Review Archives - Page 28 of 138

In Finucane & Smith’s “Future. Joy. Club.” the Joy is Much More Than the Sum of Its Parts

Posted by Chris Thompson | 3rd Aug 2022 | Acting, Australia, Melbourne, Musical Theatre, Review

Review: Future. Joy. Club., Finucane & Smith The theatre of the occasion starts with a...

“The Years of Crows” at National Theatre, Belgrade

Posted by Andrej Čanji | 2nd Aug 2022 | Playwriting, Review, Serbia, Theatre and Politics

National Theatre, Belgrade, premiere 12th March 2022 The Years of Crows is the great comeback for...

With “The Tenant of Wildfell Hall” at The Sydney Theatre Company Gives Us a Brontë Adaptation for Our Moment

Posted by Vanessa Smith | 29th Jul 2022 | Adaptation, Australia, Review, Theatre and Gender

Review: The Tenant of Wildfell Hall, directed by Jessica Arthur for the Sydney Theatre Company...

The Musical “Notre Dame de Paris” Returns to the United States

Posted by Lisa Monde | 27th Jul 2022 | France, Musical Theatre, New York, Review, United States of America

At the turn of the century, in 1998, Luc Plamondon created one of the greatest musicals Notre Dame...

“The Fellowship,” Hampstead Theatre

Posted by Aleks Sierz | 24th Jul 2022 | London, Review, Theatre and Decolonization, Theatre and Gender, United Kingdom

I live in Brixton, south London. A few days ago, the borough’s aptly named Windrush Square hosted...

“Heartlines”: An Engaging New Drama That Opens the World for Women Artists in Europe

Posted by Alvina Ruprecht | 21st Jul 2022 | Canada, LGBTQ+ Theatre, Review, Theatre and Politics

Heartlines closes the spring season of 2022 in the Great Canadian Theatre Company in Ottawa. It is...

Post-Factual Theater: “MJ” on Broadway

Posted by Jonathan Kalb | 20th Jul 2022 | Musical Theatre, New York, Review, Theatre and Politics, United States of America

On the way to a play one day in early 2019, I climbed out of the subway at 8th Avenue and 44th St....

Unmanly Griefs: Robert Icke’s “Hamlet”

Posted by Jonathan Kalb | 19th Jul 2022 | Adaptation, New York, Playwriting, Review, United States of America

The first ten minutes of Robert Icke’s 3 ¾-hour Hamlet had me worried. Icke is a British directing...

“Bangers,” Soho Theatre

Posted by Aleks Sierz | 18th Jul 2022 | Directing, Musical Theatre, Review, United Kingdom

Is gig theater the latest sugar rush? Okay, it ups the brain’s serotonin levels and charges around...

Comic Anticlimax in Nat Randall and Anna Breckon’s “Set Piece”

Posted by Sarah Balkin | 16th Jul 2022 | Australia, LGBTQ+ Theatre, Melbourne, Review, Transmedia

Review: Set Piece, by Nat Randall and Anna Breckon, for Rising. Nat Randall and Anna Breckon’s Set...

“Penelope”: A Fresh Take on Homer’s Classic Epic Poem

Posted by Dvir Avnon-Klein | 12th Jul 2022 | Musical Theatre, New York, Review, Theatre and Opera, United States of America

The new musical Penelope by the York Theatre Company was a fresh and hilarious comedic take on...

Comfort in the Unknown: SOCIETY’s “The Strangers Came Today”

Posted by Andrew Agress | 11th Jul 2022 | Directing, Dramaturgy, New York, Review, United States of America

How is theater like a support group? This question struck me upon entering The Strangers Came...

The Awe-Inspiring and Vibrant World of Cirque du Soleil’s “CRYSTAL”: Circus On and Above Ice

Posted by Megan C. McCormick | 8th Jul 2022 | Boston, Canada, Design, Review, Theatre and Dance, United States of America

An incredible spectacle, Cirque du Soleil’s CRYSTAL is an artistic feat, blending circus arts with...

Welcome to the Slug Parade: Representation of Asexuality and Autism in “The Slug Show”

Posted by Yizhou Zhang | 5th Jul 2022 | China, LGBTQ+ Theatre, London, Review, Theatre and Disability, United Kingdom

As London celebratess the 50th anniversary of the Pride Parade on July 2, I’m reminded of the only...

“Bronx Gothic” by Okwui Okpokwasili

Posted by Eylül Fidan Akıncı | 4th Jul 2022 | LGBTQ+ Theatre, New York, Nigeria, Review, Theatre and Dance, Theatre and Decolonization, United States of America

On May 8, 2022, Nigerian-American artist Okwui Okpokwasili’s Bronx Gothic (2014) at...

Pandemonium Magic: “The Hang” at HERE

Posted by Jonathan Kalb | 2nd Jul 2022 | LGBTQ+ Theatre, Musical Theatre, New York, Review, United States of America

Taylor Mac is one of those magi of pandemonium who knows how to breach the defenses of people like...

Cut From Different Cloth: “Intimate Apparel” at Mitzi E. Newhouse Theater

Posted by Jonathan Kalb | 1st Jul 2022 | New York, Review, Theatre and Decolonization, Theatre and Opera, United States of America

I went to the new opera Intimate Apparel because the 2003 play it was made from is one of my...

Mukha Mugam Returns to the Stage with “The View From Above,” A Macbeth-Inspired Political Satire

Posted by Praveen Sudevan | 30th Jun 2022 | India, Playwriting, Review, Theatre and Politics

For most of the last two years, Bengaluru-based actor and playwright Spatica Ramanujam was feeling...

“Anything & Everything” Gives Us a Glance Into the Lives Teenagers are Constructing Online

Posted by Thuy Tran | 29th Jun 2022 | Australia, Review, Theatre for Young Audiences, Transmedia

Review: Anything & Everything, Platform Arts, infinity ensemble for Rising. Anything &...

“Shadow Boxing” at Baxter Masambe Theatre

Posted by Beverley Brommert | 28th Jun 2022 | Acting, LGBTQ+ Theatre, Review, South Africa

SHADOW BOXING. Director/Choreographer: Mdu Kweyama. Cast: Daniel Newton. Masambe Theatre at the...

Review

In Finucane & Smith’s “Future. Joy. Club.” the Joy is Much More Than the Sum of Its Parts

“The Years of Crows” at National Theatre, Belgrade

With “The Tenant of Wildfell Hall” at The Sydney Theatre Company Gives Us a Brontë Adaptation for Our Moment

The Musical “Notre Dame de Paris” Returns to the United States

“The Fellowship,” Hampstead Theatre

“Heartlines”: An Engaging New Drama That Opens the World for Women Artists in Europe

Post-Factual Theater: “MJ” on Broadway

Unmanly Griefs: Robert Icke’s “Hamlet”

“Bangers,” Soho Theatre

Comic Anticlimax in Nat Randall and Anna Breckon’s “Set Piece”

“Penelope”: A Fresh Take on Homer’s Classic Epic Poem

Comfort in the Unknown: SOCIETY’s “The Strangers Came Today”

The Awe-Inspiring and Vibrant World of Cirque du Soleil’s “CRYSTAL”: Circus On and Above Ice

Welcome to the Slug Parade: Representation of Asexuality and Autism in “The Slug Show”

“Bronx Gothic” by Okwui Okpokwasili

Pandemonium Magic: “The Hang” at HERE

Cut From Different Cloth: “Intimate Apparel” at Mitzi E. Newhouse Theater

Mukha Mugam Returns to the Stage with “The View From Above,” A Macbeth-Inspired Political Satire

“Shadow Boxing” at Baxter Masambe Theatre

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