Blood Orange Overplays Scottish Far Right At The Fringe
The Edinburgh Festival Fringe has, over the years, developed a reputation as a hotbed for...
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United Kingdom
Assessing The First Wave Of The AIDS Epidemic, A Generation On
My Night With Reg, Kevin Elyot’s 1994 play, has returned to the London stage, poignantly only a...
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“Medea” Is As Relevant Today As It Was In Ancient Greece
A new production of Medea recently opened at London’s National Theatre to critical acclaim. This...
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Romeo, Juliet, Viola, And Will: “Shakespeare In Love” Mash-Up Hits The Stage
I don’t really go in for creative mash-ups. You know: Alien Vs. Predator, or the films where...
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Cath Day Reviews David Schneider’s “Making Stalin Laugh”: At JW3
David Schneider is probably most recognizable as BBC commissioning editor Tony Hayers in I’m Alan...
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How Online Performance Needs to Grow
This post discusses the emergence and evolution of digital art and online performance in the...
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Shakespeare’s Globe: Why The Bard Travels So Well
We’ve been celebrating Shakespeare’s 450th birthday week with fun, festivals, exhibitions, a cake...
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We Need More Racial Diversity On The Stage, Both Sides Of The Pond
In 1825 the African-American actor Ira Aldridge came to London in The Slave’s Revenge. Before...
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“The Curious Incident of the Dog in the Night-Time” at Apollo Theatre
Science is an area of perennial fascination for the theatre. In the past, plays as various as Tom...
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Updated “Three Sisters” Opens At London’s Young Vic
Dark comedy and psychological breakdown are never far from the surface in Benedict Andrews’ bleak...
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