Dramatist Oriza Hirata Has A Vision For Theatre
Travel around 150 km northwest from the hustle and bustle of Kyoto, and another, far more peaceful...
Read MorePosted by Nobuko Tanaka | 24th Jan 2018 | Interview, Japan, Management
Travel around 150 km northwest from the hustle and bustle of Kyoto, and another, far more peaceful...
Read MorePosted by Pelle Nordhøj Kann | 23rd Jan 2018 | Denmark, Essay, Management
Actor and artistic director of the Danish theatre company Det Flydende Teater (literally...
Read MorePosted by Lola Proaño Gomez | 23rd Jan 2018 | Argentina, LGBTQ+ Theatre, Review
The desired body vis a vis tradition, and institutional normative sedimentation. ...
Read MorePosted by Jonas McLean | 23rd Jan 2018 | Canada, Review, Theatre and Opera
Jonas McLean reviews Mr. Shi and His Lover, Wong Teng Chi and Njo Kong Kie’s contemporary Mandarin...
Read MorePosted by Davide Cioffrese | 22nd Jan 2018 | Adaptation, Italy, Review
American Buffalo is the story of a failure. A foretold, almost desired conclusion, an inescapable...
Read MorePosted by Patrick Langston | 22nd Jan 2018 | Canada, Musical Theatre, Review, Theatre and Opera
A word of advice: If you’re going to see this superlative chamber musical, take the time to read...
Read MorePosted by Justyna Kowal | 21st Jan 2018 | Education, News, Poland
Studying Theatre in Wrocław The Theatre Studies specialization with the Polish Philology Faculty...
Read MorePosted by Sandra D'urso | 21st Jan 2018 | Adaptation, Australia, Melbourne, Review
The National Theatre’s production of The Curious Incident Of The Dog In The Night-Time, currently...
Read MorePosted by Leith Taylor | 21st Jan 2018 | Australia, Management, News
Where do the boundaries lie between exploring every possibility an acting role offers and still...
Read MorePosted by Jozefina Komporaly | 20th Jan 2018 | Essay, Hungary, London, Romania, Translation, United Kingdom
In November 2017, a world premiere by one of the Hungarian language’s leading playwrights...
Read MorePosted by Kee-Yoon Nahm | 20th Jan 2018 | Review, South Korea, Theatre and Politics
The word dongpo, a term that refers affectionately to the sizable Korean immigrant community...
Read MorePosted by Nobuko Tanaka | 20th Jan 2018 | France, Japan, Review, Theatre and Dance
Is the French choreographer Jerome Bel a trailblazer or an enfant terrible of the contemporary...
Read MorePosted by Marjan Moosavi | 19th Jan 2018 | Essay, Immersive Theatre, Iran
Yuval Sharon was recently awarded a MacArthur Fellowship “genius grant” for...
Read MorePosted by Trevor Boffone | 19th Jan 2018 | Festivals, Interview, Playwriting, United States of America
This February, playwright Bernardo Cubría’s Neighbors: A Fair Trade Agreement will receive a...
Read MorePosted by Taurie Kinoshita | 18th Jan 2018 | Acting, Hawaii, Interview, Transcultural Collaborations
The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...
Read MorePosted by Taurie Kinoshita | 18th Jan 2018 | Essay, Hawaii, Transcultural Collaborations
Though I never met my great-grandfather, I was told he was fond of saying “Lucky we come...
Read MorePosted by Wes Drummond | 17th Jan 2018 | Chicago, Review, Theatre and Politics
“Democracy is messy.” As we sit in our seats waiting for the show to begin we fix our gaze on a...
Read MorePosted by Rebekah Unsworth | 17th Jan 2018 | Design, Interview, New York, Theatre and Disability, United States of America
Tectonic Theater Company’s latest production at the Sheen Center in New York, Uncommon Sense,...
Read MorePosted by Vikram Phukan | 16th Jan 2018 | Dramaturgy, Review
A man in all-black production attire shoots an audience with a camcorder in an almost...
Read MorePosted by William Gregory | 16th Jan 2018 | France, News, Playwriting, Spain, Translation
Despite Spain being a near neighbor, Spanish theatre has enjoyed relatively little exposure in...
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