Harvey Fierstein’s “Torch Song” at the Turbine Theatre
The Turbine Theatre opens its doors to London audiences with Drew McOnie’s intimate production of...
Read MorePosted by Mert Dilek | 8th Sep 2019 | London, Review, United Kingdom
The Turbine Theatre opens its doors to London audiences with Drew McOnie’s intimate production of...
Read MorePosted by Mert Dilek | 5th Sep 2019 | Adaptation, London, Review, United Kingdom
“Crystal clear.” The adjective, repeated like a mantra in Robert Icke’s The Doctor, is charged...
Read MorePosted by Taylor L. Ciambra | 21st Aug 2019 | Review, United States of America
“They [the Macbeths] have many attributes that we all share in contemporary society, including...
Read MorePosted by Laura Kressly | 3rd Jul 2019 | The Play's The Thing UK
In the programme notes, director Graham Watts states, “there are hundreds of astonishing plays...
Read MorePosted by Kathy Foley | 26th May 2019 | Israel, Palestine, Review, Theatre and Politics, Transcultural Collaborations, United Kingdom, United States of America
Scenes from 71* Years is a play of remembrance showing a diasporic perspective on the Palestinian...
Read MorePosted by Michael Appler | 2nd Feb 2019 | Musical Theatre, New York, Review, United States of America
Cher, the Academy, Grammy and Emmy Award winning superstar, could never be contained in a Broadway...
Read MorePosted by Lisa Harper Campbell | 29th Mar 2018 | Australia, Review, Theatre and Gender
A new play by award-winning playwright Patricia Cornelius tackles the prevalence of sexual...
Read MorePosted by KaiChieh Tu | 8th Feb 2018 | Divine Comedy Festival 2017, Festivals, Poland, Review, Theatre and Politics
Divine Comedy Festival 2017 situates itself awkwardly around the peaceful Christmas Market in the...
Read MorePosted by Aleks Sierz | 19th Nov 2017 | London, Playwriting, Review, United Kingdom
Is Buddhism a path to finding spiritual enlightenment — or just an excuse for not facing your...
Read MorePosted by Aleks Sierz | 9th Nov 2017 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Given the rather uneven record of the National Theatre at the moment, there’s already a certain...
Read MorePosted by Aleks Sierz | 1st Nov 2017 | London, Playwriting, Review, United Kingdom
In Bertolt Brecht’s Life of Galileo (1943), there’s a typically didactic exchange: Andrea, the...
Read MorePosted by Jonathan Kalb | 30th Oct 2017 | Acting, Review, United States of America
The most interesting question about David Greenspan’s one-man, 6-hour performance of Eugene...
Read MorePosted by Jonathan Kalb | 20th Oct 2017 | Directing, New York, Review, United States of America
Maria Irene Fornes’s 1983 play Mud, widely considered a contemporary classic, is rarely produced...
Read MorePosted by Zolima Citymag | 21st Aug 2017 | Hong Kong, Transcultural Collaborations
Why We Recommend It After success in cities across Europe, tragicomedy The Truth — which tells the...
Read MorePosted by Cassandra Silver | 17th Aug 2017 | Canada, Documentary Theatre, Festivals, News
Review: White Man’s Indian presents a new take on the coming-of-age narrative. Darla Contois’...
Read MorePosted by Aleks Sierz | 13th Aug 2017 | London, Review, United Kingdom
The question that always needs to be asked of any example of science on stage, and there are now...
Read MorePosted by Aleks Sierz | 16th Jul 2017 | London, Review, Theatre and Gender, United Kingdom
Surrogacy is an emotionally fraught subject. And one that is pregnant with meaning. The...
Read MorePosted by William Peterson | 16th Jul 2017 | Australia, Festivals
What unites Sid Vicious and Ricky Nelson, Elvis, and Kurt Cobain, is not just that they were...
Read MorePosted by Aleks Sierz | 20th Jun 2017 | London, Review, United Kingdom
Dorothy Parker’s take on suicide is called “Resumé”: it goes, “Razors pain you; Rivers are damp;...
Read MorePosted by Barbara Adams | 31st May 2017 | Argentina, United States of America
It’s good to be shaken off our predictable paths, and Ithaca’s Cherry Arts productions do that...
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026