“Citysong” (The Abbey Theatre, Dublin) at Soho Theatre
Irish playwright Dylan Coburn Gray’s new play won the Verity Bargate Award in 2017, and his reward...
Read MorePosted by Aleks Sierz | 12th Jul 2019 | Ireland, London, Review, United Kingdom
Irish playwright Dylan Coburn Gray’s new play won the Verity Bargate Award in 2017, and his reward...
Read MorePosted by Aleks Sierz | 6th Jul 2019 | London, Review, United Kingdom
Once upon a time, farce was one of the most popular of genres in postwar British theatre. Those...
Read MorePosted by Aleks Sierz | 5th Jul 2019 | London, Review, United Kingdom
An armadillo is a small mammal, but this is not a play about the amazing relative of the anteater....
Read MorePosted by Aleks Sierz | 2nd Jul 2019 | London, Review, United Kingdom
In one lifetime, the many loves that once dared not speak their names have become part of everyday...
Read MorePosted by Mert Dilek | 26th Jun 2019 | Adaptation, Documentary Theatre, London, Review, United Kingdom
Three generations, three centuries, three acts: The Lehman Trilogy is a theatrical feast that...
Read MorePosted by Mert Dilek | 22nd Jun 2019 | London, Review, Theatre and Science, United Kingdom
Dramatic representations of ennui often have an important decision to make at the onset of their...
Read MorePosted by Aleks Sierz | 21st Jun 2019 | London, Review, United Kingdom
I’ve always been a bit sad that so many contemporary classics are so rarely revived. I have even...
Read MorePosted by Mert Dilek | 20th Jun 2019 | London, Review, Theatre and Politics, United Kingdom
Many a dramatist has imagined what happens to Nora after she slams the door at the end of Ibsen’s...
Read MorePosted by Aleks Sierz | 17th Jun 2019 | London, Review, United Kingdom, United States of America
The word “Rustbelt” is really eloquent in its evocation of industrial decline. After all, rust is...
Read MorePosted by Aleks Sierz | 15th Jun 2019 | London, Review, United Kingdom
Since playwright Terence Rattigan’s rehabilitation in the early 1990s, after the comprehensive...
Read MorePosted by Aleks Sierz | 14th Jun 2019 | Directing, London, Review, Theatre and Gender, United Kingdom
Githa Sowerby is the go-to playwright if you want a feminist slant on patriarchy in the industrial...
Read MorePosted by Aleks Sierz | 14th Jun 2019 | London, Review, Theatre and Politics, United Kingdom
Last night, I went, for the first time, to the Barons Court Theatre, which is staging a compact...
Read MorePosted by Aleks Sierz | 5th Jun 2019 | London, Review, Theatre and Politics, United Kingdom
Stasiland is a fascinating mental space. As a historical location, the former East Germany, or...
Read MorePosted by Amy Toledano | 3rd Jun 2019 | London, Musical Theatre, Review, United Kingdom
In Amour at Charing Cross Theatre, Post-World War II Paris is putting itself back together. People...
Read MorePosted by Aleks Sierz | 1st Jun 2019 | London, Review, Theatre and Politics, United Kingdom
The rewriting of Ancient Greek myth offers a way of creating contemporary stories that have a deep...
Read MorePosted by Duška Radosavljević | 1st Jun 2019 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
A hit of the Edinburgh Fringe 2017, Selina Thompson’s one-woman show salt is on at the Royal Court...
Read MorePosted by Maeve Campbell | 30th May 2019 | LGBTQ+ Theatre, London, Review, United Kingdom
Drag auteur, Peaches Christ, has made their name as an adaptor of cult movies, directing the great...
Read MorePosted by Aleks Sierz | 28th May 2019 | London, Playwriting, Review, United Kingdom
Royal Court’s Artistic Director Vicky Featherstone’s commitment to staging a diversity of...
Read MorePosted by Aleks Sierz | 27th May 2019 | London, Review, United Kingdom
Most of the facts about the Atlantic slave trade are well known; what is less understood is how...
Read MorePosted by Mert Dilek | 26th May 2019 | London, Review, Theatre and Politics, United Kingdom
Something is tantalizingly amiss at the National’s Dorfman Theatre. There is a headset attached to...
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