Access All Arias: “Sex Workers’ Opera” Takes Swipe at No More Page 3 Feminists
It’s known as the world’s oldest profession yet, for the most part, sex work remains shrouded in...
Read MorePosted by Katie Grant | 5th Nov 2017 | Theatre and Gender, Theatre and Opera, United Kingdom
It’s known as the world’s oldest profession yet, for the most part, sex work remains shrouded in...
Read MorePosted by Aleks Sierz | 1st Nov 2017 | London, Playwriting, Review, United Kingdom
In Bertolt Brecht’s Life of Galileo (1943), there’s a typically didactic exchange: Andrea, the...
Read MorePosted by Aleks Sierz | 31st Oct 2017 | London, Playwriting, Review, United Kingdom
Prolific writer Mike Bartlett is the most impressive penman to have emerged in British theatre in...
Read MorePosted by Iain Hollingshead | 30th Oct 2017 | London, Musical Theatre, Review, Theatre and Politics, United Kingdom
Last month, 1,601 people were left disappointed by the news that Hamilton, the American musical...
Read MorePosted by Aleks Sierz | 29th Oct 2017 | LGBTQ+ Theatre, London, Review, United Kingdom
A new baby is like an alien invasion: it blows your mind and it colonizes your world. For any...
Read MorePosted by Duška Radosavljević | 25th Oct 2017 | London, Review, Theatre and Gender, United Kingdom
Over the last ten years, a new form has evolved on the British stage, rather simply referred to as...
Read MorePosted by Nick Rongjun Yu | 25th Oct 2017 | China, Essay, Festivals, Transcultural Collaborations, United Kingdom
In August, the stage play, The Dreamer was performed for enthusiastic audiences at the Pleasance...
Read MorePosted by Aleks Sierz | 25th Oct 2017 | London, Playwriting, Review, Theatre and Gender, United Kingdom
What does it mean to feel contemporary? Feel. Contemporary. Really feel. According to...
Read MorePosted by Duška Radosavljević | 24th Oct 2017 | Adaptation, London, Review, United Kingdom
How do you bring a 10th-century Old English epic closer to a 21st-century audience? And, more...
Read MorePosted by Len Collin | 24th Oct 2017 | Musical Theatre, Review, United Kingdom
Katie Hopkins, the controversial British media commentator, has become the subject of a new stage...
Read MorePosted by Aleks Sierz | 24th Oct 2017 | London, Playwriting, Review, United Kingdom
Playwright Simon Stephens and director Marianne Elliott are hyped as a winning partnership. Their...
Read MorePosted by Charlie Swinbourne | 24th Oct 2017 | Scotland, Theatre and Disability
A couple of weeks ago, I moderated an inclusion panel at the Edinburgh Film Festival where I...
Read MorePosted by The Theatre Times | 23rd Oct 2017 | London, News, United Kingdom
“You’re told you can’t do this. I’ve tried to go: yes we can.” The new artistic director of...
Read MorePosted by Aleks Sierz | 17th Oct 2017 | Dramaturgy, London, Review, United Kingdom
Some plays would now be completely forgotten if not for a scandal that makes them memorable. NC...
Read MorePosted by Adam Sherwin | 16th Oct 2017 | London, Review, Theatre and Politics, United Kingdom
Sir David Hare will return to the National Theatre with the latest addition to a wave of plays...
Read MorePosted by Kate Marsh and Jonathan Burrow | 10th Oct 2017 | Management, Theatre and Disability, United Kingdom
Those in power positions or the “gatekeepers” (funders, policymakers, artistic...
Read MorePosted by Kate Marsh and Jonathan Burrow | 9th Oct 2017 | Theatre and Dance, Theatre and Disability, United Kingdom
The notion of “dance and disability” as a sector of the arts in its own right is both...
Read MorePosted by Aleks Sierz | 8th Oct 2017 | Adaptation, London, Review, United Kingdom
Jane Eyre is one of those mythical stories that make their home in your imagination. Where they...
Read MorePosted by Tomasz Wiśniewski | 7th Oct 2017 | Adaptation, Dramaturgy, United Kingdom
Among numerous interests of dramaturgy, intense performativity of literature, on the one hand, and...
Read MorePosted by William Gregory | 5th Oct 2017 | France, Romania, Translation, United Kingdom
Currently performing with the Royal Shakespeare Company, Lucy Phelps is an actor and translator...
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 

In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 

Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 