Worldwide
Everything In Programming Matters To Cultivate The Spectator`S Free Will
by Ivanka Apostolova Baskar | 7th Apr 2026 | Côte d'Ivoire, Interview, Macedonia, Management
An Interview with Mr. Hassane Kassi Kouyaté, Chair of the International Artistic Committee of MASA...
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Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?
by Ati Metwaly | 26th Sep 2025 | Egypt, Essay, Festivals
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Richard III at MITEM: When the Monster Is Not Alone
by Emiliia Dementsova | 19th May 2026 | Festivals, Hungary, Israel, Review, Theatre and Politics
There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
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In the City of al-Sayyab, Theatre Still Speaks
by Amir Al-Azraki | 19th Feb 2026 | Essay, Iraq, Theatre and Politics
“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen
by Duška Radosavljević | 28th May 2026 | Belgium, Denmark, Review, Theatre and Dance
Rocks and rolling, in a most literal sense, is probably the closest it gets to describing the...
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“Circle Mirror Transformation”
by Margaret Rose | 27th May 2026 | Acting, Italy, Review
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From A Basketball Athlete To A Political Dissident
by Azadeh Kangarani | 22nd May 2026 | Belarus, Review, Theatre and Politics, United Kingdom
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Bremen’s Packhaustheater Turns To Artist Paula Modernsohn-Becker
by Daniel Meyer-Dinkgräfe | 21st May 2026 | Directing, Germany, Review
Chess The Musical: About Human Nature, Not Politics. An Exclusive Interview with Tim Rice
by Lisa Monde | 20th May 2026 | Interview, Musical Theatre, Transcultural Collaborations, United States of America
Dedicated to the 40th anniversary of the world premiere The idea for the musical Chess belongs to...
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Guilt And Resilience, And “The Fear Of 13”
by Teodora Medeleanu | 3rd May 2026 | Acting, Adaptation, New York, Review, United States of America
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Bound To Start Again, Again, Again…
by Teodora Medeleanu | 27th Apr 2026 | Review, Theatre and Gender, United States of America
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“Jen Xponential,” A Story Of Potential
by Teodora Medeleanu | 24th Apr 2026 | Musical Theatre, Review, United States of America
Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part II
by Hilary Halba and Rua McCallum | 22nd Apr 2026 | Education, New Zealand, Oceania, Theatre and Decolonization
To read PART I of this essay, go to this link. Having consulted with mana whenua[1]People...
Theatre – Creating Conditions For What Has Been Silenced To Emerge
by Ivanka Apostolova Baskar | 16th May 2026 | Brazil, Directing, Interview, Macedonia
An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...
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On Fire: Luciana Acuña’s “Bailarinas Incendiadas” (Dancers in Flames)
by Maria Delgado | 29th Mar 2026 | Argentina, Review
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