What Is The State of New Plays in Contemporary China?
Meddling directors, confused actors, and pushy politicians are leaving the country’s budding...
Read MorePosted by Nina Huang | 18th Oct 2017 | China, Essay, Playwriting, Producing
Meddling directors, confused actors, and pushy politicians are leaving the country’s budding...
Read MorePosted by Nobuko Tanaka | 18th Oct 2017 | Festivals, Japan
At the end of his speech in July announcing details of this year’s Festival/Tokyo running from...
Read MorePosted by Aida Rocci | 18th Oct 2017 | Iran, Playwriting, Review
Seven years ago, a new play challenged the role of the actor, the playwright, the audience, and the capacity of one individual to travel. The play was White Rabbit Red Rabbit, written by the mysterious Nassim Soleimanpour, an Iranian writer who encouraged the audience to email him with impressions about his play.
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