“Don’s Party” at 50: An Achingly Real Portrayal of The Hapless Australian Middle-Class Voter
The play Don’s Party premiered on August 11, 1971 at Carlton’s Pram Factory, home to the radical...
Read More
Essay
Theatre as a Social Institution
Theatre institutions or more broadly art institutions have always been the frontline workers in...
Read More
We Used Performing Arts to Map Out Gender Violence in Sierra Leone. What We Found
It’s been more than two years since Sierra Leone declared a state of emergency over sexual and...
Read More
Ola Rotimi: The Enduring Influence of a Nigerian Theatre Giant
Twenty years after his death, the Nigerian dramatist Ola Rotimi is attracting renewed interest....
Read More
Beckett, Technology, and Experimentation: Report from the Between.Pomiedzy Festival 2021, Day 4
Day four of the Between.Pomiedzy festival featured Virtual Beckett, the third seminar by the...
Read More
All the TikTok’s a Digital Stage
In the chaotically queer third act of Fake Friends’ 2020 production of Circle Jerk, the...
Read More
Transformative Imaginations #1: Breaking Toxic Patterns
RECLAIM PUBLIC SPACE! Many ideals are projected onto public space, as if it were inherently...
Read More
Between Pandemic and Protest: The Rise of Performative Activism in Poland
Artist Szymon Adamczak moves between the Netherlands and his home country Poland. Since the...
Read More
Building Bridges: Interweaving Beckett – Brazil and Poland
Máskara – the Transdisciplinary Research Center in Theatre, Dance, and Performance – is an...
Read More
Canada’s Theatre Community Must Nurture BIPOC Leadership to Improve Racial Equity
Last summer, in the midst of global protests against anti-Black racism, Canada’s...
Read More
Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
Read More
Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
Read More
Get Down: A New Way to Rise. Professionalizing Urban Dances, From Street to Stage.
With Get Down, Belgium now has its first management agency dedicated to street dancers. That is...
Read More
Laughing in Darkness: Reading Różewicz Anew
Tadeusz Różewicz (1921-2014) might need a few words of introduction for English-speaking readers,...
Read More
Asian Adaptations of Shakespeare Today
During the AAPI (Asian Americans and Pacific Islanders) heritage month, let us explore the...
Read More
Between.Pomiędzy @ 12 — Ohio Impromptu @ 40 — Beckett @ 115
Now in its twelfth year, the Between.Pomiędzy Festival of Literature and Theatre has made much of...
Read More
Performing Shakespeare in the Era of COVID-19
Although tragedy is not usually the preferred companion for hard times, Anglophone pop culture...
Read More
Be Creative with Your Videoconferencing, Make it Memorable, Make a Difference
On the 21st March 2020, I put out a simple message on my Facebook profile in response to the...
Read More
“The Other Solos, Shakespeare:” Brexit, Shakespeare, and Foreign Voices
Today, 23rd of April 2021, is the 405 anniversary of Shakespeare’s death. In two months, on...
Read More
Kennedy Center New Play Dramaturgy Intensive Adapts to Meet the Moment
At the time of the writing of this article, the historic events of January 6th, January 20th, and...
Read MoreLike Us On Facebook
Most Popular Posts
