Playing Richard
Though theatrical season 2020/2021 isn’t the most eventful, it has brought to the stage number of...
Read MorePosted by Katerina Eremina | 27th Feb 2021 | Adaptation, Belarus, Review
Though theatrical season 2020/2021 isn’t the most eventful, it has brought to the stage number of...
Read MorePosted by Maria Delgado | 25th Dec 2020 | News, Spain
It’s December 22nd, not quite the night before Christmas but not far off, and the news has just...
Read MorePosted by Antigoni Gaitana | 7th Feb 2020 | Design, New York, Review, United States of America
A series of questions filled my mind. What was the motivation behind the choice of sets and costumes? In my opinion, the only thing that really worked well set wise was the ever-present void on stage, the grave downstage in which all bodies were thrown in – a constant reminder of death and of Richard’s deeds.
Read MorePosted by Farinaz Kavianifar | 23rd May 2019 | Directing, Iran, Review, Theatre and Politics
Read Farinaz Kavianifar’s interview with Rūhollah J’afari. On the evening of August 3, 2018,...
Read MorePosted by Jane Woollard | 14th May 2019 | Australia, Essay, Theatre and Gender
In this series, we look at under-acknowledged women through the ages. In December 1882, Eliza...
Read MorePosted by Puskás Panni | 9th Mar 2019 | Directing, Hungary, Interview
Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...
Read MorePosted by Natália Pikli | 15th Dec 2018 | Hungary, Review
Shakespeare’s history play revolves around a strange creature, the monster of power. Yet it poses...
Read MorePosted by Katalin Gabnai | 1st Aug 2018 | Hungary, Review
Shakespeare: Richard III / Radnóti Miklós Theatre His face is yellow beneath the high-gloss strap...
Read MorePosted by Madison Parrotta | 30th Jun 2018 | New York, Review, Theatre and Disability, United States of America
Produced in conjunction with Ma-Yi Theater Company, the world premiere of Teenage Dick at The...
Read MorePosted by Laurie Fyffe | 25th Jun 2018 | Canada, Festivals, Review, Theatre and Gender
Re-visiting Shakespeare is a perennial theatrical exercise, and Richard the Third’s malevolent...
Read MorePosted by Bryce Lease | 20th May 2018 | Review, Sweden
On a recent trip to Sweden to interview the playwright Jonas Hassen Khemiri, whose plays are now...
Read MorePosted by Nobuko Tanaka | 7th Jan 2018 | Japan, Review
While 2017 featured many great stage productions and performances, these were among the standouts:...
Read MorePosted by Jonathan Kalb | 17th Oct 2017 | Acting, Germany, Review
Richard Crookback is Shakespeare’s dazzling carnival monster, a showoff criminal who charms us...
Read MorePosted by Agnieszka Kochanowska | 21st Jun 2012 | Festivals, Poland, Review, Theatre and Politics
This year, the plays staged at the festival spoke about distrust of authority and suspicion of the...
Read More
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 

“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 
