Playing with “White is Purity” in Pirandello’s “Comme tu me veux”
In 2017, the cosmetics company Nivea released an advert that was promptly pulled: a white woman’s...
Read MorePosted by Lara Cox | 19th Sep 2021 | France, Review, Theatre and Art
In 2017, the cosmetics company Nivea released an advert that was promptly pulled: a white woman’s...
Read MorePosted by Aleks Sierz | 17th Sep 2021 | London, Review, United Kingdom
For more than three decades, playwright Winsome Pinnock has been at the forefront of new writing,...
Read MorePosted by Dvir Avnon-Klein | 11th Sep 2021 | Featured, New York, Review, Theatre and Opera, United States of America
The production of The Barber of Seville by Teatro Nuovo overcame the restrictions of the covid-era...
Read MorePosted by Tash Mitambo | 9th Sep 2021 | Kenya, Musical Theatre, Review
‘Time waits for no military man!’. Thus, on a punctual note, Subira, A New Musical opened on...
Read MorePosted by Duška Radosavljević | 8th Sep 2021 | London, Review, United Kingdom
Imagine you suffered terrible injustices that in your day and age were just the norm, that your...
Read MorePosted by Wendy Arons | 7th Sep 2021 | Adaptation, Review, United States of America
Imagine, if you will, one of those old-fashioned TV game shows with two doors. Behind Door Number...
Read MorePosted by Christine Deitner | 5th Sep 2021 | Los Angeles, Review, United States of America
Seventy-six years after Clifford Odets’ Waiting for Lefty premiered in New York, Theatre Unleashed...
Read MorePosted by Yizhou Zhang | 4th Sep 2021 | China, Festivals, Review, Transcultural Collaborations, Transmedia, United Kingdom
Running Aug 24-29 at the 2021 Edinburgh Fringe, Every dollar is a soldier/With money you’re a...
Read MorePosted by Armando Rotondi | 3rd Sep 2021 | Adaptation, Participatory Theatre, Puppetry, Review, Romania, Transcultural Collaborations
A Theoretical and Organizational Premise “Centriphery” is an on-going large-scale...
Read MorePosted by John Freedman | 2nd Sep 2021 | Belarus, Review, Theatre and Politics
Alexei Nesterov, an actor in my wife Oksana Mysina’s film, Insulted. Belarus(sia), sent her a...
Read MorePosted by Tonderai Chiyindiko | 31st Aug 2021 | Review, South Africa
The Princesses of Askies Shem Street written and directed by Khutjo Green is one of four...
Read MorePosted by Christine Deitner | 30th Aug 2021 | Los Angeles, Review, United States of America
With so many screens in our lives it continues to be a struggle to find the inner strength to...
Read MorePosted by Duška Radosavljević | 29th Aug 2021 | London, Musical Theatre, Review, United Kingdom
As its name suggests, The Song Project is more a collaborative experiment than a conventional...
Read MorePosted by Łucja Iwanczewska | 28th Aug 2021 | Applied Theatre, Poland, Review, Theatre and Politics
Adam Mickiewicz’s Dziady (Forefathers’ Eve), written between 1820 and 1832, is considered sacred...
Read MorePosted by Christine Deitner | 27th Aug 2021 | Immersive Theatre, Los Angeles, Review, Transmedia, United States of America
Since January 2009, Chalk Repertory Theatre has been crafting site-specific theatre in Los...
Read MorePosted by Urszula Pysyk | 23rd Aug 2021 | Adaptation, Poland, Review, Transmedia
Have the worlds of Samuel Beckett’s plays become our reality? The creators of Beckett Planet seem...
Read MorePosted by Maria Pia Pagani | 22nd Aug 2021 | Italy, Review, Theatre and Art
The Museum Complex of Santa Maria delle Anime del Purgatorio ad Arco, in the ancient center of...
Read MorePosted by Yizhou Zhang | 21st Aug 2021 | Festivals, Review, Theatre and Film, Transmedia, Turkey, United Kingdom
Abandoned Shores / Negative Photographs (Turkish: Terk Edilmiş Kıyılar // Negatif Fotoğraflar) by...
Read MorePosted by The African Theatre Magazine | 20th Aug 2021 | Immersive Theatre, Review, South Africa
Described as a “musical satire” and with its tongue-in-cheek title, which evokes a...
Read MorePosted by Aleks Sierz | 18th Aug 2021 | London, Review, Theatre and Gender, United Kingdom
Before seeing this play, I decided to eat a steak. I thought I needed some extra strength. And it...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 

In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 

“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 