Boston Archives - Page 4 of 6 - The Theatre Times

Unfinished Business: “A Doll’s House, Part 2” at The Huntington Theatre Company

Posted by Matthew McMahan | 4th Feb 2019 | Boston, Review, Theatre and Gender, United States of America

After A Doll’s House, Part 2 enjoyed critical acclaim and eight Tony nominations on Broadway,...

“Small Mouth Sounds” And Not Much Dialogue Either

Posted by Jane Baldwin | 3rd Feb 2019 | Boston, Review, United States of America

Small Mouth Sounds now playing at Boston’s SpeakEasy is influenced by the personal experience of...

“Breath And Imagination”: The Rediscovery Of Roland Hayes

Posted by Jane Baldwin | 18th Dec 2018 | Boston, Musical Theatre, Review, United States of America

Breath And Imagination is a musical, composed and written by Daniel Beaty, largely based on the...

“Wet: A DACAmented Journey”: Living As An Undocumented Immigrant

Posted by Jane Baldwin | 11th Dec 2018 | Boston, Review, Theatre and Politics, United States of America

Alex Alpharaoh has brought WET: A DACAmented Journey, his moving, comic, and political one-man...

Review: “Man In The Ring” By Michael Cristofer

Posted by Matthew McMahan | 7th Dec 2018 | Boston, LGBTQ+ Theatre, Review, United States of America

Michael Cristofer’s “Man in the Ring” is a memory play that hits on an emotional level in a way that is hard to shake.

Legacy And Genius In Machover’s New Opera “Schoenberg In Hollywood”

Posted by Megan McCormick | 1st Dec 2018 | Boston, Review, Theatre and Opera, United States of America

It’s a bold move to write an opera about a musical genius: to evoke the style of said great...

“Blue Kettle” And “Here We Go”: A First Rate Revival Of Two Of Caryl Churchill’s Plays

Posted by Jane Baldwin | 26th Nov 2018 | Boston, Review, United States of America

The Boston Commonwealth Shakespeare Company began life as a summer program over twenty years ago...

“Fun Home”: An Extraordinary Musical

Posted by Jane Baldwin | 19th Nov 2018 | Boston, LGBTQ+ Theatre, Musical Theatre, Review, United States of America

Fun Home, the multi-Tony award winning musical is making its Boston début at SpeakEasy and a fine...

“We Will Not Be Silent”: A Story Of Anti-Fascist Youth

Posted by Jane Baldwin | 6th Nov 2018 | Boston, Review, Theatre and Politics, United Kingdom

David Meyers’ We Will Not Be Silent, now playing at the New Repertory Theatre at the Mosesian...

“The Barber Of Seville” at Boston Lyric Opera

Posted by Katrina Holden-Buckley | 30th Oct 2018 | Boston, Review, Theatre and Opera, United States of America

Gioachino Rossini’s most famous opera, The Barber Of Seville, opened Friday night at the Cutler...

Cheek by Jowl and The Pushkin Theatre’s “Measure for Measure”

Posted by Harry Hoke | 28th Oct 2018 | Boston, Review, Russia, Russian Theatre Abroad, Theatre and Gender, Theatre and Politics

Authority. Surveillance. Enforcement. Confession. These are the tools of the state brought to life...

“Measure For Measure”: Shakespeare’s #MeToo Moment

Posted by Abigail Weil | 27th Oct 2018 | Boston, Review, Russia, Russian Theatre Abroad, Theatre and Gender

Cheek by Jowl’s production of Shakespeare’s Measure For Measure, performed in Russian by actors...

Ken Urban’s “A Guide For The Homesick” At The Trafalgar Studios

Posted by Aleks Sierz | 21st Oct 2018 | Boston, LGBTQ+ Theatre, London, Review, United Kingdom, United States of America

If we call a long journey home an Odyssey, what do you call a journey which is doing everything it...

A Second Time Around For “Truth Values: One Girl’s Romp Through M.I.T.’s Male Math Maze”

Posted by Jane Baldwin | 10th Oct 2018 | Boston, Review, Theatre and Gender, Theatre and Science, United States of America

Gioa De Cari’s autobiographical one-woman show Truth Values: One Girl’s Romp Through M.I.T.’s Male...

Speakeasy Succeeds With “Between Riverside And Crazy”

Posted by Jane Baldwin | 9th Oct 2018 | Boston, Review, United States of America

Stephen Adly Guirigis’s 2015 Pulitzer Prize winner Between Riverside And Crazy now playing at...

“Hamnet”: A Father/Son Play

Posted by Jane Baldwin | 5th Oct 2018 | Boston, Ireland, Review, United States of America

Hamnet, the fascinating play, created by Ireland’s Dead Centre, now at ArtsEmerson’s Paramount...

Dramaturging Performance, Pedagogy, and Protest in Boston, ATHE 2018

Posted by Walter Byongsok Chon | 16th Sep 2018 | Boston, Dramaturgy, Essay, United States of America

Since my own “debut” in the 2011 Dramaturgy Debut Panel with my dramaturgy work on Yale Repertory...

Girls Being Bad: “Our Dear Dead Drug Lord” By Alexis Scheer

Posted by Trevor Boffone | 8th Aug 2018 | Boston, Playwriting, Review, Theatre and Gender, United Kingdom

“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....

Preview: OperaHub’s “DIVAS;” Calling Out The Opera Industry In A Love Letter To The Opera Art Form

Posted by Katrina Holden-Buckley | 21st Jun 2018 | Boston, Interview, Theatre and Opera, United States of America

This week, OperaHub’s original DIVAS, a “World Premier play with opera music” opens June 21st and...

Boston Lyric Opera’s “Trouble In Tahiti”

Posted by Katrina Holden-Buckley | 10th Jun 2018 | Boston, Review, Theatre and Opera, United States of America

Boston Lyric Opera truly transformed the North End’s DCR Steriti Ice Rink into a 1950s Cuban style...

Boston

Unfinished Business: “A Doll’s House, Part 2” at The Huntington Theatre Company

“Small Mouth Sounds” And Not Much Dialogue Either

“Breath And Imagination”: The Rediscovery Of Roland Hayes

“Wet: A DACAmented Journey”: Living As An Undocumented Immigrant

Review: “Man In The Ring” By Michael Cristofer

Legacy And Genius In Machover’s New Opera “Schoenberg In Hollywood”

“Blue Kettle” And “Here We Go”: A First Rate Revival Of Two Of Caryl Churchill’s Plays

“Fun Home”: An Extraordinary Musical

“We Will Not Be Silent”: A Story Of Anti-Fascist Youth

“The Barber Of Seville” at Boston Lyric Opera

Cheek by Jowl and The Pushkin Theatre’s “Measure for Measure”

“Measure For Measure”: Shakespeare’s #MeToo Moment

Ken Urban’s “A Guide For The Homesick” At The Trafalgar Studios

A Second Time Around For “Truth Values: One Girl’s Romp Through M.I.T.’s Male Math Maze”

Speakeasy Succeeds With “Between Riverside And Crazy”

“Hamnet”: A Father/Son Play

Dramaturging Performance, Pedagogy, and Protest in Boston, ATHE 2018

Girls Being Bad: “Our Dear Dead Drug Lord” By Alexis Scheer

Preview: OperaHub’s “DIVAS;” Calling Out The Opera Industry In A Love Letter To The Opera Art Form

Boston Lyric Opera’s “Trouble In Tahiti”

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