Chekhov Resonates: “The Hummm” at Dixon Place
Chekhov’s Three Sisters is distilled into vibration and iteration in The Hummm, a radical...
Read MorePosted by Jessica Rizzo | 15th Dec 2016 | New York, Review, United States of America
Chekhov’s Three Sisters is distilled into vibration and iteration in The Hummm, a radical...
Read MorePosted by Adrian Heathfield | 15th Dec 2016 | Dramaturgy, News, United Kingdom
In September 2016 the British experimental theatre company Forced Entertainment were the winners...
Read MorePosted by Lawrence Mashiyane | 15th Dec 2016 | Review, South Africa, Theatre and Dance
The Ntsoana Contemporary Dance Theatre celebrated its tenth anniversary, during the first weekend...
Read MorePosted by Ágnes Bakk | 14th Dec 2016 | Germany, Immersive Theatre, Interview, Transmedia
machina eX is one of the most immersive theatre company in Germany. They constantly recreate...
Read MorePosted by Jonathan Kalb | 14th Dec 2016 | New York, Review, United States of America
What a journey Lynn Nottage’s Sweat has had. When this gorgeously incisive play about heartbreak...
Read MorePosted by Kathy Rowland | 13th Dec 2016 | Review, Singapore, Theatre and Gender
In 2013, award-winning actress Siti Khalijah Zainal brought Singapore’s company, The...
Read MorePosted by Alexandra Guzeva - Russia Beyond the Headlines | 13th Dec 2016 | News, Russia
Stage Russia brings Russian theatre to a global audience by filming live productions performed by...
Read MorePosted by Alice Jones | 13th Dec 2016 | Playwriting, United Kingdom
A new theatre podcast by the playwright Simon Stephens sheds light on the people behind the plays....
Read MorePosted by Alex First | 13th Dec 2016 | Australia, LGBTQ+ Theatre, Review
Bold and provocative, directed by Sarah Vickery.Thomas Ian Doyle’s latest work – The Upstairs...
Read MorePosted by The Theatre Times | 12th Dec 2016 | Design, Education, News, Philippines
The Philippine Educational Theater Association (PETA) lives up to its vision of “mounting...
Read MorePosted by Ágnes Bakk | 12th Dec 2016 | Immersive Theatre, Interview, Participatory Theatre, Transmedia
Evert Hoogendoorn is a strategist and game designer at IJsfontein Interactive Media. He also has a...
Read MorePosted by Jessica Rizzo | 11th Dec 2016 | Philadelphia, Review, United States of America
Seuls Written, Directed, and Performed by Wajdi Mouawad The Wilma Theater, Philadelphia Nov....
Read MorePosted by Eric M. B. Becker | 11th Dec 2016 | Essay, Translation
More than ten years after Words without Borders presented its first issue of theater in...
Read MorePosted by The Theatre Times | 11th Dec 2016 | News, South Sudan, Theatre and Politics
Musicians played lively tunes in South Sudan’s capital, and pedestrians and market shoppers...
Read MorePosted by James Graham | 10th Dec 2016 | News, Theatre and Politics, United Kingdom
The danger of writing political plays is that reality, of course, has a habit of overtaking you....
Read MorePosted by Lola Proaño Gomez | 9th Dec 2016 | Review, Theatre and Gender, Uruguay
Delmira Agustini (1886–1914), one of the most important Uruguayan poets, was assassinated by...
Read MorePosted by Julian Meyrick | 9th Dec 2016 | Australia, Essay
In 1955, two plays, The Torrents by Oriel Gray and Summer of the Seventeenth Doll by Ray Lawler,...
Read MorePosted by Marina Shimadina | 9th Dec 2016 | Review, Russia
Yury Butusov premiered his new production of Brecht at the Pushkin Theater, which is fated to...
Read MorePosted by Kennith Rosario | 9th Dec 2016 | India, News
After over two decades, the Sultan Padamsee Award has been revived to discover fresh narratives in...
Read MorePosted by Ana-Maria Bandean | 9th Dec 2016 | New York, News, Romania, United States of America
On the nights of November 18 & November 20, 2016, at Here Arts Centre, NYC, I was being...
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