When The Space Is The Protagonist
Mona el Gammal studied scenography, stage design, and exhibition design at Karlsruhe, Hochschule...
Read MorePosted by Ágnes Bakk | 28th Apr 2018 | Design, Germany, Interview
Mona el Gammal studied scenography, stage design, and exhibition design at Karlsruhe, Hochschule...
Read MorePosted by Pieter Vanhuysse | 6th Apr 2018 | Essay, Germany, Theatre and Opera, Theatre and Politics
In virtually all rich democracies, governments subsidize expensive highbrow culture, such as...
Read MorePosted by Ágnes Bakk | 17th Mar 2018 | Germany, Immersive Theatre, Interview, Transmedia
Interview with Dr. Robin Curtis, professor of media studies at Albert-Ludwigs-Universität...
Read MorePosted by Jonathan Kalb | 21st Feb 2018 | Germany, Review, Theatre and Politics
Plays set in recording studios, in my experience, are usually stories of entrapment. The spaces...
Read MorePosted by Davide Cioffrese | 17th Feb 2018 | Germany, Review, Switzerland
Nachlass: German word composed of “nach” (after) and the verb “lassen” (to leave). “Nachlass”...
Read MorePosted by European Theatre Lab | 26th Jan 2018 | Germany, News, Transcultural Collaborations, Transmedia
2018 is the European Year of Cultural Heritage. To bring awareness to the wealth and contribution...
Read MorePosted by Yana Meerzon | 6th Jan 2018 | Adaptation, Germany, Review
A Production of the Munich Kammerspiele winner of XIV Europe Prize Theatrical Realities, 2017...
Read MorePosted by Yana Meerzon | 4th Jan 2018 | Directing, Germany, Israel, Review
Doing It Right! Yael Ronen, an Israeli theatre director working for the Maxim Gorki Theater in...
Read MorePosted by Ágnes Bakk | 5th Dec 2017 | Germany, Interview, Participatory Theatre, Transmedia
It’s often stated that performing arts reflect changes in society. But how does this look when we...
Read MorePosted by Laila Richter | 28th Nov 2017 | Germany, News, Theatre and Disability
Traces of a Water Spirit #2 I think of myself as a highly sensitive person. One day my therapist...
Read MorePosted by European Theatre Lab | 25th Nov 2017 | France, Georgia, Germany, News, Transcultural Collaborations, Transmedia
What’s the digital revolution doing to us? A web series, a book and one of our theatre projects...
Read MorePosted by Christine Wahl | 14th Nov 2017 | Germany, Immersive Theatre, Interview, Participatory Theatre
Immersion means experiencing. What does this mean for the theatre? Thomas Oberender, Artistic...
Read MorePosted by The Theatre Times | 4th Nov 2017 | Germany, Interview, Management, Transcultural Collaborations, Ukraine
Heidi Wiley: With the creation of ETC, its founders wanted to establish a new form for...
Read MorePosted by Jürgen Berger | 2nd Nov 2017 | Germany, Theatre and Politics
The programmes of the 2017/2018 season are still defined by the theme complex “Migrant Life in...
Read MorePosted by The Theatre Times | 23rd Oct 2017 | Germany, Syria, Theatre and Dance
A group of Syrian dancers is going on tour across Germany with a show that tells of the plight...
Read MorePosted by Jonathan Kalb | 17th Oct 2017 | Acting, Germany, Review
Richard Crookback is Shakespeare’s dazzling carnival monster, a showoff criminal who charms us...
Read MorePosted by Alvina Ruprecht | 15th Oct 2017 | Canada, Germany, Theatre and Dance
The ghost of Pina Bausch was no doubt fluttering with excitement around the NAC last month as the...
Read MorePosted by Clement Lee | 21st Sep 2017 | Festivals, Germany, Hong Kong, Theatre and Politics
It was an achievement that West Kowloon Cultural District Authority and Goethe-Institut Hong Kong...
Read MorePosted by Christoph Leibold | 19th Sep 2017 | Austria, Germany
Hardly another art form is better suited for the work of remembrance than the theatre as a medium...
Read MorePosted by Ágnes Bakk | 5th Sep 2017 | Festivals, Germany, Interview, Transmedia
Signa and Arthur Köstler are the creative directors of SIGNA, the well-known performance...
Read More