“One Jewish Boy” at The Old Red Lion Theatre
There’s a nasty smell in the air. Something rotten. Horrible. I can’t quite put my finger on it....
Read MorePosted by Aleks Sierz | 10th Jan 2019 | London, Review, United Kingdom
There’s a nasty smell in the air. Something rotten. Horrible. I can’t quite put my finger on it....
Read MorePosted by Hugh Montgomery | 10th Jan 2019 | Acting, Interview, London, United Kingdom
“I’m a white heterosexual woman with a fair amount of good fortune and–as the saying...
Read MorePosted by Jenn Stephenson | 8th Jan 2019 | Canada, Documentary Theatre, Essay
With the onslaught of “alternative facts” or “fake news,” it can feel as though the ground has...
Read MorePosted by Nobuko Tanaka | 25th Dec 2018 | Directing, Interview, Japan, Theatre and Politics
In one bound, the rising English director Jonathan Munby found himself in the spotlight of...
Read MorePosted by Aleks Sierz | 9th Dec 2018 | Review, United Kingdom
Iona is not having a good day. She’s a super talkative Dublin teen who desperately wants to be...
Read MorePosted by Aleks Sierz | 15th Oct 2018 | LGBTQ+ Theatre, London, Playwriting, Review, Scotland, United Kingdom
English-born and Scottish-based playwright Jo Clifford has been an astonishingly energetic and...
Read MorePosted by Armando Rotondi | 30th Sep 2018 | Adaptation, Devised Theatre, Festivals, Review, Theatre and Politics, United Kingdom
Presented at the Smock Alley Theatre for the last edition of the Dublin Fringe Festival, Free EU...
Read MorePosted by Aleks Sierz | 28th Sep 2018 | London, Review, Theatre and Politics, United Kingdom
Is appearing in the West End a rite of passage for Game Of Thrones stars? In the past couple of...
Read MorePosted by Gary Raymond | 7th Sep 2018 | Essay, Theatre and Politics, United Kingdom
If Wales is known throughout the world it is most likely for its singing. The Welsh have often...
Read MorePosted by Aleks Sierz | 25th Jul 2018 | London, Review, Theatre and Age, Theatre and Politics, United Kingdom
The NHS is us. For decades our national identity has been bandaged together with the idea, and...
Read MorePosted by Aleks Sierz | 19th Jul 2018 | London, Playwriting, Review, United Kingdom
Britain is rightly proud of its record on multiculturalism, but whenever cross-cultural couples...
Read MorePosted by Aleks Sierz | 23rd May 2018 | London, Review, United Kingdom
Playwright Barney Norris is as prolific as he is talented. Barely out of his twenties, he has...
Read MorePosted by Aleks Sierz | 14th May 2018 | Acting, LGBTQ+ Theatre, London, Playwriting, Review, Theatre and Politics, United Kingdom
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend...
Read MorePosted by Aleks Sierz | 12th May 2018 | Acting, London, Review, United Kingdom
In the 2000s one of the many glories of new writing for British stages was the linguistically...
Read MorePosted by Aleks Sierz | 22nd Apr 2018 | London, Review, United Kingdom
Let us have a quick moan about repertoire. You know, the types of plays that most of our theatres...
Read MorePosted by Aleks Sierz | 26th Feb 2018 | London, Playwriting, Review, United Kingdom
First the goats, and now the sheep—has this venue become an urban farm? Rural life, which was once...
Read MorePosted by Aleks Sierz | 24th Feb 2018 | Immersive Theatre, London, Review
“Two things only the people anxiously desire—bread and circuses,” said the Roman poet Juvenal. He...
Read MorePosted by Aleks Sierz | 18th Feb 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...
Read MorePosted by Aleks Sierz | 12th Feb 2018 | London, Playwriting, Review, United Kingdom
It’s the 150th anniversary of the opening of the Finborough Arms pub, so Neil McPherson, artistic...
Read MorePosted by Aleks Sierz | 31st Jan 2018 | London, Review, Theatre and Politics, United Kingdom
Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday...
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