Where There Is Cowardice, Winking Returns: A Conversation with Hungarian Director Róbert Alföldi
Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...
Read MorePosted by Puskás Panni | 9th Mar 2019 | Directing, Hungary, Interview
Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...
Read MorePosted by Duška Radosavljević | 24th Feb 2019 | Germany, Review, Theatre and Dance
In the last ten years since the death of Pina Bausch, Tanztheater Wuppertal, the company she...
Read MorePosted by Jamie Portman | 13th Sep 2018 | Canada, Festivals, Italy
The Stratford Festival’s 2018 playbill is now complete—and the final entry is an absolute winner....
Read MorePosted by Gary Raymond | 7th Sep 2018 | Essay, Theatre and Politics, United Kingdom
If Wales is known throughout the world it is most likely for its singing. The Welsh have often...
Read MorePosted by Jean-Baptiste Joly | 12th Mar 2018 | Chad, Devised Theatre, Interview, Theatre and Dance
… when no one is willing to listen, no one you could tell, no one you could talk it over with to...
Read MorePosted by Valerie Barnes Lipscomb | 17th Feb 2018 | Europe, News, Theatre and Age, Transcultural Collaborations
A first glance at the website for “The Art of Ageing” theatre project may lead you to...
Read MorePosted by Ágnes Bakk | 5th Dec 2017 | Germany, Interview, Participatory Theatre, Transmedia
It’s often stated that performing arts reflect changes in society. But how does this look when we...
Read MorePosted by Clement Lee | 21st Sep 2017 | Festivals, Germany, Hong Kong, Theatre and Politics
It was an achievement that West Kowloon Cultural District Authority and Goethe-Institut Hong Kong...
Read MorePosted by biweekly.pl | 14th Aug 2010 | Acting, Interview, Poland
I’m an outsider everywhere. I was an outsider in my family. I was an outsider where I grew up. I’m...
Read MorePosted by Joanna Wichowska | 31st May 2010 | Directing, Germany, Interview
“Someone decided to combine the luxury of culture with the luxury of remorse and invited me...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 | M | T | W | T | F | S | S |
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