“Kerry Jackson,” National Theatre
Is British new writing in deep trouble? With the Arts Council defunding venues such as the...
Read MorePosted by Aleks Sierz | 22nd Dec 2022 | Directing, London, Review, Theatre and Politics, United Kingdom
Is British new writing in deep trouble? With the Arts Council defunding venues such as the...
Read MorePosted by Aleks Sierz | 2nd May 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Although the current government has blundered through both Brexit and the pandemic, and is now...
Read MorePosted by Paula Rodríguez | 23rd Apr 2021 | Acting, Essay, Theatre and Politics, Transmedia, United Kingdom
Today, 23rd of April 2021, is the 405 anniversary of Shakespeare’s death. In two months, on...
Read MorePosted by Aleks Sierz | 5th Aug 2020 | Devised Theatre, Immersive Theatre, London, Review, United Kingdom
Can the act of dusting be a metaphor? This is the all-too-obvious question that jumps into the...
Read MorePosted by Julian De Medeiros | 25th Feb 2020 | London, Review, Theatre and Politics, United Kingdom
There is nothing wrong with Albion. But the fact that the play is now ‘returning’ to the Almeida...
Read MorePosted by Aleks Sierz | 20th Feb 2020 | London, Review, Theatre and Politics, United Kingdom
Is this an angry island? Although the British national character (if there is such a thing) has...
Read MorePosted by Aleks Sierz | 24th Jan 2020 | London, Review, United Kingdom
The prolific Mike Bartlett — from whose pen have leaped television series such as Doctor...
Read MorePosted by Sandra D'urso | 29th Dec 2019 | Australia, Melbourne, Review
To perform an exit is not as simple as it sounds. In fact, exiting a situation can be almost...
Read MorePosted by Aleks Sierz | 4th Sep 2019 | Adaptation, London, Review, United Kingdom
After six years, associate director Robert Icke bids farewell to the Almeida Theatre. In this...
Read MorePosted by Aleks Sierz | 13th Jul 2019 | London, Review, United Kingdom
Last month, Andrzej Lukowski, London Time Out’s theater editor, wrote a well-argued piece in The...
Read MorePosted by Aleks Sierz | 2nd Jul 2019 | London, Review, United Kingdom
In one lifetime, the many loves that once dared not speak their names have become part of everyday...
Read MorePosted by Aleks Sierz | 17th Jun 2019 | London, Review, United Kingdom, United States of America
The word “Rustbelt” is really eloquent in its evocation of industrial decline. After all, rust is...
Read MorePosted by Nobuko Tanaka | 16th May 2019 | Adaptation, Japan, News, Transcultural Collaborations
With praise for his Hamlet with the Royal Shakespeare Company in 2016 still ringing in his ears —...
Read MorePosted by Aleks Sierz | 5th Apr 2019 | Essay, United Kingdom
On Friday, March 29, 2019, was a black letter day. That is because it used to be the date of...
Read MorePosted by Duška Radosavljević | 30th Mar 2019 | Festivals, Participatory Theatre, Review, United Kingdom
Homegrown: Occupy Festival Battersea Arts Centre March 18 – April 12 When it comes to arts venues,...
Read MorePosted by Aleks Sierz | 22nd Feb 2019 | London, Review, United Kingdom
With Brexit and Northern Ireland constantly in the news, the timeliness of this play is not in...
Read MorePosted by Aleks Sierz | 25th Jan 2019 | Ireland, London, Nigeria, Review, United Kingdom
Police stop and search activities—the harassment of young, usually black, men in the streets of...
Read MorePosted by Aleks Sierz | 15th Jan 2019 | London, Review, United Kingdom
Superlative. It might seem odd that it is this show, a retelling of a Greek myth, and not a piece...
Read MorePosted by Aleks Sierz | 14th Jan 2019 | Essay, London, United Kingdom
“In the dark times Will there also be singing? Yes, there will also be singing. About the dark...
Read MorePosted by Aleks Sierz | 11th Jan 2019 | Essay, London, Theatre and Politics, United Kingdom
Brexit. The UK Referendum vote to leave the European Union — Brexit — took place on 23 June 2016,...
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