“That Face” at Orange Tree Theatre
Playwright Polly Stenham had a meteoric rise with this play, her award-winning 2007 debut which...
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Review
“Amahemhem”: Walking Alongside the Ghosts of Our Past
At the University of Pretoria, South Africa’s Student Gallery, I was met with the open space of...
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Sydney Theatre Company’s “The Importance of Being Earnest”: Fresh, Funny and Completely Joyous
It is easy to forget that when Oscar Wilde’s The Importance of Being Earnest was first written and...
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Edinburgh Festivals, May Luck Be With You
Edinburgh in August is a kind of Mecca for theatergoers around the world. It is due to its...
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Sweeney Todd: Not a Demon, But a Barber of Fleet Street
Up to the present moment a debate has been going on – whether the demon-barber of Fleet Street had...
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Lauren Gunderson’s Anthropology at the Hampstead Theatre: Interesting Digital Thriller Falters On The Edge of Darkness
Androids no longer dream of electric sheep — instead they inhabit our dreams. Whether it is novels...
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“What the Constitution Means to Me” Is As Timely As Ever
In 2019, I sat in the balcony of the Helen Hayes Theatre. My social media circles had been abuzz...
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“German Autumn” At The Uppsala Stadsteater
In the Lilla scenen of Uppsala Stadsteater (City Theatre), a haunting echo of the past emerged,...
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Anupama Chandrasekhar’s “The Father And The Assassin” At The National Theatre: Vastly Compelling And Darkly Comic History Play About Indian Independence
Nobodies who kill somebodies: let’s make a list. Okay, there’s Lee Harvey Oswald (JFK), James Earl...
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A Tweet About “Psycho”
It has become common practice to spend time on social networks at certain hours of the day,...
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Miriam Battye’s Strategic Love Play At The Soho Theatre: Mixture Of Laughter, Pain And Insight Into Contemporary Romance
Remember what a first date feels like? Awkward. Exciting. Awkward. Intriguing. Awkward. Difficult....
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“Stumped.” Live Theatre In The Age Of Hybrid Realities.
Originally Shomit Dutta’s new play Stumped was screened online from 27 September 2022. Streaming...
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“Writing Using:” Framing the Body’s Process of Liberation Through Contemporary Dance
Writing Using is the most recent work by Ahn Aesoon, one of the most renowned contemporary dancers...
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68th Sterijino pozorje: A critical dialogue
The 68th Sterijino pozorje took place earlier this summer in Novi Sad. Critics Borisav Matić and...
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Tim Fraser’s Candy At Park Theatre: Moving Account Of Gender Identity And Masculinity
Okay, let’s start with a definition: it is said that sex is what you have between your legs, and...
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“All the world’s a stage, and all the men and women merely players” at Shakespeare Festival in Serbia
The tenth in a row international theatre festival “Shakespeare Festival”, whose...
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UNBOX ME! Live Theatre and the Virtual World.
UNBOX ME! Written by Simon Jones. Directed by Simon Jones. Dramaturgy by Sara Giddens. Bodies in...
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“A Mirror” at Almeida Theatre
This is a play about censorship in a totalitarian state — but, no, I’m not reviewing The...
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“Radio Man:” A Story of Connection and Bloodshed in Dystopian America
It’s no secret that I’m an advocate for feminist, queer theatre. Or that I enjoy worlds of the...
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Once Upon a Warning for Next Time
“We’re not here to make fairytales, we’re here to follow them,” quips the narrator (Adam Godley)...
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