“Of Kith And Kin” at The Bush Theatre
A new baby is like an alien invasion: it blows your mind and it colonizes your world. For any...
Read MorePosted by Aleks Sierz | 29th Oct 2017 | LGBTQ+ Theatre, London, Review, United Kingdom
A new baby is like an alien invasion: it blows your mind and it colonizes your world. For any...
Read MorePosted by Duška Radosavljević | 25th Oct 2017 | London, Review, Theatre and Gender, United Kingdom
Over the last ten years, a new form has evolved on the British stage, rather simply referred to as...
Read MorePosted by Nick Rongjun Yu | 25th Oct 2017 | China, Essay, Festivals, Transcultural Collaborations, United Kingdom
In August, the stage play, The Dreamer was performed for enthusiastic audiences at the Pleasance...
Read MorePosted by Aleks Sierz | 25th Oct 2017 | London, Playwriting, Review, Theatre and Gender, United Kingdom
What does it mean to feel contemporary? Feel. Contemporary. Really feel. According to...
Read MorePosted by Duška Radosavljević | 24th Oct 2017 | Adaptation, London, Review, United Kingdom
How do you bring a 10th-century Old English epic closer to a 21st-century audience? And, more...
Read MorePosted by Len Collin | 24th Oct 2017 | Musical Theatre, Review, United Kingdom
Katie Hopkins, the controversial British media commentator, has become the subject of a new stage...
Read MorePosted by Aleks Sierz | 24th Oct 2017 | London, Playwriting, Review, United Kingdom
Playwright Simon Stephens and director Marianne Elliott are hyped as a winning partnership. Their...
Read MorePosted by Charlie Swinbourne | 24th Oct 2017 | Scotland, Theatre and Disability
A couple of weeks ago, I moderated an inclusion panel at the Edinburgh Film Festival where I...
Read MorePosted by The Theatre Times | 23rd Oct 2017 | London, News, United Kingdom
“You’re told you can’t do this. I’ve tried to go: yes we can.” The new artistic director of...
Read MorePosted by Aleks Sierz | 17th Oct 2017 | Dramaturgy, London, Review, United Kingdom
Some plays would now be completely forgotten if not for a scandal that makes them memorable. NC...
Read MorePosted by Adam Sherwin | 16th Oct 2017 | London, Review, Theatre and Politics, United Kingdom
Sir David Hare will return to the National Theatre with the latest addition to a wave of plays...
Read MorePosted by Kate Marsh and Jonathan Burrow | 10th Oct 2017 | Management, Theatre and Disability, United Kingdom
Those in power positions or the “gatekeepers” (funders, policymakers, artistic...
Read MorePosted by Kate Marsh and Jonathan Burrow | 9th Oct 2017 | Theatre and Dance, Theatre and Disability, United Kingdom
The notion of “dance and disability” as a sector of the arts in its own right is both...
Read MorePosted by Aleks Sierz | 8th Oct 2017 | Adaptation, London, Review, United Kingdom
Jane Eyre is one of those mythical stories that make their home in your imagination. Where they...
Read MorePosted by Tomasz Wiśniewski | 7th Oct 2017 | Adaptation, Dramaturgy, United Kingdom
Among numerous interests of dramaturgy, intense performativity of literature, on the one hand, and...
Read MorePosted by William Gregory | 5th Oct 2017 | France, Romania, Translation, United Kingdom
Currently performing with the Royal Shakespeare Company, Lucy Phelps is an actor and translator...
Read MorePosted by Aleks Sierz | 2nd Oct 2017 | Adaptation, London, Review, United Kingdom
The black cab is such an iconic symbol of London that it’s easy to forget that inside every taxi...
Read MorePosted by Aleks Sierz | 1st Oct 2017 | Acting, Playwriting, Review, United Kingdom
The family celebration drama is a genre that had its heyday in the 1960s when social mobility made...
Read MorePosted by Alvina Ruprecht | 26th Sep 2017 | Adaptation, Theatre and Gender, United Kingdom
Yerma in London, as the subtitle states, is a contemporary adaptation of Federico García...
Read MorePosted by Adam Sherwin | 18th Sep 2017 | Directing, Essay, London
A titan of the stage, whose influence over the development of post-War British theatre was...
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