The Beginner’s Guide To Acting And Transmedia
This is the first of a series of blog posts that look at the role of the actor in a transmedia...
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Transmedia
Secret Cinema’s “Moulin Rouge”: The Bohemian Revolution in Immersive Format
At the core of Secret Cinema, there is the promise of daring to be different. Combining the realms...
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Transmedia Storytelling in the Performing Arts, a New Grammar to be Learned: An Interview with Belén Santa-Olalla
Belén Santa-Olalla has a BA in Media Practice and Theory from Sussex University, Brighton. She...
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The Future of Theatre Creation? SpiderWebShow Unveils CdnStudio
Collaboration for theatre artists across borders may become a little easier thanks to an...
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Peter Scolari in “The Dreyfus Affair” at BAM
Journeying back to late 1800s, we see how anti-semitism, the sympathies of a poet, and military...
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The Critically Performative Work Of Hassan Khan
MMK3 is the smallest of Frankfurt’s Museum für Moderne Kunst’s three buildings, and...
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Adapting for Transmedia – Part II
Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...
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Adapting For Transmedia – Part I
Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...
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Complicite/Simon McBurney West Coast Premiere of “The Encounter” at The Wallis (Beverly Hills)
If your vacations haven’t been focused on interaction with indigenous shamans (as have many of...
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Cyber Theatre in China: Performance or Action?
Twenty years ago, it was inconceivable for people to meet without a physical encounter. But today,...
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Games And Theatre in Hybrid-Reality
Professor Judith Ackermann studied media, psychology, and computer linguistics prior to taking up...
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“Speed Show: Drifting Internet Café”: Diary of a Cyborg Theatre Production in Beijing
In Shuzo Oshimi’s comic series, Drifting Net Café, the protagonist runs into his first love from...
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I Want To Hear You Breathing: A Conversation With Mischa Dohler
The Theatre Times recently republished an article called “A New Form of Theatre Consumption...
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Tokyo-Based International Centre for Theatre Arts Shakes Up Japanese Theatre With New Production
You won’t be alone if you’ve never heard of the Tokyo-based International Centre for Theatre Arts,...
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Theatre Between Old and New Technology: Conversation With Tomáš Procházka of Handa Gote
Interview with Tomáš Procházka, one of the founding members of the Czech performing arts group...
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A New Form Of Theatre Consumption Aims To Revolutionize The World Of Theatre
The way media is produced and consumed has been transformed in the past decade or so thanks to...
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Theatre, Technology, and “The Tempest” – Interview With Sarah Ellis
Sarah Ellis is the head of digital development at the Royal Shakespeare Company. She first studied...
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“Mount Tackle” by Heike Langsdorf / RADICAL_HOPE
In this time of superdiversity, with different cultures and strata of the population living...
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Open Online Theatre Invites Its Audience to “Walk Into Space”
IJAD Dance Company begins 2017 with two firsts: the launch of its pioneering new digital platform...
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“Hopscotch Opera”: A Mobile Opera For 24 Cars From The Industry LA
Imagine getting in a car without knowing the destination. Sharing the car are singers, actors, and...
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