Towards a New Language of Theatre
In a year when a previously unknown virus spread like wildfire across the globe, theatre was...
Read MorePosted by Oliver Farry | 15th Apr 2021 | Festivals, Hong Kong, News, Theatre and Disability
In a year when a previously unknown virus spread like wildfire across the globe, theatre was...
Read MorePosted by Aleks Sierz | 28th Jun 2020 | Review, Theatre and Film, United Kingdom
Lockdown occasionally spawns some real delights. Like the surprise appearance of a strange...
Read MorePosted by Aleks Sierz | 7th Jun 2020 | Applied Theatre, Essay, United Kingdom
In his wide-ranging, and widely read, survey of postwar British theatre, called State of the...
Read MorePosted by Mila Bulimbasic Botteri | 1st Apr 2020 | Germany, London, Review, United Kingdom
“The theatre is a device for empathy – its job is to create better people.” Those are the words of...
Read MorePosted by Nobuko Tanaka | 25th Jan 2020 | Collaborating Across Cultures, Japan, Review
Japanese theater gets off to a flying start in 2020 with a collaboration between leading British...
Read MorePosted by Amy Toledano | 13th Jun 2019 | The Play's The Thing UK
Last performed at the National Theatre, Simon Stephen’s Harper Regan is great at making an...
Read MorePosted by Duška Radosavljević | 30th Mar 2019 | Festivals, Participatory Theatre, Review, United Kingdom
Homegrown: Occupy Festival Battersea Arts Centre March 18 – April 12 When it comes to arts venues,...
Read MorePosted by Aleks Sierz | 5th Jan 2019 | London, Review, United Kingdom
Actor Ellie Kendrick is a familiar face on television, but it’s as a writer that she reveals the...
Read MorePosted by Aleks Sierz | 12th Jun 2018 | Documentary Theatre, London, Review, Theatre and Gender, United Kingdom
Masculinity, whether toxic or in crisis (but never ever problem-free), is a hardy perennial...
Read MorePosted by Sandra D'urso | 21st Jan 2018 | Adaptation, Australia, Melbourne, Review
The National Theatre’s production of The Curious Incident Of The Dog In The Night-Time, currently...
Read MorePosted by Aleks Sierz | 12th Dec 2017 | Essay, London, Playwriting, Review, Theatre and Politics, United Kingdom
Friday, May 7, 2010; Brixton, south London; darkest night. Early dawn touches a Victorian terraced...
Read MorePosted by Aleks Sierz | 24th Oct 2017 | London, Playwriting, Review, United Kingdom
Playwright Simon Stephens and director Marianne Elliott are hyped as a winning partnership. Their...
Read MorePosted by Aleks Sierz | 7th May 2017 | London, Review, United Kingdom
Text can sometimes be a prison. At its best, postwar British theatre is a writer’s theatre, with...
Read MorePosted by Alice Jones | 13th Dec 2016 | Playwriting, United Kingdom
A new theatre podcast by the playwright Simon Stephens sheds light on the people behind the plays....
Read More
From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 




Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 