Featured Archives - Page 173 of 252

“Empire Of The Son”’s Fragmented Narrative Tells Story Of Intergenerational Divide And Male Vulnerability

Posted by Connor Meeker | 5th Jun 2018 | Canada, Review, Transcultural Collaborations

Edmonton, Alberta. Connor Meeker reviews Tetsuro Shigematsu’s Empire of the Son at Edmonton’s...

Ballet For Everyone: A French Classic Updated For The 21st Century

Posted by Zolima Citymag | 4th Jun 2018 | France, Hong Kong, Review, Theatre and Dance

This article is brought to you by Le French May. Long before movie theatres were widespread,...

“The Girl On The Train” Onstage: “We Wanted It To Have The Pace Of A Train Out Of Control”

Posted by Holly Williams | 4th Jun 2018 | Adaptation, Interview, United Kingdom

So what attracted you to the multimillion-selling novel The Girl On The Train? That could be my...

Catalysts Of Drama

Posted by Vikram Phukan | 4th Jun 2018 | India, News, Puppetry, Theatre for Young Audiences

Bengaluru-based Sandbox Collective is in town with two unmissable productions. A rib-tickling play...

Dark Glass Theatre’s “Ruined” Brilliantly Tells A Story Of Humanity Under Seige–But A Predominantly White Audience (Re)Watching Trauma Is Troubling

Posted by Carla Chambers-Jeffreys | 4th Jun 2018 | Canada, Review, Theatre and Gender, Theatre and Politics

Vancouver, British Columbia Carla Chambers-Jeffreysreviews Dark Glass Theatre’s production of Lynn...

All Love for “Black Boys’” Black On Black Love

Posted by Willow White | 3rd Jun 2018 | Canada, LGBTQ+ Theatre, Review, Theatre and Gender

Montreal, Québec Willow Whitereviews Black Boys, Saga Collectif’s co-production with Buddies in...

“Uncle Vanya,” Anton Chekhov’s Play, On The London Stage

Posted by Anna Prosvetova | 3rd Jun 2018 | Directing, Review, Russia, Russian Theatre Abroad

Uncle Vanya is, perhaps, one of the most hopeless plays by Anton Chekhov. Talking about...

A Day In The Life Of The Royal Shakespeare Company’s Head Of Props–Featuring Swords, Fake Blood, And Stage Secrets

Posted by Kate Youde | 3rd Jun 2018 | Design, Interview, United Kingdom

“It’s a little bit like Forrest Gump’s box of chocolates: you never know what you’re going to...

Between The Mirror And The Window

Posted by Diwan Singh Bajeli | 3rd Jun 2018 | India, Playwriting, Review, Theatre and Gender

Written by Jayant Dalvi, Savitri explores different perspectives of marriage and its relevance in...

The Most Spectacular Theatres To Visit In The UK

Posted by Amber Massie-Blomfield | 3rd Jun 2018 | Essay, United Kingdom

I have seen performances in a theatre-on-wheels, an old Welsh steelworks, and a Victorian...

“The Glass Menagerie” – Purely Theater Poesy

Posted by Lorena Meeser | 3rd Jun 2018 | Acting, Mexico, Review

The Glass Menagerie is a masterpiece work of Tennessee Williams, it is a jewel of world...

When Playwriting Becomes Activism: An Interview With Nelson Diaz-Marcano

Posted by Trevor Boffone | 2nd Jun 2018 | Interview, New York, Playwriting, United States of America

New York City-based Puerto Rican playwright Nelson Diaz-Marcano first came to the world of...

Brian Friel’s “Translations” At The National Theatre: Four Stars

Posted by Aleks Sierz | 2nd Jun 2018 | Acting, London, Northern Ireland, Playwriting, Review, United Kingdom

Since the Northern Irish playwright’s death in 2015, Brian Friel’s work is rarely sighted in...

La Reprise–Histoire(s) Du Théâtre (I)–Milo Rau/IIPM

Posted by Charlotte De Somviele | 1st Jun 2018 | Directing, France, Review

Between re-enactment and appropriation: the as-if strategy of Milo Rau Acclaimed director Milo Rau...

“I Think I’m Dead”: A Captivating Autobiographical Performance Of Insomnia

Posted by Ryan Pepper | 1st Jun 2018 | Canada, Review

Al Lafrance’s one-man show I Think I’m Dead is a captivating autobiographical story of neuroses,...

Mayfly Docus: “Die Tomorrow” And “14 Apples” At SIFA’s “Singular Screens”

Posted by Arts Equator | 1st Jun 2018 | Festivals, News, Singapore, Thailand

At this year’s Singapore International Festival of Arts (SIFA), the two films from Southeast...

“Kurski Station” at the East Village Playhouse

Posted by Jack Wernick | 31st May 2018 | New York, Review, United States of America

The East Village Playhouse, a recently created storefront venue in a defunct music shop, is home...

Hook And Eye Theater Presents: “SHE-SHE-SHE”

Posted by The Theatre Times | 31st May 2018 | Devised Theatre, New York, Review, United States of America

In the world of New York theatre, it’s not uncommon to witness thematic ties across mediums and...

The Immigrant Dragons–Part I: How Australia Is Saving A Hong Kong Tradition

Posted by Billy Potts | 31st May 2018 | Australia, Essay, Hong Kong, Transcultural Collaborations

It’s a cool January afternoon at a bus terminal at Yuen Long station. A blue minivan pulls up....

“Up To Low” Has Universal Appeal!

Posted by Capital Critics' Circle | 31st May 2018 | Adaptation, Canada, Review

For Ottawa-area audiences, part of the charm of the theatrical adaptation of Up To Low, by Ottawa...

M	T	W	T	F	S	S
1	2	3	4	5	6	7
8	9	10	11	12	13	14
15	16	17	18	19	20	21
22	23	24	25	26	27	28
29	30	31

Featured

“Empire Of The Son”’s Fragmented Narrative Tells Story Of Intergenerational Divide And Male Vulnerability

Ballet For Everyone: A French Classic Updated For The 21st Century

“The Girl On The Train” Onstage: “We Wanted It To Have The Pace Of A Train Out Of Control”

Catalysts Of Drama

Dark Glass Theatre’s “Ruined” Brilliantly Tells A Story Of Humanity Under Seige–But A Predominantly White Audience (Re)Watching Trauma Is Troubling

All Love for “Black Boys’” Black On Black Love

“Uncle Vanya,” Anton Chekhov’s Play, On The London Stage

A Day In The Life Of The Royal Shakespeare Company’s Head Of Props–Featuring Swords, Fake Blood, And Stage Secrets

Between The Mirror And The Window

The Most Spectacular Theatres To Visit In The UK

“The Glass Menagerie” – Purely Theater Poesy

When Playwriting Becomes Activism: An Interview With Nelson Diaz-Marcano

Brian Friel’s “Translations” At The National Theatre: Four Stars

La Reprise–Histoire(s) Du Théâtre (I)–Milo Rau/IIPM

“I Think I’m Dead”: A Captivating Autobiographical Performance Of Insomnia

Mayfly Docus: “Die Tomorrow” And “14 Apples” At SIFA’s “Singular Screens”

“Kurski Station” at the East Village Playhouse

Hook And Eye Theater Presents: “SHE-SHE-SHE”

The Immigrant Dragons–Part I: How Australia Is Saving A Hong Kong Tradition

“Up To Low” Has Universal Appeal!

Like Us On Facebook

Most Popular Posts

Recent Posts

SEARCH OUR ARCHIVES

Pin It on Pinterest