About “Leaves Of Glass”
Polymath Philip Ridley has a rare superpower — he able to consistently astonish both audiences and...
Read MorePosted by Aleks Sierz | 13th Jun 2023 | Latest, London, Review, United Kingdom
Polymath Philip Ridley has a rare superpower — he able to consistently astonish both audiences and...
Read MorePosted by Aleks Sierz | 13th Apr 2023 | London, Review, Theatre and Politics, United Kingdom
Some plays are instantly forgettable, others leave a tender fold in the memory. I well remember...
Read MorePosted by Stephen Langston | 14th Mar 2022 | Covid-19, Essay, Producing, United Kingdom
When the UK went into lockdown in 2020, its multibillion-pound theatre industry could have ceased...
Read MorePosted by Aleks Sierz | 20th Feb 2020 | London, Review, Theatre and Politics, United Kingdom
Is this an angry island? Although the British national character (if there is such a thing) has...
Read MorePosted by Ann Poole | 12th Oct 2019 | Theatre for Young Audiences, Transcultural Collaborations, United Kingdom
In 2016, I took part in the Pilot project for the Multilingual Performance Project (MPP). I...
Read MorePosted by Nobuko Tanaka | 16th May 2019 | Adaptation, Japan, News, Transcultural Collaborations
With praise for his Hamlet with the Royal Shakespeare Company in 2016 still ringing in his ears —...
Read MorePosted by Jan Michael Hanvik | 5th May 2019 | New York, Review, United States of America
Argentina And England Meet Again, More Or Less Peacefully, on the NYU Skirball Stage: North...
Read MorePosted by Nobuko Tanaka | 26th Jan 2019 | Adaptation, Japan, News
In a scoop for Tokyo, Theatre Cocoon in Shibuya Ward is set to mark the new year with the world...
Read MorePosted by Aleks Sierz | 15th Nov 2018 | London, Review, United Kingdom
How do you judge artistic excellence? Is there such a thing as an objectively brilliant musician,...
Read MorePosted by Nobuko Tanaka | 6th Oct 2018 | Festivals, Japan, Theatre and Age
Renowned theater director Yukio Ninagawa broke new ground when he launched Saitama Gold Theater in...
Read MorePosted by Nick Harding | 28th Jan 2018 | Festivals, News, United Kingdom
“The Big Burns Supper aims to heal political rifts between the Scots and the English with 11...
Read MorePosted by Nobuko Tanaka | 21st Nov 2017 | Collaborating Across Cultures, Japan, Review, United Kingdom
One Green Bottle is a new-ish work co-written by the renowned Japanese dramatist Hideki Noda and...
Read MorePosted by Kate Beswick | 20th Nov 2017 | News, Theatre and Art, United Kingdom
The music video for grime artist Skepta’s award-winning single Shut Down is shot in the concrete...
Read MorePosted by Sam Abdulla | 16th Aug 2017 | Scotland, Theatre and Disability
Mia: Daughters of Fortune is a play at the Edinburgh Festival Fringe about a young woman who falls...
Read MorePosted by Anna Prosvetova | 1st Jul 2016 | Adaptation, Interview, Russia, Theatre and Gender
Rachel Valentine Smith is a director, producer, designer, and filmmaker. She joined The Faction...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 | M | T | W | T | F | S | S |
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