Dianne Wiest’s Winnie In Madison Square Park
Nothing you do this week will likely be more worthwhile than spending 40-odd minutes with Dianne...
Read MorePosted by Jonathan Kalb | 30th Oct 2018 | New York, Review, United States of America
Nothing you do this week will likely be more worthwhile than spending 40-odd minutes with Dianne...
Read MorePosted by Sarah Balkin | 20th Oct 2018 | Adaptation, Festivals, Ireland, Melbourne, Review
It resembled a pot, it was almost a pot, but it was not a pot of which one could say, Pot, pot,...
Read MorePosted by Aleks Sierz | 18th Oct 2018 | Acting, London, Playwriting, Review, United Kingdom
Blackout. Dark, the color of childhood fear. Black, the color of despair. Black. No light visible;...
Read MorePosted by Kris Verdonck | 1st Sep 2018 | Belgium, Essay, Theatre and Dance
At the core of my oeuvre and of my artistic practice is the fact that you are not allowed to...
Read MorePosted by Hilary Halba | 19th May 2018 | Management, New Zealand, News
The mid-morning phone call I receive from a colleague brings bad news. The Fortune Theatre–the...
Read MorePosted by Jonathan Kalb | 4th May 2018 | New York, Playwriting, Review, Theatre and Age, United States of America
My reaction to Edward Albee’s Three Tall Women when it first arrived in New York in 1994 was...
Read MorePosted by Colin Hambrook | 16th Mar 2018 | Interview, Theatre and Disability, United Kingdom
Following excellent reviews from a run of Samuel Beckett’s Not I in Edinburgh last summer...
Read MorePosted by Ahram Online | 26th Feb 2018 | Egypt, Festivals, News
This year’s festival kicked off in Cairo on February 13, moved to Alexandria, and concluded...
Read MorePosted by Jonathan Kalb | 2nd Oct 2017 | Adaptation, New York, Review, United States of America
From Brecht’s plan to project films of Marxist revolutions behind Didi and Gogo in Waiting For...
Read MorePosted by Anthony Uhlmann | 27th Sep 2017 | Australia, Festivals, Immersive Theatre, Sydney
In the program notes to Pan Pan Theatre’s outstanding production of All That Fall at the Sydney...
Read MorePosted by Adam Sherwin | 18th Sep 2017 | Directing, Essay, London
A titan of the stage, whose influence over the development of post-War British theatre was...
Read MorePosted by Jonathan Kalb | 26th Mar 2017 | New York, Review, Theatre and Disability, United States of America
Audacious risk-taking in the theater comes in many colors, most of them loud. You can defy a...
Read MorePosted by Amelia Parenteau | 3rd Dec 2014 | Essay, France, Management, New York, United States of America
American playwright, translator, and journalist Amelia Parenteau is currently in residence in...
Read MorePosted by Alicja Rosé | 18th Jun 2010 | Directing, Essay, Poland
Beckett would have been unhappy. Hamm’s feet sticking out from under the blanket, and in white...
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From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



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