“In Our Daughter’s Eyes” at PROTOTYPE 2023 Festival
In Our Daughter’s Eyes, composed by Pulitzer prize winning composer Du Yun and librettist Michael...
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Review
“note to a friend” at PROTOTYPE 2023 Festival
note to a friend, composed by Pulitzer prize-winning composer David Lang, is a chamber opera...
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“Morning//Mourning” at PROTOTYPE 2023 Festival
Gelsey Bell’s Morning//Mourning is a quirky, experimental opera that defies categorization. It is...
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Marching the Streets with an Empty Protest Board: Where Lies the Power of Protest?
On Saturday 19 November 2022, I witnessed the performance Hands Up! by dancer and choreographer...
Read More“The Fall” at Soho Playhouse
On a cold November, New York Friday night, when temperatures approached freezing, the shivering audience waiting to experience Albert Camus’ The Fall at the Soho Playhouse checked in at the box office on the upper floor, then...
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New Australian Play “D*ck Pics in the Garden of Eden” is Bold, Funny – And Very, Very Lewd
Review: D*ck Pics in the Garden of Eden, written and directed by Jeffrey Jay Fowler, The Last...
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“Lazarus 1972–2022” by Ping Chong
The show Lazarus 1972-2022 is difficult to pin down. How can what a thought looks like be...
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“Ain’t No Mo Play” on Broadway at Belasco Theatre
The young playwright Jordan E. Cooper deserves kudos for writing the play Ain’t No Mo. He is...
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“The Bloody Poet: A Novel about Nero” at DESIRÉ Central Station
At this “Desiré” festival in Subotica, on the stage of the Dezső Kosztolányi Theatre,...
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“Sons Of The Prophet,” Hampstead Theatre
Pain is, at one and the same time, something to avoid, and also something you can use. Kahlil...
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“Kerry Jackson,” National Theatre
Is British new writing in deep trouble? With the Arts Council defunding venues such as the...
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“Father and Father” and the 1600 Still Missing from the Kosovo War
If you don’t know about loss, then you will by the end of this show. Sara (Ilire Vinca) is married...
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II 4.4 Short Performances Festival: When Muses are Not Silent
When the non-peaceful world is illuminated by the bursts of shells, it seems that other...
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“&Juliet”: What if?—A Review.
The previews of &Juliet the musical, began October 28th 2022 at the Stephen Sondheim Theatre...
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“Baghdaddy” at the Royal Court
What is the best way of talking about the Middle East? Should plays take a documentary or verbatim...
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Kathadi Ramamurthy’s Tamil Play “Jugalbandhi” Blends Humor with a Social Message
Two well-known theater groups, JB Creations and Stage Creations, collaborate for the first time to...
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“Our Son”—Kosovo Theatre Showcase ‘22
Meta-theatre has been a bit of a theme at Kosovo’s latest independent theatre showcase in...
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Julia Pascal’s 12:37 at the Finborough Theatre: epic story of Jewish identity from Dublin to Jerusalem
Julia Pascal is a resourceful theatre-maker who is unafraid of being controversial. Her interest...
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“The Jungle And The Sea” Reminds Us War Is Profoundly Local, With The Intimate Negotiation Of Human Relationships
Review: The Jungle and the Sea, directed by Eamon Flack and S. Shakthidharan, Belvoir. After the...
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The Blackest Raisin: “A Raisin in the Sun” at The Public Theatre
Lorraine Hansberry’s A Raisin in the Sun, as anyone reading this knows, is a cornerstone of...
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