Transmedia Archives - Page 14 of 15

Transmedia Storytelling in the Performing Arts, a New Grammar to be Learned: An Interview with Belén Santa-Olalla

Posted by Ágnes Bakk | 17th Jun 2017 | Immersive Theatre, Interview, Participatory Theatre, Spain, Transmedia

Belén Santa-Olalla has a BA in Media Practice and Theory from Sussex University, Brighton. She...

The Future of Theatre Creation? SpiderWebShow Unveils CdnStudio

Posted by Rachel Offer | 19th May 2017 | Canada, Transmedia

Collaboration for theatre artists across borders may become a little easier thanks to an...

Peter Scolari in “The Dreyfus Affair” at BAM

Posted by Marcina Zaccaria | 13th May 2017 | New York, Theatre and Opera, Transmedia, United States of America

Journeying back to late 1800s, we see how anti-semitism, the sympathies of a poet, and military...

The Critically Performative Work Of Hassan Khan

Posted by Ajay Hothi | 1st May 2017 | Germany, Transmedia

MMK3 is the smallest of Frankfurt’s Museum für Moderne Kunst’s three buildings, and...

Adapting for Transmedia – Part II

Posted by Felix Mortimer | 22nd Apr 2017 | Adaptation, Immersive Theatre, Transmedia, United Kingdom

Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...

Adapting For Transmedia – Part I

Posted by Felix Mortimer | 22nd Apr 2017 | Adaptation, Immersive Theatre, Transmedia, United Kingdom

Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...

Complicite/Simon McBurney West Coast Premiere of “The Encounter” at The Wallis (Beverly Hills)

Posted by Lauren Deutsch | 15th Apr 2017 | Transmedia, United Kingdom

If your vacations haven’t been focused on interaction with indigenous shamans (as have many of...

Cyber Theatre in China: Performance or Action?

Posted by Sun Xiaoxing | 13th Apr 2017 | China, Essay, Transmedia

Twenty years ago, it was inconceivable for people to meet without a physical encounter. But today,...

Games And Theatre in Hybrid-Reality

Posted by Ágnes Bakk | 20th Mar 2017 | Germany, Interview, Transmedia

Professor Judith Ackermann studied media, psychology, and computer linguistics prior to taking up...

“Speed Show: Drifting Internet Café”: Diary of a Cyborg Theatre Production in Beijing

Posted by Sun Xiaoxing | 12th Mar 2017 | China, Review, Transmedia

In Shuzo Oshimi’s comic series, Drifting Net Café, the protagonist runs into his first love from...

I Want To Hear You Breathing: A Conversation With Mischa Dohler

Posted by Beatriz Cabur | 4th Mar 2017 | Immersive Theatre, Interview, Transmedia, United Kingdom

The Theatre Times recently republished an article called “A New Form of Theatre Consumption...

Tokyo-Based International Centre for Theatre Arts Shakes Up Japanese Theatre With New Production

Posted by Nobuko Tanaka | 23rd Feb 2017 | Japan, Transmedia

You won’t be alone if you’ve never heard of the Tokyo-based International Centre for Theatre Arts,...

Theatre Between Old and New Technology: Conversation With Tomáš Procházka of Handa Gote

Posted by Ágnes Bakk | 21st Feb 2017 | Czech Republic, Interview, Transmedia

Interview with Tomáš Procházka, one of the founding members of the Czech performing arts group...

A New Form Of Theatre Consumption Aims To Revolutionize The World Of Theatre

Posted by Tom Bawden | 16th Feb 2017 | Transmedia, United Kingdom

The way media is produced and consumed has been transformed in the past decade or so thanks to...

Theatre, Technology, and “The Tempest” – Interview With Sarah Ellis

Posted by Ágnes Bakk | 5th Feb 2017 | Interview, London, Participatory Theatre, Transmedia, United Kingdom

Sarah Ellis is the head of digital development at the Royal Shakespeare Company. She first studied...

“Mount Tackle” by Heike Langsdorf / RADICAL_HOPE

Posted by Kristof Van Baarle | 22nd Jan 2017 | Belgium, Immersive Theatre, Review, Transmedia

In this time of superdiversity, with different cultures and strata of the population living...

Open Online Theatre Invites Its Audience to “Walk Into Space”

Posted by Alexander Beeching | 11th Jan 2017 | Devised Theatre, London, Review, Theatre and Dance, Transmedia, United Kingdom

IJAD Dance Company begins 2017 with two firsts: the launch of its pioneering new digital platform...

“Hopscotch Opera”: A Mobile Opera For 24 Cars From The Industry LA

Posted by Lauren Deutsch | 22nd Dec 2016 | Immersive Theatre, Los Angeles, Participatory Theatre, Review, Theatre and Opera, Transmedia

Imagine getting in a car without knowing the destination. Sharing the car are singers, actors, and...

Gaming and the Future of Dramaturgy: Goethe’s “Faust” as an Immersive and Interactive Experience

Posted by Ágnes Bakk | 20th Dec 2016 | Dramaturgy, Immersive Theatre, Interview, South Korea, Transmedia

Peter Lee is the founder of NOLGONG, the Seoul-based game design company, which is also producing...

Play the Game on the Stage! Conversation with machina eX, One of The Most Immersive Theatre Companies in Germany

Posted by Ágnes Bakk | 14th Dec 2016 | Germany, Immersive Theatre, Interview, Transmedia

machina eX is one of the most immersive theatre company in Germany. They constantly recreate...

Transmedia

Transmedia Storytelling in the Performing Arts, a New Grammar to be Learned: An Interview with Belén Santa-Olalla

The Future of Theatre Creation? SpiderWebShow Unveils CdnStudio

Peter Scolari in “The Dreyfus Affair” at BAM

The Critically Performative Work Of Hassan Khan

Adapting for Transmedia – Part II

Adapting For Transmedia – Part I

Complicite/Simon McBurney West Coast Premiere of “The Encounter” at The Wallis (Beverly Hills)

Cyber Theatre in China: Performance or Action?

Games And Theatre in Hybrid-Reality

“Speed Show: Drifting Internet Café”: Diary of a Cyborg Theatre Production in Beijing

I Want To Hear You Breathing: A Conversation With Mischa Dohler

Tokyo-Based International Centre for Theatre Arts Shakes Up Japanese Theatre With New Production

Theatre Between Old and New Technology: Conversation With Tomáš Procházka of Handa Gote

A New Form Of Theatre Consumption Aims To Revolutionize The World Of Theatre

Theatre, Technology, and “The Tempest” – Interview With Sarah Ellis

“Mount Tackle” by Heike Langsdorf / RADICAL_HOPE

Open Online Theatre Invites Its Audience to “Walk Into Space”

“Hopscotch Opera”: A Mobile Opera For 24 Cars From The Industry LA

Gaming and the Future of Dramaturgy: Goethe’s “Faust” as an Immersive and Interactive Experience

Play the Game on the Stage! Conversation with machina eX, One of The Most Immersive Theatre Companies in Germany

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