Invisible Diaries: “Diese Berühmte Englische Wand” – Thoughts On Exile And Belonging
Writing is currently a challenge for many reasons – an important one being that we don’t know...
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Theatre Puppets Through The Ages
“The puppet says everything that needs to be said so that we are not affected. When we truly...
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Boris Yukhananov On The Pandemic And Post-Pandemic Theatre
Boris Yukhananov – the Artistic Director of the Stanislavsky Electrotheatre, Moscow –...
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Meet The Masters Behind Hong Kong’s Most Extraordinary Bamboo Theatre
For generations, bamboo theatres have been a thread that ties together Hong Kong’s present and...
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Inside David Winitsky: Thoughts On Theatre, The Upcoming Fall Season At Kitchen, And Beyond
The world has changed significantly not only in the last four months but more largely since the...
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Invisible Diaries: Pandemic Dramaturgies
Adaptation became one of my “things” academically sometime in the early 2000s. I was...
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Zimbabwean Theatre After Lockdown: What’s The Way Forward?
The coronavirus pandemic has completely reconfigured society’s world over. Health experts say the...
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New Zealand’s Virtual Covid-19 Lockdown Festival
Zoom became the tool-de-jour for work meetings and social interaction with family and friends – and its potential for creating Lockdown Theatre was immediately explored, using either Facebook Live or YouTube as platforms for the recorded shows.
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Japan’s Acting Troupes Turn Your Home Into A Stage
Troupes turn to telework in a bid to keep audiences entertained The performing arts are built on...
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Reasons To Be Cheerful, Theatre Royal Stratford East
If any musical can attempt to live up to this title in these troubled times, it must be this show...
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Invisible Diaries: “Possession”
This post is dedicated to theatre-makers everywhere in the world [1]. In his book, Epidemics and...
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Caretaker: An Unnecessary Art Installation?
We are living, I have frequently been told, through weird times. Maybe. But do weird times...
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Theatre for Change Presents a Tribute to Safdar Hashmi
The tribute will include readings from his collection of poems Duniya Sabki and a rehearsed...
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World Theatre Festival Shizuoka Heads Online In Desperate Times
On April 3, Shizuoka Performing Arts Center (SPAC) announced the cancellation of this year’s...
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These Online Improv Formats Have Clicked With Bengaluru Audiences
Improv artistes Balasree Viswanathan and Laxmi Priya talk about the creative spin they have given...
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Oedipus Zoom: Remaking Tragedy, Now Via Video Conference
The frame lingered some seconds too long on Frances McDormand, playing Jocasta, just long enough...
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Brief Notes Towards A Definition Of Leftfield Theatre
In his wide-ranging, and widely read, survey of postwar British theatre, called State of the...
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The Dangers of Optical Illusionary Performative Activism
Dear white folks (and institutions) seeking to be true allies, Resist the urge to pat yourselves...
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Michelle Memran on Maria Irene Fornes and “The Rest I Make Up”
Michelle Memran is the documentarian behind The Rest I Make Up (2018), a touchingly candid...
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Angella Emurwon: Writing For Me Is Like Breathing
Angella Emurwon is a playwright, theatre director and filmmaker. The name ‘Emurwon’ means seer,...
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