New Fringe Play Offers Insights On Illegal “eBay For Drugs”
Alex Oates’ debut Fringe play traces the journey of 19-year-old Geordie lad Bruce, as he begins...
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Blood Orange Overplays Scottish Far Right At The Fringe
The Edinburgh Festival Fringe has, over the years, developed a reputation as a hotbed for...
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Assessing The First Wave Of The AIDS Epidemic, A Generation On
My Night With Reg, Kevin Elyot’s 1994 play, has returned to the London stage, poignantly only a...
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Mayakovsky At Carriageworks: A Telegram From An Alien Future
“I’m a poet. That’s what makes me interesting.” So begins the autobiography of Vladimir...
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Ireland’s National Theatre is at a Crossroads
Luke Casserly responds to the recent report from Scottish consulting firm Bonnar Keenlyside...
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Belarus Free Theatre: An Interview With “Red Forest” Director Nicolai Khalezin
Nicolai Khalezin is the director of the Belarus Free Theatre’s newest production Red Forest. He...
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Hugo Weaving Reveals Macbeth’s Weakness–And His Unhappiness
Sydney Theatre Company’s new production of Macbeth may draw attention for its star, Hugo Weaving,...
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The Palestinian Performing Arts Network
The Palestinian Performing Arts Network Programme (PAN) is targeted at Palestinian children and...
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Translating “One Flew Over the Kosovo Theatre”
This post was written exclusively for TheTheatreTimes.com by political analyst Alexandra Channer,...
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“Medea” Is As Relevant Today As It Was In Ancient Greece
A new production of Medea recently opened at London’s National Theatre to critical acclaim. This...
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LMDA 2014 Showcases Digital Theater Networks
The Literary Managers and Dramaturgs of the Americas (LMDA) convened the last week of June 2014 at...
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Romeo, Juliet, Viola, And Will: “Shakespeare In Love” Mash-Up Hits The Stage
I don’t really go in for creative mash-ups. You know: Alien Vs. Predator, or the films where...
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Cath Day Reviews David Schneider’s “Making Stalin Laugh”: At JW3
David Schneider is probably most recognizable as BBC commissioning editor Tony Hayers in I’m Alan...
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How Online Performance Needs to Grow
This post discusses the emergence and evolution of digital art and online performance in the...
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Bringing Children’s Stories Out Of The Shadows
There are over 200 theaters in Moscow. In addition to the traditional drama and music theaters,...
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“Henry V” Meets The London Blitz And Brings The House Down
Bell Shakespeare’s new production of William Shakespeare’s Henry V–which opened in Canberra on...
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Between Art and Science: A Conversation with Roald Hoffmann
Roald Hoffmann was born in 1937 in Złoczów, Poland. Having survived the German Nazi occupation, in...
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Robin Ashenden Reviews “Bloody East Europeans” By Uilleam Blacker And Molodyi Teatr
In Warwickshire a year ago, a fish-farmer was reported in the newspapers as putting a sign up by...
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“Opus No.7” By Krymov To Be Performed In London
Director and artist Dmitry Krymov’s production of Opus No.7, about the Holocaust and the...
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Treading A Fine Line: The Return Of Politics To Russian Theater
After a long period in which Russian theater productions avoided political themes, the last few...
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