James Graham’s “Best of Enemies” at the Noël Coward Theatre
TV is a strange medium, but James Graham is no stranger to its toxic charm. London audiences have...
Read MorePosted by Mert Dilek | 8th Dec 2022 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
TV is a strange medium, but James Graham is no stranger to its toxic charm. London audiences have...
Read MorePosted by Penelope Crossley | 7th Dec 2022 | Australia, Review, Theatre and Politics
Review: RBG: Of Many, One, directed by Priscilla Jackman, Sydney Theatre Company Writing a play...
Read MorePosted by Duška Radosavljević | 5th Dec 2022 | Adaptation, Musical Theatre, Review, Sweden
There is a palpable sense of world-class musicianship as the ensemble of six instrumentalists and...
Read MorePosted by Aleks Sierz | 30th Nov 2022 | Acting, London, Playwriting, Review, United Kingdom
Joe White is great at staging fraught emotions. His Mayfly in 2018 vividly showed a family whose...
Read MorePosted by Gabrielle Edelstein | 25th Nov 2022 | Adaptation, Australia, Review, Sydney
Review: The Tempest, directed by Kip Williams, Sydney Theatre Company. The Tempest, first...
Read MorePosted by Aleks Sierz | 22nd Nov 2022 | Acting, London, Review, United Kingdom
Last night, at the Arcola, I witnessed the return of The Poltergeist, Philip Ridley’s blazing...
Read MorePosted by Aleks Sierz | 19th Nov 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Every day there is bad news about the NHS — junior doctors are exhausted, nurses need food banks...
Read MorePosted by Morgan Skolnik | 18th Nov 2022 | Documentary Theatre, New York, Review, Theatre and Religion, United States of America
The Unbelieving is documentary theater (all the lines are taken from real interviews), but this...
Read MorePosted by Morgan Skolnik | 17th Nov 2022 | LGBTQ+ Theatre, Musical Theatre, New York, Review, United States of America
F*ck7thGrade is messy, it’s awkward, it’s unrelentingly earnest, and it’s utterly delightful....
Read MorePosted by Verity Healey | 13th Nov 2022 | Adaptation, Dramaturgy, Kosovo, Review, Theatre and Politics
The Handke Project, Kosovo Theatre Showcase, Teatri Oda, 26th October 2022 If The Handke Project...
Read MorePosted by Aleks Sierz | 12th Nov 2022 | Canada, Dramaturgy, Review, Theatre and Science, United Kingdom
The fictional world is our world, but at the same time it’s another place; likewise, the digital...
Read MorePosted by Verity Healey | 9th Nov 2022 | Directing, Kosovo, Musical Theatre, Review, Theatre and Politics
Is this the first memorial disco theatre piece of its kind in modern theatre? Well, it’s a disco...
Read MorePosted by The African Theatre Magazine | 5th Nov 2022 | Adaptation, Dramaturgy, Review, South Africa
Masque theatre is hosting Cape Town Theatre Company’s A Picture of Dorian Gray. “A Picture of...
Read MorePosted by Emilija Kvočka | 3rd Nov 2022 | Adaptation, Dramaturgy, Hungary, Review
Buchner’s “historically difficult explains modernity” in the performance of...
Read MorePosted by Matthew McMahan | 31st Oct 2022 | Adaptation, Boston, Directing, Ireland, Review, United States of America
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
Read MorePosted by Morgan Skolnik | 28th Oct 2022 | LGBTQ+ Theatre, Musical Theatre, New York, Review, United States of America
I was struggling to find my seat at New World Stages when two people a bit older than me wearing...
Read MorePosted by Sarah Austin | 27th Oct 2022 | Australia, Review, Theatre and Disability, Theatre for Young Audiences
Review: When the World Turns, by Polyglot Theatre and Oily Cart When the World Turns is a...
Read MorePosted by Alexander Fatouros | 24th Oct 2022 | Musical Theatre, New York, Review, Theatre for Young Audiences, United States of America
An off-Broadway musical about the art of producing a musical and the love of show business “Sesame...
Read MorePosted by Aleks Sierz | 23rd Oct 2022 | London, Playwriting, Review, United Kingdom
Therapy is inherently dramatic. After all, it’s all about character — and it has the aim of...
Read MorePosted by Jonathan Kalb | 14th Oct 2022 | New York, Review, Theatre and Opera, United States of America
The opera Four Saints in Three Acts’ astonishingly successful run on Broadway in 1934 was the most...
Read More
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 


David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026 
The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026 
Marketing, Sales And Production Are Crucial For The… by Ivanka Apostolova Baskar 16th March 2026