Featured Archives - Page 173 of 254

“…Like Nobody’s Watching” Tackles Loneliness And A Bad Tom Hanks Obsession

Posted by Ryan Pepper | 20th Jun 2018 | Canada, Festivals, Review

Some dramatists create love letters to the things they admire. …like nobody’s watching doesn’t...

“Monogamy” at The Park Theatre

Posted by Aleks Sierz | 20th Jun 2018 | London, Review, United Kingdom

Forget about dark alleys, deserted parks and slippery slopes: the most dangerous place in the...

REVIEW: Patron Saints And Picking Grapes In “Our Lady Of Delicias”

Posted by Hayley Malouin | 20th Jun 2018 | Canada, Review

Hayley Malouin reviews Essential Collective Theatre’s world premiere of Our Lady Of Delicias:...

Review: “An Ideal Husband” At The Stratford Festival

Posted by Joe Szekeres | 20th Jun 2018 | Canada, Festivals, Review

‘Tis a puzzlement, these plays of Oscar Wilde. They require audiences to pay careful attention as...

Glasgow’s Easterhouse To Stage Ancient “Trojan Women” Play With War-Scarred Syrian Refugees

Posted by Ian Marland | 20th Jun 2018 | Festivals, Jordan, News, Scotland, Syria, Transcultural Collaborations

A 2,400-year-old Greek tragedy is to be staged in one of Scotland’s most deprived communities to...

Review: “The Music Man” At The Stratford Festival

Posted by Joe Szekeres | 20th Jun 2018 | Canada, Festivals, Musical Theatre, Review

Admittedly, I’m probably the only person who has neither seen the Robert Preston/Shirley Jones...

MAAT Kicks Off: Las Bernardas Contemporary Dance At Cairo’s Falaki Theatre

Posted by Soha Elsirgany | 19th Jun 2018 | Egypt, News, Theatre and Dance

The program also featured two performances from Karima Mansour. Between May 10 and 15, Falaki...

Review: “Long Day’s Journey Into Night” At The Stratford Festival

Posted by Joe Szekeres | 19th Jun 2018 | Canada, Festivals, Review

Eugene O’Neill’s classic twentieth-century semi-autobiographical drama deals with the Tyrone...

When The Cultural Cringe Abated: Australian Drama In The 1970s

Posted by Julian Meyrick | 19th Jun 2018 | Australia, Essay, Playwriting

In our Great Australian Plays series, we nominate the best of Australian drama. If Australian...

Review: “To Kill A Mockingbird” At The Stratford Festival

Posted by Joe Szekeres | 18th Jun 2018 | Canada, Festivals, Review

Even after having taught this American classic to high school students for over thirty years, I...

The Glorious Anger Of “Leda And The Rage”

Posted by Arts Equator | 18th Jun 2018 | Review, Singapore, Theatre and Art, Theatre and Gender

Corrie Tan: When Edith Podesta first told us during our Studios podcast interview that Leda And...

Interview With Thierry Thieû Niang on Theatre for Children

Posted by Nicole Birmann Bloom | 18th Jun 2018 | France, Interview, Theatre for Young Audiences, United States of America

On June 16 and 17, Invisible Dog Art Center in Brooklyn will present To The Heart, a performance...

The Tiger And The Anus: How KFDA Decolonises Cosmopolitanism

Posted by Rathsaran Sireekan | 18th Jun 2018 | Belgium, Brazil, Festivals, Review, Singapore, Theatre and Decolonization

The Kunstenfestivaldesarts (KFDA)’s commitment to promoting “cosmopolitan vision as an...

How Shakespeare Used Music To Tell Stories

Posted by Simon Smith | 17th Jun 2018 | Dramaturgy, Essay, United Kingdom

Today we fully expect film, television, and theatre to use music to shape meaning. The screeching...

Performance As An Act Of Civil Disobedience. Forbidden To Forbid

Posted by Milos Sofrenovic and Vinicius Jatobá | 17th Jun 2018 | Devised Theatre, Essay, France

The latest performance of the series The Politics of Movement: On Reinterpretation of Power by...

“Lucid Dreams” A Beautiful, Whimsical Performance Full Of Warmth

Posted by Rajka Stefanovska | 17th Jun 2018 | Canada, Festivals, Review, Theatre for Young Audiences

What an exciting piece of news for the Ottawa theatre community: Once Upon a Kingdom Theatre will...

The Power Of “La Pilarcita”: María Marull’s Opera Prima Celebrates Its Fourth Season In Buenos Aires

Posted by Susan Berardini | 17th Jun 2018 | Argentina, Playwriting, Review

Pilgrimages have long served as expressions of both collective and individual faith, as well as...

David Harrower’s “The Prime Of Miss Jean Brodie” At The Donmar Warehouse

Posted by Aleks Sierz | 17th Jun 2018 | Adaptation, London, Review, United Kingdom

Miss Jean Brodie, the larger-than-life Edinburgh schoolteacher that strides through Muriel Spark’s...

“Exquisita Agonía” At Repertorio Español

Posted by Jack Wernick | 16th Jun 2018 | New York, Review, United States of America

Repertorio Español, New York’s preeminent venue for Spanish language theatre, continues its 50th...

“Deep Present” – Jisun Kim Stages Four Artificial Intelligences

Posted by Claire Swyzen | 16th Jun 2018 | Directing, Review, South Korea, Theatre and AI, Transmedia

A shallow learning-play In Deep Present (2018) Seoul-based director Jisun Kim stages four...

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Featured

“…Like Nobody’s Watching” Tackles Loneliness And A Bad Tom Hanks Obsession

REVIEW: Patron Saints And Picking Grapes In “Our Lady Of Delicias”

Review: “An Ideal Husband” At The Stratford Festival

Glasgow’s Easterhouse To Stage Ancient “Trojan Women” Play With War-Scarred Syrian Refugees

Review: “The Music Man” At The Stratford Festival

MAAT Kicks Off: Las Bernardas Contemporary Dance At Cairo’s Falaki Theatre

Review: “Long Day’s Journey Into Night” At The Stratford Festival

When The Cultural Cringe Abated: Australian Drama In The 1970s

Review: “To Kill A Mockingbird” At The Stratford Festival

The Glorious Anger Of “Leda And The Rage”

Interview With Thierry Thieû Niang on Theatre for Children

The Tiger And The Anus: How KFDA Decolonises Cosmopolitanism

How Shakespeare Used Music To Tell Stories

Performance As An Act Of Civil Disobedience. Forbidden To Forbid

“Lucid Dreams” A Beautiful, Whimsical Performance Full Of Warmth

The Power Of “La Pilarcita”: María Marull’s Opera Prima Celebrates Its Fourth Season In Buenos Aires

David Harrower’s “The Prime Of Miss Jean Brodie” At The Donmar Warehouse

“Exquisita Agonía” At Repertorio Español

“Deep Present” – Jisun Kim Stages Four Artificial Intelligences

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