Fix+Foxy’s “A Doll’s House” by Henrik Ibsen: A Playful Study in Radical Intimacy
Imagine Ibsen’s A Doll’s House, staged as a sort of salon game, in a real couple’s home serving as...
Read MorePosted by Duška Radosavljević | 2nd Jul 2025 | Adaptation, Denmark, Review
Imagine Ibsen’s A Doll’s House, staged as a sort of salon game, in a real couple’s home serving as...
Read MorePosted by Jonathan Kalb | 10th Apr 2024 | Immersive Theatre, New York, Review, United States of America
The last time Ibsen’s An Enemy of the People (1882) made a big splash in New York was in 2013,...
Read MorePosted by Aleks Sierz | 26th Feb 2024 | London, Review, Theatre and Politics, United Kingdom
It’s a sign of the times that German director Thomas Ostermeier’s West End debut is his production...
Read MorePosted by Diwan Singh Bajeli | 2nd Jul 2021 | India, Review, Translation
Directed by K.S. Rajendran, Ghosts explores the moral dilemmas of a dysfunctional family. We...
Read MorePosted by Mert Dilek | 16th Feb 2020 | Adaptation, London, Review, United Kingdom
A woman walks into her home. Then does another. And another. Stef Smith’s Nora: A Doll’s House is...
Read MorePosted by Maria Delgado | 23rd Sep 2019 | Review, Spain, Theatre and Gender
Lucas Hnath takes a “what if” scenario as the central conceit of his sequel to Ibsen’s A Doll’s...
Read MorePosted by Aleks Sierz | 13th Sep 2019 | Adaptation, London, Review, United Kingdom
Rachel O’Riordan, the new artistic director of this Off-West End venue, has arrived with a program...
Read MorePosted by Ivanka Apostolova Baskar | 17th Aug 2019 | Directing, Hungary, Interview, Macedonia, Transcultural Collaborations
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
Read MorePosted by Christine Deitner | 15th Aug 2019 | Los Angeles, Review, United States of America
“Yes, my hometown is so dear to me that I would rather ruin it than see it flourishing upon a...
Read MorePosted by Aleks Sierz | 2nd Jul 2019 | London, Review, United Kingdom
In one lifetime, the many loves that once dared not speak their names have become part of everyday...
Read MorePosted by Mert Dilek | 20th Jun 2019 | London, Review, Theatre and Politics, United Kingdom
Many a dramatist has imagined what happens to Nora after she slams the door at the end of Ibsen’s...
Read MorePosted by Aleks Sierz | 8th May 2019 | London, Review, Translation, United Kingdom
Rosmersholm is considered a difficult and rarely performed play. But, judging from this...
Read MorePosted by Maria Pia Pagani | 19th Feb 2019 | Interview, Italy
The recent publication of the volume On Ibsen and Strindberg: The Reversed Telescope (Newcastle...
Read MorePosted by Vikram Phukan | 1st Jan 2019 | India, Review, Transmedia
For those of us that are perennially nostalgia bound—even for the sepia-tinted memories of the...
Read MorePosted by Nobuko Tanaka | 25th Dec 2018 | Directing, Interview, Japan, Theatre and Politics
In one bound, the rising English director Jonathan Munby found himself in the spotlight of...
Read MorePosted by Erik Ulfsby | 7th Nov 2018 | Directing, News, Norway
For me, as a director, it is important that the artistic idea and concept emerge from the story...
Read MorePosted by Huw Griffiths | 5th Nov 2018 | Adaptation, Australia, Review, Sydney
The fitness of Henrik Ibsen’s plays to address the political questions of our modern lives renews...
Read MorePosted by Andres Hasmo | 5th Nov 2018 | Croatia, News, Norway, Transcultural Collaborations
Kinetics Of Sound takes its starting point in an ordinary theatre exchange programme in which two...
Read MorePosted by Ivica Buljan | 26th Oct 2018 | Croatia, News, Norway, Transcultural Collaborations
The Croatian National Theatre in Zagreb and Det Norske Teatret from Oslo created a co-production...
Read MorePosted by Michael Evans | 17th Aug 2018 | Adaptation, Norway, Poland, Review, Theatre and Gender
The plays of the great Norwegian playwright Henrik Ibsen are a natural staple of the repertoire at...
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