“Cats”: The Jellicle Ball is near Purrfect
Alright, I’ll level with you. Maligned as it is (and oh is it ever) Andrew Lloyd Webber’s 1982...
Read MorePosted by Morgan Skolnik | 13th Jul 2024 | LGBTQ+ Theatre, New York, Review, United States of America
Alright, I’ll level with you. Maligned as it is (and oh is it ever) Andrew Lloyd Webber’s 1982...
Read MorePosted by Kuan-Ting Lin | 11th Jul 2024 | Dramaturgy, News, Playwriting, Taiwan
New writing stretches the boundaries of theatre arts. Though writing may seem a solitary...
Read MorePosted by The Prologue Center for New Plays | 11th Jul 2024 | News, Playwriting, Taiwan
To read PART I of this essay, go to this link. Prologue Center for New Plays Having worked...
Read MorePosted by Catherine Campbell | 10th Jul 2024 | Australia, Festivals, Review
Now in its 24th year, the Adelaide Cabaret Festival’s annual celebration of all things cabaret...
Read MorePosted by Deniz Bașar | 10th Jul 2024 | Review, Theatre and Politics, United States of America
Perhaps the 2024 production of La MaMa’s Medea, under Zishan Ugurlu’s direction and reimagining,...
Read MorePosted by Deniz Bașar | 10th Jul 2024 | Review, Theatre and Politics, United States of America
To read PART I of this essay, go to this link. The snake that Medea uses to make her...
Read MorePosted by John Freedman | 9th Jul 2024 | Interview, Theatre and Politics, Ukraine
I first encountered Dmytro Ternoviy through my Worldwide Ukrainian Play Readings project. His...
Read MorePosted by John Freedman | 9th Jul 2024 | Interview, Theatre and Politics, Ukraine
This is Part 2 of the interview with Dmytro Ternoviy. For Part 1, go here. Dmytro Ternoviy’s...
Read MorePosted by Andrew Agress | 8th Jul 2024 | Interview, New York, United States of America
Do you ever wish you could have a say in how your city developed its land? Well, this month, New...
Read MorePosted by Teodora Medeleanu | 7th Jul 2024 | Review, Romania, TESZT 2024, Transmedia
Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with...
Read MorePosted by Yizhou Zhang | 5th Jul 2024 | Germany, South Africa, Theatre and Dance, Theatre and Decolonization
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
Read MorePosted by Aleks Sierz | 4th Jul 2024 | Dramaturgy, Review, United Kingdom
Every day this week I’m watching a football match, and now — after April’s production of Lydia...
Read MorePosted by Lisa Monde | 4th Jul 2024 | Musical Theatre, New York, Review, United States of America
Everyone knows that musical is a synthetic genre in which a story is being told by means of...
Read MorePosted by Alana Lentin | 3rd Jul 2024 | Review, Theatre and Politics, United States of America
Anchuli Felicia King’s new one-performer piece, American Signs, written for the talented Catherine...
Read MorePosted by Lalatiana Andréa Rasamoelina | 3rd Jul 2024 | Essay, Madagascar, Management
They say everyone can be an actor. Any location can transform into a theatre stage. Yet finding a...
Read MorePosted by Teodora Medeleanu | 1st Jul 2024 | Review, Romania, TESZT 2024, Transmedia
Depicting an odyssey on stage is rather a challenge, especially when the main means of transport...
Read MorePosted by Teodora Medeleanu | 1st Jul 2024 | Review, Romania, TESZT 2024, Transmedia
TESZT 2024 brings, from Zagreb Youth Theatre, Borut Šeparović’s production Youth Without God, on a...
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