From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 1.
Godot in Wuhan was a special session at the Twelfth Between.Pomiędzy Festival conducted within the...
Read MorePosted by Tomasz Wiśniewski and Katarzyna Kręglewska | 26th Jun 2021 | Between.Pomiędzy 2021, China, Covid-19, Interview
Godot in Wuhan was a special session at the Twelfth Between.Pomiędzy Festival conducted within the...
Read MorePosted by Mark Byron | 20th Jun 2021 | Adaptation, Essay, Ireland, Playwriting
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
Read MorePosted by S.E. Gontarski | 10th Jun 2021 | Between.Pomiędzy 2021, Essay, Festivals, Poland
Now in its twelfth year, the Between.Pomiędzy Festival of Literature and Theatre has made much of...
Read MorePosted by Sylwia Dobkowska | 9th Jun 2021 | Between.Pomiędzy 2021, Festivals, Poland, Review
Can we be in two places at once? Can an event happen online and offline simultaneously? The...
Read MorePosted by Aleks Sierz | 27th Apr 2021 | Review, Transmedia, United Kingdom
Over the past year we’ve become used to a variety of home theatre: recordings of live...
Read MorePosted by Susan Joe Phillip | 6th Apr 2021 | India, Review
Directed by Amrith Jayan, Baska talks about the struggle to overcome the conditioning of humans by...
Read MorePosted by Peter M. Boenisch | 24th Oct 2020 | Adaptation, Denmark, Review, Theatre and Gender
Faustimir and Mephistragon The misery of the aging white man, who once diligently studied...
Read MorePosted by Aleks Sierz | 7th Jun 2020 | Applied Theatre, Essay, United Kingdom
In his wide-ranging, and widely read, survey of postwar British theatre, called State of the...
Read MorePosted by David Malcolm | 16th May 2020 | Between.Pomiędzy 2020, Essay, Poland
David Malcolm has been one of the key organizers of the Between. Pomiędzy festival ever since it...
Read MorePosted by Sylwia Dobkowska | 14th May 2020 | Between.Pomiędzy 2020, Essay, Poland
Unusual times need unusual solutions. We certainly live in times that are challenging, but they...
Read MorePosted by S.E. Gontarski | 12th May 2020 | Between.Pomiędzy 2020, Essay, Poland
Professor S.E. Gontarski is the honorary patron of Beckett Research Group in Gdańsk, created and...
Read MorePosted by Aleks Sierz | 17th Feb 2020 | London, Review, United Kingdom
No playwright has had greater influence on successive generations of theatre-makers than Samuel...
Read MorePosted by Jonathan Kalb | 6th Feb 2020 | Festivals, New York, Review, United States of America
“Static” is one of those words from which most artists recoil. It’s typically used for something...
Read MorePosted by Natasha Lomonossoff | 2nd Feb 2020 | Adaptation, Canada, Review
Peggy’s Song, the final production of Theatre Kingston’s 2019-20 season, provides a light-hearted...
Read MorePosted by Natasha Lomonossoff | 19th Nov 2019 | Acting, Canada, Review
The works of modern Irish playwright Samuel Beckett, largely absurdist and tragicomic in scope,...
Read MorePosted by Christine Deitner | 5th Oct 2019 | Los Angeles, Review, United States of America
If you live in Los Angeles or plan to be in town some weekend through October 27th, it cannot be...
Read MorePosted by Christine Deitner | 25th May 2019 | Los Angeles, Review, United States of America
“Begin your day, Winnie.” In Samuel Beckett’s Happy Days, Dianne Wiest’s enviable range and...
Read MorePosted by Vikram Phukan | 22nd May 2019 | Acting, Immersive Theatre, India, Review
Playing at the ongoing Damu Kenkre Smriti Mahotsav tonight is a fairly new production directed by...
Read MorePosted by Aleks Sierz | 20th Jan 2019 | Essay, Playwriting, United Kingdom
There is a simple dinner-party game that can be played at no ostensible cost. The host asks, “Who...
Read MorePosted by Jonathan Kalb | 12th Nov 2018 | Festivals, Ireland, Review
To those who feel overexposed to Waiting For Godot—which includes many theater snobs—no...
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