“Instructions For Correct Assembly” at The Royal Court: New British Sci-Fi Theatre
There’s a whole universe which British theatre has yet to explore properly—it’s called the sci-fi...
Read MorePosted by Aleks Sierz | 2nd May 2018 | London, Review, United Kingdom
There’s a whole universe which British theatre has yet to explore properly—it’s called the sci-fi...
Read MorePosted by Tom Pandolfino | 30th Apr 2018 | London, Review, Russia, Russian Theatre - Featured, Russian Theatre Abroad
“To Moscow, to Moscow…” The renowned lament in Anton Chekhov’s Three Sisters still...
Read MorePosted by Aleks Sierz | 25th Apr 2018 | Documentary Theatre, London, Participatory Theatre, Review, United Kingdom
It’s been a golden week for James Graham, British theatre’s wonder boy. After winning an Olivier...
Read MorePosted by Aleks Sierz | 23rd Apr 2018 | Acting, Documentary Theatre, London, Review, United Kingdom
There are few things more British than talking about the weather. What makes this play about a...
Read MorePosted by Aleks Sierz | 22nd Apr 2018 | London, Review, United Kingdom
Let us have a quick moan about repertoire. You know, the types of plays that most of our theatres...
Read MorePosted by Beatriz Cabur | 20th Apr 2018 | Immersive Theatre, London, Participatory Theatre, Review, Transmedia, United Kingdom
Creating large-scale cultural experiences in abandoned spaces, Secret Cinema fuses film, music,...
Read MorePosted by Ling Tang | 19th Apr 2018 | China, Chinese Theatre Abroad, Documentary Theatre, London, Review, Theatre and Gender, United Kingdom
On March 20 2018, VaChina, a London-based Chinese feminist network, staged its first full drama...
Read MorePosted by Aleks Sierz | 17th Apr 2018 | London, Review, United Kingdom
Many years ago, your time at school might even have been some of the happiest days of your...
Read MorePosted by Aleks Sierz | 16th Apr 2018 | London, Review, United Kingdom
Last night, I went to the King’s Head Theatre to see Martin Murphy’s hugely enjoyable Victim, a...
Read MorePosted by Jane Clinton | 11th Apr 2018 | London, News, United Kingdom
Hamilton swept the board at the Olivier Sunday night clinching seven awards including best new...
Read MorePosted by Aleks Sierz | 10th Apr 2018 | LGBTQ+ Theatre, London, Review, United Kingdom
Every great playwright has to have both an identifiable style and the ability to innovate and...
Read MorePosted by Aleks Sierz | 9th Apr 2018 | London, Review, Theatre and Gender, United Kingdom
Love may well be the strongest four-letter word, but what is the latest news from the front line...
Read MorePosted by María Agustina Pardini | 3rd Apr 2018 | London, Review, United Kingdom
Dysfunctional families do not know about time or place. We may all know too well that reading...
Read MorePosted by Aleks Sierz | 3rd Apr 2018 | Documentary Theatre, London, Review, United Kingdom
Until very recently British theatre has been pretty poor at representing the stories of Chinese...
Read MorePosted by Aleks Sierz | 1st Apr 2018 | London, Review, United Kingdom
In the same week that Arinzé Kene’s Misty, a play that passionately questions the clichés of...
Read MorePosted by Rory Mullarkey | 31st Mar 2018 | Essay, London, Russian Theatre Abroad, Translation, United Kingdom
Rory Mullarkey introduces his new version of Chekhov’s masterpiece for Bristol Old Vic. “The...
Read MorePosted by María Agustina Pardini | 28th Mar 2018 | Acting, London, Review, United Kingdom
Toby Jones, Zoë Wanamaker, Stephen Mangan, Tom Vaughan-Lawlor, Peter Wight, and Pearl Mackie make...
Read MorePosted by Aleks Sierz | 26th Mar 2018 | London, Review, United Kingdom
Good programming is an art, and Paul Miller—artistic director at this venue—is clearly on a...
Read MorePosted by William Gregory | 24th Mar 2018 | Festivals, LGBTQ+ Theatre, London, News, Producing, Translation, United Kingdom
On March 3 and 4 2018, the Arcola Theatre in East London presented Global Queer Plays, a series of...
Read MorePosted by Aleks Sierz | 22nd Mar 2018 | London, Review, United Kingdom
How can you represent trauma in the theatre? Let’s count the ways: the naturalistic way tells a...
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 