Queer Collective–Reflections Of The World
A blog by Rach Skyer for UK Theatre to mark LGBT History Month. Producer and Actor Rach Skyer is a...
Read MorePosted by Rach Skyer | 27th Feb 2018 | LGBTQ+ Theatre, London, News, United Kingdom
A blog by Rach Skyer for UK Theatre to mark LGBT History Month. Producer and Actor Rach Skyer is a...
Read MorePosted by Aleks Sierz | 26th Feb 2018 | London, Playwriting, Review, United Kingdom
First the goats, and now the sheep—has this venue become an urban farm? Rural life, which was once...
Read MorePosted by Bernadette McNulty | 25th Feb 2018 | Acting, London, News, United Kingdom
Acting, as the cliché goes, is child’s play. All that dressing up and pretending to be someone...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, Theatre and Gender, United Kingdom
This is Carey Mulligan week. She appears, improbably enough, as a hard-nosed cop in David Hare’s...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, United Kingdom
Monologues are increasingly popular in contemporary British theatre. In an age of austerity, they...
Read MorePosted by Aleks Sierz | 24th Feb 2018 | Immersive Theatre, London, Review
“Two things only the people anxiously desire—bread and circuses,” said the Roman poet Juvenal. He...
Read MorePosted by Conrad Landin | 24th Feb 2018 | London, News, Playwriting, United Kingdom
Alan Bennett’s next play will focus on an NHS hospital threatened with closure thanks to...
Read MorePosted by Aleks Sierz | 18th Feb 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...
Read MorePosted by Aleks Sierz | 12th Feb 2018 | London, Playwriting, Review, United Kingdom
It’s the 150th anniversary of the opening of the Finborough Arms pub, so Neil McPherson, artistic...
Read MorePosted by Aleks Sierz | 8th Feb 2018 | London, Review, United Kingdom
Playwright Alan Ayckbourn basically comes in two flavors: suburban comedies of embarrassment and...
Read MorePosted by Aleks Sierz | 3rd Feb 2018 | London, Review, United Kingdom
What a brilliant title! Yes, this one must be up there with the likes of Jim Cartwright’s I Licked...
Read MorePosted by Aida Rocci | 1st Feb 2018 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom
Theatre as a concept is related to the idea of “play.” After all, scripts are plays...
Read MorePosted by Aleks Sierz | 31st Jan 2018 | London, Review, Theatre and Politics, United Kingdom
Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday...
Read MorePosted by Aleks Sierz | 30th Jan 2018 | London, Review, Theatre and Gender, United Kingdom
Vicky Featherstone, the artistic director of this new writing venue, is riding high. Very high. A...
Read MorePosted by Aleks Sierz | 25th Jan 2018 | London, Review, United Kingdom
The marvelous is a dangerous place. Especially in memory. Today I still remember seeing the first...
Read MorePosted by Jozefina Komporaly | 20th Jan 2018 | Essay, Hungary, London, Romania, Translation, United Kingdom
In November 2017, a world premiere by one of the Hungarian language’s leading playwrights...
Read MorePosted by Aleks Sierz | 11th Jan 2018 | Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Refugees, it is said, have no nationality—they are all individuals. This new docu-drama, The...
Read MorePosted by Aleks Sierz | 7th Jan 2018 | London, Review, United Kingdom
History is a good place to talk about our contemporary concerns. And British theatre loves plays...
Read MorePosted by Adam Sherwin | 6th Jan 2018 | London, News, United Kingdom
“Come, and take choice of all my library, And so beguile thy sorrow,” Shakespeare wrote. Now...
Read MorePosted by Jonathan Kalb | 5th Jan 2018 | London, Playwriting, Review, United Kingdom
Annoying as it is, I have to start with a spoiler alert. That’s because what’s most interesting to...
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