“Daddies of Sugar” Pokes Fun at Shenanigans of Modern-Day Ruling Elites
Daddies of Sugar with its catchy and somewhat risqué title is Jefferson Tshabalala better known in...
Read MorePosted by Tonderai Chiyindiko | 13th Feb 2020 | Africa, Review, South Sudan
Daddies of Sugar with its catchy and somewhat risqué title is Jefferson Tshabalala better known in...
Read MorePosted by Colin Hambrook | 11th May 2019 | LGBTQ+ Theatre, News, Theatre and Disability, United Kingdom
Lesbian Pirates! is a musical based on the untold true story of the ruthless, maverick and lesbian...
Read MorePosted by Emma Kantor | 31st Oct 2018 | Chicago, Devised Theatre, Directing, Interview, New York, United States of America
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
Read MorePosted by Pavel Rudnev | 25th Jan 2018 | Dramaturgy, Essay, Russia, Russian Theatre - Featured
The movement for the renewal of the repertoire and new playwriting in Russia is hardly more than...
Read MorePosted by Kasia Lech | 23rd Jun 2017 | Festivals, News, Poland
The 2016/17 theatrical season in Poland is about to end and most of the theatres will close for...
Read MorePosted by Amir Al-Azraki | 11th May 2017 | Iraq, Theatre and Politics
Introduction [1] Political violence (resistance violence, revolutionary violence, state violence,...
Read MorePosted by Neil Fleming | 23rd Dec 2016 | News, Translation, Worldwide
Next week marks the deadline for the annual call for scripts from EURODRAM.
Read MorePosted by Michael Evans | 19th Nov 2016 | Denmark, Essay, Europe, Playwriting
Here are five new European plays you should know about.
Read MorePosted by Mara Valderrama | 18th Nov 2016 | News, Playwriting, Spain
A new space has been created to give visibility to contemporary playwrights in Spain and to make...
Read MorePosted by Ian Rowlands | 30th Sep 2016 | Dramaturgy, Essay, United Kingdom
“Though we have a nascent theatre tradition, we do have a long tradition of performance…Our writers are indicative of a nation that is still wrestling…with positive identifications of self.” – Ian Rowlands
Read MorePosted by Walter Byongsok Chon | 1st Sep 2016 | News, Playwriting, South Korea
Compared to productions of Western or Korean classics, Broadway revivals or original musicals,...
Read MorePosted by Aleksei Krizhevsky | 11th Mar 2013 | Festivals, News, Russia
The drama program of Russia’s three-week-long, trendsetting, arts extravaganza opened on the first...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 | M | T | W | T | F | S | S |
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