“Tactile Quartet(s)” – Vera Tussing and Quatuor MP4
New Nexus Formed After several projects which look into ways to expand performing art’s notion of...
Read MorePosted by Rathsaran Sireekan | 4th Dec 2019 | Belgium, Participatory Theatre, Review
New Nexus Formed After several projects which look into ways to expand performing art’s notion of...
Read MorePosted by Rathsaran Sireekan | 27th Oct 2019 | Review, South Korea, Theatre and Gender
The Political Self of Beauty South Korean artist Eunkyung Jeong’s interdisciplinary work at...
Read MorePosted by Rathsaran Sireekan | 23rd Sep 2019 | Belgium, Festivals, Review, South Korea, Theatre and Politics
The political self of beauty South Korean artist Eunkyung Jeong’s interdisciplinary work at...
Read MorePosted by Rathsaran Sireekan | 2nd Aug 2019 | Adaptation, Belgium, Essay, Review, Theatre and Dance, Theatre and Politics
Engaging choreography in a green discourse Anyone associating ‘De Keersmaeker’ and P.A.R.T.S....
Read MorePosted by Rathsaran Sireekan | 25th Jun 2019 | Belgium, Review, Theatre and Dance
Performing the performing other American dancer and choreographer Trajal Harrel marks his first...
Read MorePosted by Rathsaran Sireekan | 19th May 2019 | Belgium, Essay, Theatre and Dance, Theatre and Decolonization
Author: Rathsaran Sireekan Contemporary art’s desire to be “contemporary”, for many practitioners,...
Read MorePosted by Rathsaran Sireekan | 6th May 2019 | Belgium, Essay, Festivals, Participatory Theatre, Theatre and Art, Transmedia
The politics of (dis)association The sixth edition of Performatik, the Brussels Biennale for “live...
Read MorePosted by Rathsaran Sireekan | 17th Nov 2018 | Belgium, Festivals, Review, Theatre and Politics
Cezary Goes To War by Cezary Tomaszewksi and Tell Me About The Revolution by Farbod Fathinejadfard...
Read MorePosted by Rathsaran Sireekan | 9th Sep 2018 | Adaptation, Belgium, Festivals, Review
At their first encounter with director Alice Bogaerts’s and dramaturg Marleen Ilg’s stage...
Read MorePosted by Rathsaran Sireekan | 18th Jun 2018 | Belgium, Brazil, Festivals, Review, Singapore, Theatre and Decolonization
The Kunstenfestivaldesarts (KFDA)’s commitment to promoting “cosmopolitan vision as an...
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A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025
Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025 
The 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary… by Xunnan Li And Yuan Du 2nd December 2025
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 


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“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025