India Archives - Page 7 of 18 - The Theatre Times

“VAST:” Returning to the Natural Body to Combat the History of Colonialism

Posted by Gowri S | 9th Dec 2019 | India, Review, Theatre and Decolonization, Theatre and Politics

From Reunion Island to India, this play explores freedom and history. A young boy from Nepal...

Hyderabad Children’s Theatre Festival Celebrates 10 Years

Posted by Neeraja Murthy | 7th Dec 2019 | Festivals, India, Review, Theatre for Young Audiences

The 10th edition of the Hyderabad Children’s Theatre Festival starts off with gusto. “I am...

“VAST” Uses Physical Theatre to Drive Home the Point that Man Longs for Nature

Posted by Gowri S | 3rd Dec 2019 | Devised Theatre, India, News, Theatre and Dance

A young boy from Nepal snatched away from his home in the Himalayas, now lives in a big slum in...

Kashmiri Poetess from 16th Century Comes to Life in “Zoon”

Posted by Vikram Phukan | 2nd Dec 2019 | India, Review, Theatre and Politics

The legendary Habba Khatoun comes to life in Purva Naresh’s Zoon, a play that attempts to give...

South Asian Theatre in Canada: SAWITRI Theatre Stages Three Short Plays in Gujarati

Posted by Abhimanyu Acharya | 28th Nov 2019 | Canada, India, Review

SAWITRI Theatre, based out of Mississauga, Ontario, recently paid a tribute to the acclaimed...

Up Close with Nala-Damayanthi and Duryodhana.

Posted by GS Paul | 25th Nov 2019 | Festivals, India, News

Kathakali buffs were able to familiarise themselves with rarely-presented characters and anecdotes...

“Beyond Bollywood:” An Indian Musical in Istanbul

Posted by Daily Sabah | 20th Nov 2019 | India, Musical Theatre, News, Turkey

The second Bollywood musical hosted by Istanbul’s Zorlu Performing Art Center (PSM), after...

“#Feminist:” Finding The Right Key

Posted by Neeraja Murthy | 18th Nov 2019 | India, News, Theatre and Politics

City-based Rangasthalam Actors Studio turns the spotlight on International Women’s Day theme for...

Reclaiming the Legend of Bhagat Singh

Posted by Vikram Phukan | 12th Nov 2019 | Documentary Theatre, India, Review, Theatre and Politics

Piyush Mishra’s Gagan Damama Bajyo centers around the young freedom fighter’s ideology of...

The Kathakar Festival Celebrates the Power of Storytelling

Posted by Shrinkhla Sahai | 5th Nov 2019 | Festivals, India, News

From grandparents’ tales to brand-building exercises and social media posts, storytelling is fast...

Between the Virtual and Real

Posted by Renu Ramanath | 4th Nov 2019 | Adaptation, Immersive Theatre, India, Review

Four strangers, a car and a video call make the play Bhranthu an unconventional visual experience....

A Transgender Theatre Group Focuses on the Lives of Fellow Members Through a Play

Posted by Harikumar J S | 30th Oct 2019 | India, LGBTQ+ Theatre, News

Mazhavil Dhwani which works towards the upliftment of the members of the transgender community in...

Between Activity and Reflection

Posted by Deepa Ganesh | 29th Oct 2019 | India, Review, Theatre and Art

The Art Experience workshop at Ninasam, tried to grapple with that experience which is...

Interpreting an Abstract Idea

Posted by Ranjani Govind | 28th Oct 2019 | India, Review, Theatre and Dance

Contemporary steps and fusion music will cruise through body-energies with Bharatanatya, Kathak,...

H.G., A Well-Executed Theatre Installation

Posted by Gowri S | 14th Oct 2019 | Immersive Theatre, India, Review

I am inside a dark room, saved by a lone light and a single stool. On one side is a curtain, but...

The Enduring Tale Of “Imam-E-Hind”

Posted by Anuj Kumar | 12th Oct 2019 | India, Playwriting, Review

Ahead of the première of Dastaan-e-Ram, writer Danish Iqbal discusses the joys and challenges of...

A Series of Sensory Experiences

Posted by Vikram Phukan | 10th Oct 2019 | India, Review

Theatremaker Sujay Saple and sound artist Mitsuaki Matsumoto’s collaboration is all about...

This Fairy-Tale Adaptation is a Multi-Sensory Experience.

Posted by M. Dinesh Varma | 4th Oct 2019 | India, Review, Sweden, Theatre for Young Audiences, Transmedia

Swiss theatre company Trickster-p’s production .h.g. is based on the classic Hansel and Gretel, by...

Purisai Festival Showcases Therukoothu and Community Theatre

Posted by Gowri S | 4th Oct 2019 | Festivals, India, News

The Purisai festival, that takes place in its namesake village, is peppered with therukoothu...

It is a Different Take on “Mahabharat:” Puneet Issar on Directing the Epic on Stage

Posted by Shilpa Sebastian R | 3rd Oct 2019 | India, Review, Theatre and Religion

Puneet Issar, who plays Duryodhan in BR Chopra’s renowned television show, says his version of the...

India

“VAST:” Returning to the Natural Body to Combat the History of Colonialism

Hyderabad Children’s Theatre Festival Celebrates 10 Years

“VAST” Uses Physical Theatre to Drive Home the Point that Man Longs for Nature

Kashmiri Poetess from 16th Century Comes to Life in “Zoon”

South Asian Theatre in Canada: SAWITRI Theatre Stages Three Short Plays in Gujarati

Up Close with Nala-Damayanthi and Duryodhana.

“Beyond Bollywood:” An Indian Musical in Istanbul

“#Feminist:” Finding The Right Key

Reclaiming the Legend of Bhagat Singh

The Kathakar Festival Celebrates the Power of Storytelling

Between the Virtual and Real

A Transgender Theatre Group Focuses on the Lives of Fellow Members Through a Play

Between Activity and Reflection

Interpreting an Abstract Idea

H.G., A Well-Executed Theatre Installation

The Enduring Tale Of “Imam-E-Hind”

A Series of Sensory Experiences

This Fairy-Tale Adaptation is a Multi-Sensory Experience.

Purisai Festival Showcases Therukoothu and Community Theatre

It is a Different Take on “Mahabharat:” Puneet Issar on Directing the Epic on Stage

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