Death on the Rialto: Wallace Shawn’s “Evening at the Talk House”
As goes the theater, so goes civilization. In Wallace Shawn’s Evening at the Talk House the demise...
Read MorePosted by Jessica Rizzo | 16th Feb 2017 | New York, Review, United States of America
As goes the theater, so goes civilization. In Wallace Shawn’s Evening at the Talk House the demise...
Read MorePosted by Russian Art + Culture | 15th Feb 2017 | Directing, News, Russia
Sovremennik Theatre (Russia’s oldest theatre company) makes a welcome return to London this May,...
Read MorePosted by Rossella Ferrari | 15th Feb 2017 | China, Essay
Obituaries for the avant-garde proliferate. Critics, academics and cultural observers in the...
Read MorePosted by Clare Craighead | 15th Feb 2017 | South Africa, Theatre and Dance
Durban, South Africa. Flatfoot Dance Company’s Home trilogy created and presented at different...
Read MorePosted by Aleks Sierz | 14th Feb 2017 | Germany, Review, Theatre and Politics, Translation, United Kingdom
A day or so after Theresa May’s keynote speech about Brexit the words Europe and European carry an...
Read MorePosted by Robert Reid | 14th Feb 2017 | Adaptation, Theatre and Politics, United Kingdom
Orwell’s novel 1984 is currently a bestseller in the U.S. We can soon expect many...
Read MorePosted by Yana Meerzon | 13th Feb 2017 | Canada, Theatre and Politics
On November 8, 2016, America elected its 45thPresident, Donald Trump, whose political forays,...
Read MorePosted by Göksu Kunak | 13th Feb 2017 | Interview, Lebanon, Theatre and Politics
In this interview, Rabih Mroué talks about micro-narratives, the ability of theatre to enact a...
Read MorePosted by Kata Karah | 13th Feb 2017 | Review, Romania, Theatre and Politics
In a way, communism has always been playing on the masses. There are endless things hidden within...
Read MorePosted by Kee-Yoon Nahm | 12th Feb 2017 | South Korea, Theatre and Politics
On January 8th, a group of artists and activists erected a large tent in Gwanghwamun Square and...
Read MorePosted by The Theatre Times | 12th Feb 2017 | Bangladesh, Directing, Interview
Showing Kunti’s first born in a different light, young Bangladeshi director Jayita Mahahlanobish...
Read MorePosted by Mathias Daval | 12th Feb 2017 | Hungary
The Kortárs Drámafesztivál (contemporary theatre festival) in Budapest has just celebrated its...
Read MorePosted by Andreea Scridon | 12th Feb 2017 | Playwriting, Review, Russia, Russian Theatre Abroad
Ognisko Polskie, the Polish Hearth Club, is an exquisite venue: glistening chandeliers please the...
Read MorePosted by Laurent Carpentier | 11th Feb 2017 | Collaborating Across Cultures, France, New York, United States of America
Following the U.S. premiere of Oh Boy! on Broadway, at the Duke on 42nd Street presented by the...
Read MorePosted by Alex Rogals | 11th Feb 2017 | Japan
Today, if you bring up the topic of the traditional Japanese comedic performing art, kyōgen, chances are the conversation you will have will revolve around either the activities of the professional Ōkura (大蔵) or Izumi (和泉)...
Read MorePosted by Kasia Lech | 11th Feb 2017 | Directing, Essay, Poland
This series will introduce Polish directors whose work is recognised in Poland, but they are...
Read MorePosted by Jessica Rizzo | 10th Feb 2017 | Immersive Theatre, New York, Review, United States of America
“Do your things spark joy?” That (to some, risibly) simple question, and her runaway 2014...
Read MorePosted by Andrea Pelegri Kristić | 10th Feb 2017 | France, Puppetry
If you go through any travel guide for Paris, you will definitely find rue Mouffetard among the...
Read MorePosted by Lauren Dubowski | 9th Feb 2017 | Festivals, News, Poland
The International Divine Comedy Festival (Boska Komedia), in Kraków has grown, over nearly a...
Read MorePosted by Marcina Zaccaria | 9th Feb 2017 | New York, Theatre and Opera, United States of America
Antonín Dvořák’s classic story of a water nymph opened at the Met on February 2. Seeing...
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