“Leave Taking” at The Bush Theatre
Winsome Pinnock has for decades been a central figure in the promotion of BAME drama not just as a...
Read MorePosted by Aleks Sierz | 6th Jun 2018 | London, Playwriting, Review, United Kingdom
Winsome Pinnock has for decades been a central figure in the promotion of BAME drama not just as a...
Read MorePosted by Aleks Sierz | 2nd Jun 2018 | Acting, London, Northern Ireland, Playwriting, Review, United Kingdom
Since the Northern Irish playwright’s death in 2015, Brian Friel’s work is rarely sighted in...
Read MorePosted by Jessica Barrett | 28th May 2018 | Interview, London, Musical Theatre, United Kingdom
Giles Terera has won armies of fans and an Olivier award for his performance as Aaron Burr in the...
Read MorePosted by Lora Krasteva | 27th May 2018 | Festivals, London, News, Producing, Theatre and Gender, Translation, United Kingdom
In April 2018, London’s Arcola Theatre staged Global Female Voices, an evening of play...
Read MorePosted by Irene Kukota | 24th May 2018 | Acting, Interview, London, Russia, Russian Theatre Abroad, United Kingdom
Tonight is the opening night of Uncle Vanya at the Theatre Royal Haymarket, In anticipation of the...
Read MorePosted by Aleks Sierz | 23rd May 2018 | London, Review, United Kingdom
Playwright Barney Norris is as prolific as he is talented. Barely out of his twenties, he has...
Read MorePosted by Aleks Sierz | 22nd May 2018 | London, Review, United Kingdom
Playwright Joe Penhall and the music biz? Well, they have history. When he was writing the book...
Read MorePosted by Aleks Sierz | 18th May 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Neil McPherson, the long-serving head of this London fringe theatre, has a brilliant record of...
Read MorePosted by Aleks Sierz | 17th May 2018 | Acting, London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Is there such a thing as female writing? In the 1980s, a group of women writers emerged who...
Read MorePosted by Alex Finnis | 16th May 2018 | London, Musical Theatre, News, Puppetry, United Kingdom
London’s fatberg–the giant mass of congealed fat and disposed items like nappies and sanitary...
Read MorePosted by Adam Sherwin | 16th May 2018 | London, News, Theatre and Opera, United Kingdom
The English National Opera has promised that the world premiere of a new opera about Jack the...
Read MorePosted by Aleks Sierz | 16th May 2018 | Acting, London, Playwriting, Review, United Kingdom
The good news about so-called black drama on British stages is that it has broken out of its...
Read MorePosted by Duška Radosavljević | 15th May 2018 | Belgium, London, Review, Theatre and Age, Theatre and Politics, United Kingdom
It’s not often that a children’s theatre features a piece about a pedophile and child...
Read MorePosted by Aleks Sierz | 14th May 2018 | Acting, LGBTQ+ Theatre, London, Playwriting, Review, Theatre and Politics, United Kingdom
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend...
Read MorePosted by Aleks Sierz | 12th May 2018 | Acting, London, Review, United Kingdom
In the 2000s one of the many glories of new writing for British stages was the linguistically...
Read MorePosted by Aleks Sierz | 12th May 2018 | London, Review, United Kingdom
Playwright Anthony Neilson has always been fascinated by sex. I mean, who isn’t? But he has made...
Read MorePosted by Aleks Sierz | 7th May 2018 | London, Review, United Kingdom
The Orange Tree Theatre is a champion of new writing. Under artistic director Paul Miller, the...
Read MorePosted by Aleks Sierz | 2nd May 2018 | London, Review, United Kingdom
There’s a whole universe which British theatre has yet to explore properly—it’s called the sci-fi...
Read MorePosted by Tom Pandolfino | 30th Apr 2018 | London, Review, Russia, Russian Theatre - Featured, Russian Theatre Abroad
“To Moscow, to Moscow…” The renowned lament in Anton Chekhov’s Three Sisters still...
Read MorePosted by Aleks Sierz | 25th Apr 2018 | Documentary Theatre, London, Participatory Theatre, Review, United Kingdom
It’s been a golden week for James Graham, British theatre’s wonder boy. After winning an Olivier...
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“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025 



Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
