“Jane Clegg” at Finborough Theatre
Edwardian dramatist St John Ervine was once, along with Arthur Wing Pinero, Henry Arthur Jones,...
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Review
Watching “Hamilton” Today – Musical Drama Can Be Radical, Just Don’t Believe All The Hype
When Disney released a film version of the musical Hamilton on July 3, it was 11 years since...
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Review: More Important Halves, Teatar Mašina igre in Collaboration with Teatar & TD in Zagreb, Croatia
What have millennial women fought for? “Did we fight for that? Why we fought for nothing,” cries...
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“Sea Wall”: A Profound Performance By Andrew Scott
Lockdown occasionally spawns some real delights. Like the surprise appearance of a strange...
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“The Madness Of George III” at Nottingham Playhouse
Why do we love the royals so much? In his Introduction to the play text, published to coincide...
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“Continuity” at The Finborough Theatre
Yesterday, I took a break from my sunny local park and turned a room in my house into the...
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Reasons To Be Cheerful, Theatre Royal Stratford East
If any musical can attempt to live up to this title in these troubled times, it must be this show...
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Caretaker: An Unnecessary Art Installation?
We are living, I have frequently been told, through weird times. Maybe. But do weird times...
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Review: “A Streetcar Named Desire” At The Young Vic
The National Theatre’s triumphant march through its archive of NT Live recordings continues this...
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“Seven Days Later” at Sarajevo’s Narodno Pozorište
“Who was human before the war, remained so”, says one of the actors in the beginning of the play...
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Choreographer Yasmine Hugonnet at Biennale Arcipelago Mediterraneo
Seven bodies, moving in silence, form a slowly transitioning human landscape. The change in their...
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Zoom Play: “Midnight Your Time” at The Donmar Warehouse
During the lockdown, the best online theatre, more or less, are shows that are specially created...
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The Other Is Denied a Voice: Maja Kleczewska’s “Hamlet/Гамлет”
What is the role today of one of the pivotal narratives of Western culture, William Shakespeare’s...
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Curve Leicester’s “What the Butler Saw”: A Review
Over the past couple of months, theatre reviewing has become film reviewing, and venues all over...
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Revisiting the National Theatre’s 2011 “Frankenstein”
So far, it could be said that the National Theatre is having a good lockdown. Every week, this...
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International Online Theatre Festival 2020. A glimpse into the physical theatre performances.
During an art and culture online ubiquity that was expanded in the course of the global pandemic,...
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Shakespeare on Zoom: How a Theatre Group in Isolation Conjured up a “Tempest”
While theatres remain closed, the way we watch Shakespeare is changing. When I picture the...
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Wit and Wisdom: “Much Ado About Nothing” at the Delacorte Theater
In this time of isolation, wouldn’t it be nice to take a virtual visit to the park? Fear...
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Polish Shakespeare Online: Maja Kleczewska’s “Macbeth”
L. P. Hartley’s much-recycled observation that ‘the past is a foreign country’ seems an oddly...
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“#aiww: The Arrest of Ai Weiwei” at The Hampstead Theatre
London’s Hampstead Theatre has recently been very successful in bringing some of its best shows to...
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