Interview with Kosovo Theatremaker and Human Rights Activist Kushtrim Koliqi—“In Kosovo Men are Bulls**t, We are like Criminals…”
“In Kosovo men are bulls**t, we are like criminals…” Kushtrim Koliqi has been a human rights...
Read MorePosted by Verity Healey | 1st Dec 2022 | Interview, Kosovo, Theatre and Gender, Theatre and Politics
“In Kosovo men are bulls**t, we are like criminals…” Kushtrim Koliqi has been a human rights...
Read MorePosted by Magda Romanska | 23rd Nov 2022 | Adaptation, Essay, Theatre and Politics
Since February 2022, Western and Ukrainian media have reported on the kidnapping and forced...
Read MorePosted by Orlaith Darling | 20th Nov 2022 | Adaptation, Essay, Theatre and Politics, United Kingdom
The last few years in politics have gifted the keen observer many allusions to some of...
Read MorePosted by Aleks Sierz | 19th Nov 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Every day there is bad news about the NHS — junior doctors are exhausted, nurses need food banks...
Read MorePosted by Verity Healey | 13th Nov 2022 | Adaptation, Dramaturgy, Kosovo, Review, Theatre and Politics
The Handke Project, Kosovo Theatre Showcase, Teatri Oda, 26th October 2022 If The Handke Project...
Read MorePosted by Dmitry Troyanovsky | 11th Nov 2022 | Essay, Germany, Theatre and Politics, Ukraine
Dmitry Troyanovsky is a theatre and opera director living in Boston, MA. Born in Kyiv, Ukraine...
Read MorePosted by Verity Healey | 9th Nov 2022 | Directing, Kosovo, Musical Theatre, Review, Theatre and Politics
Is this the first memorial disco theatre piece of its kind in modern theatre? Well, it’s a disco...
Read MorePosted by Tom Cornford | 17th Oct 2022 | Directing, Essay, Theatre and Politics, United Kingdom
Since 2015, a large bronze statue has stood outside the Theatre Royal Stratford East. Raised on a...
Read MorePosted by Alexander Nderitu | 11th Oct 2022 | Directing, Interview, Kenya, Theatre and Decolonization, Theatre and Politics
ALEXANDER NDERITU: Thank you for agreeing to this interview, Mr. Nash. Let’s start with some...
Read MorePosted by Emiliia Dementsova | 2nd Oct 2022 | Adaptation, Review, Russia, Theatre and Politics
Musical drama of unlearned lessons is perhaps the most appropriate definition for Evgeny...
Read MorePosted by Christy Romer | 28th Sep 2022 | Europe, Interview, Playwriting, Theatre and Decolonization, Theatre and Politics
Young Europe IV is a large-scale artistic collaboration project to tackle the dominance of stories...
Read MorePosted by Aleks Sierz | 26th Sep 2022 | London, Palestine, Review, Theatre and Politics, United Kingdom
Identity is the sum of the stories we tell ourselves. Some of these are personal, and some...
Read MorePosted by Kee-Yoon Nahm | 9th Sep 2022 | Interview, Playwriting, South Korea, Theatre and Politics, Translation
To read Part 1 of this interview, click here. Nahm: Let’s talk now about Texas Aunt. I said...
Read MorePosted by Kee-Yoon Nahm | 8th Sep 2022 | Interview, Playwriting, South Korea, Theatre and Politics, Translation
Yun Mi Hyun is a playwright based in South Korea. After writing fiction and poetry in her early...
Read MorePosted by Aleks Sierz | 14th Aug 2022 | India, London, Playwriting, Review, Theatre and Politics, United Kingdom
While Britain is experiencing a “summer of discontent”, with inflation, strikes and other...
Read MorePosted by Deborah Augustin | 11th Aug 2022 | Afghanistan, Applied Theatre, Interview, Malaysia, Theatre and Politics
The pioneering theatre company, founded and run by Afghan theatre maker and refugee, Saleh Sepas,...
Read MorePosted by Yana Meerzon | 7th Aug 2022 | Avignon 2022, Directing, Festivals, France, Theatre and Politics
This is Part 2 of the bipartite report. To read Part 1, click here. Anaïs Nin au Miroir, written...
Read MorePosted by Florida Kastrati | 5th Aug 2022 | Applied Theatre, Kosovo, Review, Theatre and Politics
Pristina Prison, a notorious building in the centre of the city, was built during the Yugoslav era...
Read MorePosted by Aleks Sierz | 4th Aug 2022 | Playwriting, Review, Theatre and Politics, United Kingdom
Yesterday evening I went to see Dog/Actor at the Etcetera Theatre in Camden. Written by Steven...
Read MorePosted by Andrej Čanji | 2nd Aug 2022 | Playwriting, Review, Serbia, Theatre and Politics
National Theatre, Belgrade, premiere 12th March 2022 The Years of Crows is the great comeback for...
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