“Medea” Is As Relevant Today As It Was In Ancient Greece
A new production of Medea recently opened at London’s National Theatre to critical acclaim. This...
Read More
Latest
LMDA 2014 Showcases Digital Theater Networks
The Literary Managers and Dramaturgs of the Americas (LMDA) convened the last week of June 2014 at...
Read More
“(A)pollonia: Twenty-First-Century Polish Drama And Texts For The Stage”
In her Preface to (A)pollonia: Twenty-First-Century Polish Drama And Texts For The Stage Joanna...
Read More
Romeo, Juliet, Viola, And Will: “Shakespeare In Love” Mash-Up Hits The Stage
I don’t really go in for creative mash-ups. You know: Alien Vs. Predator, or the films where...
Read More
Cath Day Reviews David Schneider’s “Making Stalin Laugh”: At JW3
David Schneider is probably most recognizable as BBC commissioning editor Tony Hayers in I’m Alan...
Read More
How Online Performance Needs to Grow
This post discusses the emergence and evolution of digital art and online performance in the...
Read More
Bringing Children’s Stories Out Of The Shadows
There are over 200 theaters in Moscow. In addition to the traditional drama and music theaters,...
Read More
“Henry V” Meets The London Blitz And Brings The House Down
Bell Shakespeare’s new production of William Shakespeare’s Henry V–which opened in Canberra on...
Read More
Between Art and Science: A Conversation with Roald Hoffmann
Roald Hoffmann was born in 1937 in Złoczów, Poland. Having survived the German Nazi occupation, in...
Read More
Robin Ashenden Reviews “Bloody East Europeans” By Uilleam Blacker And Molodyi Teatr
In Warwickshire a year ago, a fish-farmer was reported in the newspapers as putting a sign up by...
Read More
“Opus No.7” By Krymov To Be Performed In London
Director and artist Dmitry Krymov’s production of Opus No.7, about the Holocaust and the...
Read More
Treading A Fine Line: The Return Of Politics To Russian Theater
After a long period in which Russian theater productions avoided political themes, the last few...
Read More
Sailing Theater To Embark On Odyssey Around Europe
A theatrical event that recently kicked off in St. Petersburg is to set sail on an unusual voyage....
Read More
Natalya Vorozhbit Writes Verbatim “Maidan” Play
Natalya Vorozhbit is Ukraine’s leading playwright and co-author of Maidan: Voices from the...
Read More
SiGledal – Slovenian Theatre Portal
Now in its 7th year, SiGledal is the only Slovenian theatre web portal that provides information...
Read More
Bard Labour: Doing Time With The Shakespeare Prison Project
Since 2006, I have led the Shakespeare Prison Project, an initiative by the Queensland Shakespeare...
Read More
Natal’ya Vorozhbit’s “Voices Of The Uprising”
Before Maidan events faded from people’s memories, playwright Natal’ya Vorozhbit brought the...
Read More
“Prah” Premiere: Kasia Wroblewska Reviews György Spiro’s New Play
Ignition Stage, a small professional theatre company from Manchester, have taken upon themselves...
Read More
It’s Time To Adapt: We Need A Fully Functioning National Drama
Last year in Australian theatre a rare event took place: a sector-wide debate about the role of...
Read More
Interview with Svetozar Georgiev, Bulgarian Playwright
What is your first childhood memory of theatre? I have no clear memories of the theatre as a...
Read MoreLike Us On Facebook
Most Popular Posts
- Olga Braga’s “Donbas” at Theatre 503: Complex… 20th February 2026
- In the City of al-Sayyab, Theatre Still Speaks 19th February 2026
- “The Phantom Of The Opera” Returns To Mexico: A… 12th December 2025
- Frantic Assembly’s “Lost Atoms” at the… 9th February 2026
- Terence Rattigan’s “Man and Boy” at the National… 19th February 2026
