Featured Archives - Page 194 of 252

How Butoh, The Japanese Dance Of Darkness, Helps Us Experience Compassion In A Suffering World

Posted by Jeff Goldberg | 7th Jan 2018 | Interview, Japan, New York, Theatre and Dance, United States of America

Butoh is now being taught to Zen students, prisoners, and others as a way to acknowledge difficult...

“Tosca” at The Theatre Comunale di Bologna

Posted by Massimo Malavasi | 7th Jan 2018 | Italy, Review, Theatre and Opera

If you perform Puccini, and Tosca even more, you’re sure of success. The Theatre Comunale di...

Subjects For Some Short Stories: Acting Character In Postdramatic Chekhov

Posted by Michael Breslin | 6th Jan 2018 | LGBTQ+ Theatre, New York, Review, Russia, Russian Theatre Abroad, Theatre and Gender, United States of America

Twenty years after the Wooster Group’s seminal Three Sisters-inspired Brace Up!, contemporary New...

“The Virgin Suicides” Dying In The Age Of Suicide

Posted by Yana Meerzon | 6th Jan 2018 | Adaptation, Germany, Review

A Production of the Munich Kammerspiele winner of XIV Europe Prize Theatrical Realities, 2017...

A Stunning, Though Questionable, “Turandot” At Chicago’s Lyric Opera

Posted by Kristin Tomecek | 6th Jan 2018 | Chicago, Review, Theatre and Opera, United States of America

Giacomo Puccini’s final and unfinished opera, the exotic fantasy Turandot, gets the Lyric Opera...

Audience To Vote For Bard’s Play They Want Performed At Shakespeare’s Globe

Posted by Adam Sherwin | 6th Jan 2018 | London, News, United Kingdom

“Come, and take choice of all my library, And so beguile thy sorrow,” Shakespeare wrote. Now...

Lucy Kirkwood’s “The Children” – The Environmental Disaster and Ethics

Posted by Jonathan Kalb | 5th Jan 2018 | London, Playwriting, Review, United Kingdom

Annoying as it is, I have to start with a spoiler alert. That’s because what’s most interesting to...

“Roma Arnee” Doing it Right! Production Of Maxim Gorki Theater, Berlin

Posted by Yana Meerzon | 4th Jan 2018 | Directing, Germany, Israel, Review

Doing It Right! Yael Ronen, an Israeli theatre director working for the Maxim Gorki Theater in...

City Of Arrival: The Role Of Arts Organizations In Promoting Diversity

Posted by Daphne Tepper | 4th Jan 2018 | Belgium, News

In the session City Of Arrival, and with the case of Brussels as a starting point, the new nature...

Russian Theatre On Screen: Yury Butusov’s “The Seagull”

Posted by Jessica Hinds-Bond | 4th Jan 2018 | News, Russia, Russian Theatre Abroad, Transcultural Collaborations

Yury Butusov’s The Seagull is an exuberant feast of a theatrical performance. In the nearly...

Monster Mashup: Mabou Mines Takes On Tennessee Williams

Posted by Jessica Rizzo | 3rd Jan 2018 | New York, Playwriting, Review, Theatre and Age, United States of America

The ghost of Mary Shelley keeps rudely interrupting Mabou Mines’s Glass Guignol: The Brother And...

The “KPOP” Invasion In A New American Musical Part II: Interview With Jason Kim And Helen Park

Posted by Walter Byongsok Chon | 2nd Jan 2018 | Interview, Musical Theatre, New York, South Korea, Transcultural Collaborations

To read Part I of the series on KPOP, click here. For the article, I spoke with Jason Kim and...

The “KPOP” Invasion in a New American Musical Part I

Posted by Walter Byongsok Chon | 1st Jan 2018 | Essay, Musical Theatre, New York, South Korea, Transcultural Collaborations, United States of America

In the last few months of 2017, K-pop (Korean pop) has made it into U.S. news reports in two...

Clowning Around: An Unconventional “Heungbo-ssi” Misses the Mark

Posted by Kim Hyang | 31st Dec 2017 | Adaptation, Musical Theatre, Review, South Korea, Theatre and Opera

Audiences laughed throughout Ko Sun-woong’s new work Heungbo-ssi (written and directed by Ko...

Theater KroogII Brings Artistic Enrichment And Inclusion To Moscow’s Aspiring Disabled Artists

Posted by Madison Parrotta | 30th Dec 2017 | Interview, Producing, Russia, Russian Theatre - Featured, Theatre and Disability

Integrated Theatre Company KroogII is a non-profit organization dedicated to providing an...

“La armonía del silencio” By Lola Blasco. When Little Red Riding Hood Set Fire To The Forest Of Memories

Posted by EfeJota Suárez | 30th Dec 2017 | Review, Spain

Silence. From the Latin “silentium”. The RAE (The Royal Spanish Academy) defines it as...

“A Special Day” by Ettore Scola-Pure Theatrical Plot

Posted by Lorena Meeser | 30th Dec 2017 | Adaptation, Italy, Mexico, Review, Theatre and Politics

A Special Day is based on the 1977 film Una Giornata Particolare by Ettore Scola, starring Sophia...

“No 43-Filth” Trapped In Our Useless And Muddy Reality Of Being?

Posted by Yana Meerzon | 29th Dec 2017 | Estonia, Review, Theatre and Politics

A production from Tallin, Estonia: the winner of XIV Europe Prize Theatrical Realities, 2017. The...

“FCUK’D” at The Bunker Theatre

Posted by Aleks Sierz | 29th Dec 2017 | London, Review, United Kingdom

Is Britain’s welfare system unfit for purpose? Well, all the news channels seem to suggest that...

A Mountain of One’s Own: “Taking the High Ground” by Jan Bolwell

Posted by David O'Donnell | 29th Dec 2017 | LGBTQ+ Theatre, New Zealand, Review, Theatre and Gender

Since Sir Edmund Hillary and Tenzing Norgay became the first to climb Mount Everest in May 1953,...

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Featured

How Butoh, The Japanese Dance Of Darkness, Helps Us Experience Compassion In A Suffering World

“Tosca” at The Theatre Comunale di Bologna

Subjects For Some Short Stories: Acting Character In Postdramatic Chekhov

“The Virgin Suicides” Dying In The Age Of Suicide

A Stunning, Though Questionable, “Turandot” At Chicago’s Lyric Opera

Audience To Vote For Bard’s Play They Want Performed At Shakespeare’s Globe

Lucy Kirkwood’s “The Children” – The Environmental Disaster and Ethics

“Roma Arnee” Doing it Right! Production Of Maxim Gorki Theater, Berlin

City Of Arrival: The Role Of Arts Organizations In Promoting Diversity

Russian Theatre On Screen: Yury Butusov’s “The Seagull”

Monster Mashup: Mabou Mines Takes On Tennessee Williams

The “KPOP” Invasion In A New American Musical Part II: Interview With Jason Kim And Helen Park

The “KPOP” Invasion in a New American Musical Part I

Clowning Around: An Unconventional “Heungbo-ssi” Misses the Mark

Theater KroogII Brings Artistic Enrichment And Inclusion To Moscow’s Aspiring Disabled Artists

“La armonía del silencio” By Lola Blasco. When Little Red Riding Hood Set Fire To The Forest Of Memories

“A Special Day” by Ettore Scola-Pure Theatrical Plot

“No 43-Filth” Trapped In Our Useless And Muddy Reality Of Being?

A Mountain of One’s Own: “Taking the High Ground” by Jan Bolwell

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