Stage Russia Launches App For Worldwide Streaming Of Russian Theatre
Stage Russia, now in its second season of bringing filmed performances of contemporary Russian...
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Featured
“BANG BANG” Is Equal Parts Disarming And Disturbing
Toronto, Ontario alt.theatre web editor Hayley Malouin reviews the world premiere of Kat...
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Bonnie Marranca: “It’s Up To Every New Generation To Create Its Own Institutions, Critical Discourses, And Working Methods.”
Interview by Cristina Modreanu with the occasion of the first edition of Bonnie Marranca’s essays...
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“Absolute Hell” at The National Theatre
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend...
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How Immersive Theater Makes You Look At Yourself In A New Light
Immersive performances are something relatively new for theater-goers around the globe. What are...
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“Still Point Turning” is a Vital Affirmation of Trans People Through the Story of Catherine McGregor
“The unifying trans experience is rejection and repudiation.” So says Cate McGregor’s character in...
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“The Women Who Mapped The Stars”: The Struggle to be Acknowledged
The Women Who Mapped the Stars is a new work by Joyce Van Dyke, a rising dramatist with several...
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5 Theater Performances That Stole The Show in Russia – Now You Have The Chance to See Them!
There is enormous variety when it comes to Russian theatre shows. Russia Beyond has compiled a...
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Unpacking The Role Of Women In Ibsen’s “The Enemy Of The People”
Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....
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Natasha Marshall’s “Half Breed” at The Soho Theatre
In the 2000s one of the many glories of new writing for British stages was the linguistically...
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Anthony Neilson’s “The Prudes” at The Royal Court
Playwright Anthony Neilson has always been fascinated by sex. I mean, who isn’t? But he has made...
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The Cambridge Chamber Ensemble’s “Cendrillon” Showcases Talent But Misses Its Mark
The Cambridge Chamber Ensemble debuted their reimagined production of Pauline Viardot-Garcia’s...
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Composer-in-Residence Clint Borzoni
Clint Borzoni is the current Composer-in-Residence for Musica Marin, a non-profit organization...
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Angels (And Demons) Of History In EgoPo’s “Lydie Breeze” Trilogy
Jessica Rizzo sees the 10-hour, marathon performance of EgoPo Theater’s Lydie Breeze trilogy...
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Electra Takes Revenge into Her Own Hands
In Han Tae-sook’s Electra (LG Arts Center, April 26–May 5, 2018), the mourning daughter doesn’t...
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The Problem Of The Unmarried Woman In “Old, New, Borrowed, Blue”
Metrowest Opera had a full audience in the BCA’s smaller space on Saturday evening for their...
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“Summer: The Donna Summer Musical” – Setting The Record Straight
As we’ve settled into the 21st century, pop-culture vestiges of the 20th century have fallen by...
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“Potong” By Teater Ekamatra: Of Kin And Skin
We’ve been seeing a variety of theatre revolving around dementia and its effects on families in...
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A Voice For Peace And Human Values
With the passing away of Madeeha Gauhar, the subcontinent has lost a votary of freedom of...
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“Gracie” At The GCTC Is A Terrific Theatrical Experience
Gracie By Joan Macleod, directed by Eric Coates A GCTC Production Gracie is like many...
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