pectoral: The Theater On Podil Wins 6 Out Of 14 Awards

Posted by Iryna Chuzhynova | 29th Mar 2012 | Festivals, News, Ukraine

Unfortunately, the 20th anniversary of Ukraine’s only professional theater award failed to become...

Bogusław Schaeffer: Poland’s Renaissance Man

Posted by Magda Romanska | 19th Feb 2012 | Essay, Poland, Transmedia

Polish theatre has gained world renown thanks to its innovative and bold experimental style. In...

Artur Żmijewski’s “The White Mass” – On Church and Theatre

Posted by Piotr Gruszczynski | 22nd Jan 2012 | Poland, Review, Theatre and Politics

Artur Żmijewski did something seemingly simple, something which should’ve been done a long time...

“Starring Madame Modjeska: On Tour In Poland And America”

Posted by Margaret Araneo | 17th Jan 2012 | Books, Poland, Polish Theatre Abroad

When Helena Modjeska, Countess of Bożenta made her American debut at the California Theatre in San...

Greek Chorus Variations: Oratorium Dance Project

Posted by Dara Weinberg | 28th Dec 2011 | Essay, Poland, Theatre and Dance

Theatre Association, based in Łodź, which runs a theatre and education center offering a series of...

The Impossibility Of The End: Krzysztof Warlikowski’s “Apollonia”

Posted by Ewelina Godlewska-Byliniak | 7th Nov 2011 | Directing, Poland, Review

Does the end mean a promise of fulfillment? Or is it just its illusion, a delusive prospect of...

Preaching From The Chorus – Soundscape of Marta Górnicka’s Theatre

Posted by Dara Weinberg | 7th Nov 2011 | Directing, Musical Theatre, Poland, Review

“I want to create a new kind of chorus theatre,” says Marta Górnicka. If Tu Mówi Chór…...

But Why Are They Indispensable?

Posted by Marta Bryś | 7th Nov 2011 | Directing, Poland, Review

In his latest premiere, Koprofagi, Jan Klata abandons all the strategies that secured him his...

Latest

Svetlana Zakharova, Dancing On Giselle’s Points

“BerlusPutin” – Moscow Theater To Run One-Protest-Show About The Hybrid Of Putin And Berlusconi

Aart Does Not Come From Justice: An Interview With Bożena Umińska-Keff

A Few Minor Subjects: An Interview with Mikołaj Mikołajczyk

I Want You Out Of My Sight: “Rainbow Stand 2012” and LGBTQ Rights in Poland

“O dobru (On Goodness)” and Arts Censorship in Poland

The 16th Shakespeare Festival in Gdańsk

Baryshnikov And Krymov Collaborate For The Ages

Polish Movie Nite Presents Marcella Faustini: An Introduction To The Theatre Of Tadeusz Kantor

Russian Actress Wins Kudos In D.C.

Les Kurbas’ Descendants

Kyiv Pectoral: The Theater On Podil Wins 6 Out Of 14 Awards

Bogusław Schaeffer: Poland’s Renaissance Man

Artur Żmijewski’s “The White Mass” – On Church and Theatre

“Starring Madame Modjeska: On Tour In Poland And America”

Greek Chorus Variations: Oratorium Dance Project

The Impossibility Of The End: Krzysztof Warlikowski’s “Apollonia”

Preaching From The Chorus – Soundscape of Marta Górnicka’s Theatre

But Why Are They Indispensable?

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