Worldwide
Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo
by Verity Healey | 2nd Jan 2026 | Kosovo, Review, South Africa
How do forgiveness and reconciliation projects help heal a country’s collective trauma and...
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Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?
by Ati Metwaly | 26th Sep 2025 | Egypt, Essay, Festivals
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“Leili And Majnun:” An Ancient Love Story For Modern Times
by L. Peter Callender | 3rd Jan 2026 | Iran, Review, Theatre and Politics, United States of America
We all know the iconic closing lines: “For never was a story of more woe / Than this of...
“With Ruby and I” – review – more McDonagh than Robinson
by Verity Healey | 3rd Jan 2026 | Review, United Kingdom
“So high you can kiss the sky” is one of the many iconic lines from With Ruby and I, a debut show...
What Happens In Mecca, Stays In Mecca: “Pilgrimage” By Humaira Ghilzai And Bridgette Dutta Portman
by Marina Johnson | 31st Dec 2025 | Review, Theatre and Religion, United States of America
Golden Thread Productions’ world premiere of Pilgrimage, written by Humaira Ghilzai and Bridgette...
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Tom Block Sparks Arts Activists
by Marcina Zaccaria | 11th Dec 2025 | Festivals, LGBTQ+ Theatre, New York
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“The Butterfly Who Flew Into The Rave”, Edinburgh Festival Fringe 2025
by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, New Zealand, United Kingdom
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
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Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy
by Kirk Dodd | 20th Jul 2024 | Australia, Dramaturgy, Review, Sydney
Oscar Barney Finn and Paulo Brunetti Interview
by Jack Wernick | 20th Aug 2024 | Adaptation, Argentina, Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
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